Universität Hamburg Fachbereich Sprach-, Literatur- und Medienwissenschaft Logo Fachbereich 07 SLM
  UHH : Dept. SLM I + II : Berichte und Papiere   Suche  
Berichte und Papiere
ISSN 1613-7477

verlinkter Unterpunkt Startseite
verlinkter Unterpunkt Index
verlinkter Unterpunkt Liste
verlinkter Unterpunkt Hinweise für Autoren

Medienwissenschaft / Hamburg: Berichte und Papiere

92 / 2009: Ken Loach

 

ISSN 1613-7477.

Redaktion und Copyright dieser Ausgabe: Hans J. Wulff.

Letzte Änderung: 09. Dezember 2008.




Ken Loach: Eine Arbeitsbibliographie

Zusammengestellt von Hans J. Wulff

 

Inhalt:

I. Loach über Loach / Interviews

II. Bücher / Artikel

Die Fernseharbeiten und -auftritte sowie Sendungen über Loach

III. Die Filme



I. Loach über Loach / Interviews:

Alion, Yves: [Interview.] In: Revue du Cinéma/Image et Son, 476, Nov. 1991, p .28-29.

Anon.: [Interview.] In: Chaplin, 116, June 1972,  pp. 182-184. Schwedisch. - Über Loachs Arbeit für die BBC und die „kolonisierte“ britische Filmindustrie.

Anon.: [Interview mit Loach und Barry Hines.] In: Jeune Cinéma, 137, Sept. 1981, pp. 12-15. - Über soziale Probleme und Familienleben.

Anon.: Talking to Ken Loach. In: Vertigo 1,6, 1996, p. 14.

Anon.: Round table: 'Murdoch is closing all the windows...' In: Screen International, 1471, 8.10.2004, p. 26. - Round table discussion on the rise of independent political cinema in reaction to Hollywood ideology and some government monopoly on TV news as in the US and Italy.

Anon.: My First Movie: Primal Scream: Directors on their first film-going experience. In: Empire, 190, April 2005, p. 112. - Über The Thief of Baghdad.

Anon.: Making Films That Afflict the Comfortable: A Chat With Director Ken Loach. In: TheWildGeese.com, URL, Tl. 1: http://www.thewildgeese.com/pages/loachqa1.html; Tl. 2: http://www.thewildgeese.com/pages/loachqa2.html.

Anon.: Cannes at 60: Director profiles. In: Screen International, 1597, 18.5.2007, pp. 17, 19-20, 23, 25. - Interviews with a selection of directors to have won the Palme d'Or at the Cannes Festival International du Film, about their reactions to winning and how it has affected their career since.

Archibald, David: Correcting Historical Lies: An Interview with Ken Loach and Paul Laverty. In: Cinéaste 32,2, April 2007, pp. 26-30. - About their film The Wind That Shakes the Barley, the controversy it caused and how it reflects the politics of the Anglo-Irish war and the Irish Civil War.

Arnold, Frank: Die Kamera ist nur ein Beobachter: Interview mit Ken Loach. In: EPD Film 16, Feb. 1999, pp. 6-7.

Brett, Anwar: Director's chair: Ken Loach. In: Film Review, 672, July 2006, pp. 108-112. - On The Wind That Shakes the Barley and politics.

Camy, Gerard: L'équipe du film s'éxplique: conférence de presse de Ken Loach. In: Jeune Cinema, 202, 1990, pp. 26-28.

Ciment, Gilles: Entretien avec Ken Loach. In: Positif, 404, Oct. 1994, pp. 8-12.

Ciment, Michel: Entretien avec Ken Loach: La Position de l'observateur distant. In: Positif: Revue Mensuelle de Cinéma, 547, Sept. 2006, pp. 19-24.

Codelli, Lorenzo, / Bourget, Jean-Loup / Niogret, Hubert: Entretien avec Ken Loach. In: Positif, 416, Oct. 1995, pp. 73-79.

Forde, Leon: Close up: Ken Loach. In: Screen International, 1307, 4.5.2001, p. 33.

Gorin, François: Ils sont à Cannes cette année - Ken Loach. In: Télérama, 2522, 13.5.1998, pp. 50-51.

Jacobson, Harlan: On the job. In: Film Comment 43,1, Jan. 2007, pp. 21-22. - On the relationship between film and poli tics.

Keighron, Peter / Walker, Carol: Working in Television: Five Interviews. In: Hood, Stuart (ed.): Behind the Screens: The Structure of British Television in the Nineties. London: Lawrence & Wishart 1994.

Kelly, Richard T.: Ken Loach: A Class Act. In: Sight and Sound 17,11, Nov. 2007, pp. 30-33.

Köhler, Margret: ...leben wie in einem Ghetto: ein Gespräch mit Ken Loach. In: Film-Echo/Filmwoche, 1, 9.1.1999, p. 39.

Lavoignat, Jean-Pierre: Messieurs les Anglais... In: Studio Magazine, 99, May 1995, pp. 100-103. - Interview mit Ken Loach und Christopher Hampton über aktuelle englische Filme.

Levin, G. Roy: Documentary Explorations. 15 Interviews with film-makers. Garden City, NY: Doubleday 1971, S. 95-110.

Llena, Toni: Entrevista con Ken Loach. In: Film-Historia 9,1, 1999, pp. 47-53.

[Loach, Ken:] Loach on Loach. Ed. by Graham Fuller. London: Faber 1998, XI, 147 S.

Rez. (Pride, Ray) in: Filmmaker: The Magazine of Independent Film 7,4, 1999, p. 71.

Rez. (Petley, Julian) in: Journal of Popular British Cinema, 5, April 2002, pp. 159-163.

Rez. in: In the Picture, 36, July 1999, pp. 30-31.

Rez. (Matthews, Peter) in: Sight and Sound 9,2, Feb. 1999, p. 31.

Newsinger, John: Scenes from the class war: Ken Loach and socialist cinema. [Review.] In: International Socialism Journal, 83, 1999, S. 155ff. - Online: http://pubs.socialistreviewindex.org.uk/isj83/newsinger.htm.

Maurer, Monika: Reel life: Reel news: my life in the movies. In: Empire, 114, Dec. 1998, p. 62. - Über Loachs Lieblingsfilme.

McFarlane, Brian: An interview with Ken Loach. October 1995. In McFarlanes: An Autobiography of British Cinema. London: Methuen 1997.

McKibbin, Tony: Lives less ordinary: Ken Loach. In: Film West, 35, Feb. 1999, pp. 34-39. - Über den sozialen Hintergrund Loachs, seine Herkunft und die frühe Karriere sowie die Einflüsse, die seinen eigenen Stil des Filmemachens prägten.

Nave, Bernard: Rencontre avec Ken Loach. In: Jeune Cinéma, 240, Nov./Dec. 1996, pp. 15-20.

O‘Hagan, Sean: Here’s Looking At You, Kid. In: The Guardian (weekend ed.), 13.3.1999, p. 13.

Ostria, Vincent: Entretien avec Ken Loach. In: Cahiers du Cinéma, 484, Oct. 1994, pp. 37-41.

Petley, Julian: An Interview with Ken Loach. In: Framework, 18, 1982, S. 9-12.

Pilard, Philippe: Entretien avec Ken Loach. In: Positif, 392, Oct. 1993, pp. 18-21.

Pincus, Adam: Things I cannot change. In: Filmmaker: the Magazine of Independent Film 7,2, 1999, pp. 52-55.

Porton, Richard: The revolution betrayed: an interview with Ken Loach. In: Cineaste 22,1, 1996, pp. 30-31.

Quart, Leonard: A Fidelity to the Real. An Interview with Ken Loach and Tony Garnett. In: Cineaste 10,4, 1980, S. 26-29.

Richards, Olly: Popcorn: Pint of milk. In: Empire, 205, July 2006,  p.70.

Robbins, Mike: Ken Loach. In: Senses of Cinema, URL: http://www.sensesofcinema.com/contents/directors/03/loach.html.

Ryan, Susan / Porton, Richard: The Politics of Everyday Life. An Interview with Ken Loach. In: Cinéaste 24,1, Dec. 1998, S. 22-27.

Strickland, Christopher: Real returns: the resurgence of social realism. In: IF Magazine: Australia‘s Independent Film Magazine, 19, Nov. 1999, pp. 18-20.

Weitere Interviews:

Aziz, Christine: Shoulder to shoulder. In: The Observer, 22.3.1987.

Hattenstone, Simon. O.T. In: The Guardian, 28.10.1998.

North, Madeleine: You've just been Loached. In: The Guardian, 30.1.1999.

L'Humanité, 13.5.2000.

 

II. Bücher / Artikel:

Audino, Dino (a cura di): Ken Loach. Roma: Audino [1995], 64 S. (Script / Leuto. 27.).

Bachner, Alice [...]: Ken Loach. Hrsg. von Filmstellen VSETH/VSU. Zürich: VSETH [...] 1994, 53 S.  (Dokumentation / Filmstellen VSETH/VSU. Sommer 1994.).

Bodmer, Michel: "Um die Verbindung zwischen Persoenlichem und Oeffentlichem geht es mir." In: Filmbulletin  43,2, [=231], 2001, pp. 13-15.

Boni, Stefano [Red.]: Ken Loach. Torino: Scriptorium 1995,  137 S. (Garage. 5.).

Filmogr. S. 119-137.

Bori, Erzsebet: Proli akcentus. In: Filmvilag 40,3, 1997, 21-23.

Ungarisch.

Brown, Geoff : Paradise Found and Lost: The Course of British Realism. In: Robert Murphy (ed.): The British Cinema Book. London: British Film Institute 1997, S. 187-197.

Brown, Robert: Continuing...the State of Things. In: Monthly Film Bulletin 50,588, Jan. 1983, p. 11.

Brunetta, GianPiero: Il regista Ken Loach ha criticato aspramente la "politica centrista" di Tony Blair. In: Cinema Sud 38, Aug./Sept./Oct. [=121], 1998, p. 5.

Cacqueray, Elizabeth de: Utopie / utopies selon Ken Loach. In: CinémAction, 115, April 2005, [Themenheft]. - Über Formen der Utopie und ihre kinematographische Repräsentation.

Repr.: Utopie/utopies selon Ken Loach. In:  Dureau, Yona (ed. and introd.): Utopie et cinéma. Condé-sur-Noireau: Corlet 2005, pp. 121-130.

Carro, Nelson: Ken Loach un cineasta radical. In: Dicine: Revista de Diffusion e Investigacion Cinematograficas a.c. 51, May 1993, pp. 26-27.

Christie, Ian: Mirror images. French reflections of British cinema. In: Lettre de la Maison Française d'Oxford, 11, Oct. 1999, S. 83-92.

Circuito Cinema, 159, Sept. 1993: Themenheft „Ken Loach“. A cura di Massimo Chirvi.

Curot, Frank: Styles filmiques. 2: Les réalismes: Cassavetes, Forman, Kiarostami, Loach, Pialat.

Paris/Caen: Lettres modernes Minard 2004, 291 pp. (Études cinématographiques, 69.). - I. Relativité du réalisme au cinéma; II. Styles filmiques réalistes - types, principes, composantes; III. Trois styles individuels semi-documentaires et le réalisme de captage.

Danniel-Grognier, M.: La mère et la révolutionnaire: même combat? Problématique sur le rôle des femmes dans le cinéma de Ken Loach. In: Revue française de Civilisation britannique 11,2, 2001.

De Giusti, Luciano: Ken Loach. Milano: Ed. Il Castoro 1996, 148 S. (Il Castoro Cinema. 180.).

Doubleday, Simon: Ken Loach and the cinema of social conscience. In: Pugliese, Stanislao G. (ed.): The political legacy of Margaret Thatcher. London: Politico's 2003, pp. 226-237.

Duncan, Andrew: O.T. In: Radio Times 308,4020, 17.3.2001, pp. 8-10, 12.

Dupuy, Pascal: Kenneth Loach ou la haine du pouvoir. In: Vertigo: Revue d‘Esthétique et d‘Histoire du Cinéma, 13, 1995, pp. 105-106.

Elstob, Kevin: Some Thoughts on Naturalism, Impressionism and Emile Zola in the Cinema of Mike Leigh and Ken Loach. In: Excavatio: Emile Zola and Naturalism, 11, 1998, pp. 167-181.

English, James F.: Local Focus, Global Frame: Ken Loach and the Cinema of Dispossession. In: Fires were started: British cinema and Thatcherism. Ed. by Lester Friedman. 2nd ed., London: Wallflower 2006 (Film Studies.).

Fausti, Claudio / Murri, Serafino: Fiducia nel tempo. In: Close-up: Storie della Visione 2,4, 1998, pp. 74-81.

Forsyth, Scott: Making and remaking class in Ken Loach's recent films. In: CineAction!, 61, Aug. 2003, pp. 66-67.

Garcia, Maria: Song of freedom. In: The Film Journal 101, July 1998, p. 34-35.

Geffner, David: Politics as usual. In: DGA Magazine 24,5, 2000, pp. 52-55.

Gilodi, Renzo: Ken Loach e il suo cinema di cose criticamente pensate. In: Cinema Sessanta 36,2, 1995, pp. 31-38.

Giraldo, Carlos Augusto: El espiritu de la realidad en el cine de Ken Loach. In: Kinetoscopio 11/12, 56/57, 2000, pp. 24-27.

Hacker, Jonathan / Price, David: Take 10: Contemporary British Film Directors. Oxford/New York: Oxford University Press 1992, S. 272-309.

Hacker, Jonathan: A golden vision: the works of Ken Loach. In: National Film Theatre Programmes, July 1992, pp. 7-12.

Handling, Piers: Pleins feux sur Ken Loach. In: La Révue de la Cinémathèque, 39, Oct. 1997, pp. 4-5.

Hayward, Anthony: Which side are you on? Ken Loach and his films. London: Bloomsbury 2005, VIII, 308 S.

Herpe, Noël [...]: Dossier - Ken Loach. In: Positif, 416, Oct. 1995, S. 70-79.

Hill, John: Every fuckin' choice stinks. In: Sight & Sound 8, Nov, 1998, pp. 18-21. - Über den kontinuierlichen Gebrauch von melodramatischen Themen und politischen Visionen.

Hill, John: Failure and Utopianism: Representations of the Working Class in British Cinema of the 1990s. In: Murphy, Robert (ed.): British Cinema of the 90s. London: British Film Institute 2000, pp. 178-187.

Hill, John: A Working-Class Hero Is Something to Be? Changing Representations of Class and Masculinity in British Cinema. In: Powrie, Phil / Davies, Ann / Babington, Bruce (ed. and introd.): The Trouble with Men: Masculinities in European and Hollywood Cinema. London: Wallflower 2004., pp. 100-109.

Hoffmann, Claudia (Red.): Ken Loach Werkschau, Mai 1998. Herausgeber: Kommunales Kino guckloch. Redaktionelle Mitarbeiter: Claudia Hoffmann [...]. Villingen-Schwenningen: Kommunales Kino guckloch 1998, 43 pp.

Kibar, Osman: Ken Loach pa ny jord. In: Film & Kino, 1, Feb./March 1997, pp. 22-25. - Norwegisch.

Lavin, Michael: Docteur Loach et Mister Hill. In: Trafic, 36, Winter 2000, pp. 74-86.

Lefèvre, Raymond: Chez les paumes du libéralisme. In: Le Mensuel du Cinéma, 10, Oct. 1993, pp. 78-80.

Leigh, Jacob: The cinema of Ken Loach. Art in the service of the people. London: Wallflower 2002, 211 S. (Directos' Cuts.). - Examines the connection between art and politics that distinguishes the work of this leading British film director, whose work includes such landmarks of British cinema as Kes, Land and Freedom, and Bread and Roses. Each chapter explores changes in his style by interpreting one or two films, augmented with original archive research and new interviews.

Rez. (Cooke, Lez) in: Journal of British Cinema and Television  1,1, April 2004,  pp. 164-168.

Rez. (Glienke, Olivia) in: Filmwaves, 19, Dec. 2002, p. 54.

Rez. (Florian Grandena: Realism, Politics, and Melodrama) in: Film-Philosophy 8,3, Jan. 2004, URL: http://www.film-philosophy.com/vol8-2004/n3grandena.

MacMurraugh-Kavanagh, M.K.: 'Drama' into 'news'. Strategies of intervention in The Wednesday Play series. In: Screen 38,3, Oct. 1997, S. 247-259.

Malcolm, Derek: Straight out of Britain, tales of working-class life. In: The New York Times 142, 31.1.1993, sect. 2, p. 20.

McKnight, George: Agent of challenge and defiance. The films of Ken Loach. Trowbridge: Flicks Books 1997, VI, 234 S. (Cinema Voices.). - Zugl. Westport, Conn: Greenwood Press 1997. - Inhalt: Introduction / George McKnight -- Ken Loach: histories and contexts / Stuart Laing -- Factual fictions and fictional fallacies: Ken Loach's documentary dramas / Julian Petley -- Naturalism, narration and critical perspective: Ken Loach and the experimental method / Deborah Knight -- Ken Loach's domestic morality tales / George McKnight -- Ken Loach and questions of censorship / Julian Petley -- Finding a form: politics and aesthetics in Fatherland, Hidden Agenda and Riff-Raff / John Hill -- Saturn's feast, Loach's Spain: Land and Freedom as filmed history /Patrick MacFadden -- Interview with Ken Loach / John Hill -- Ken Loach: filmography / Edited by George McKnight -- Ken Loach: selected bibliography / Edited by Matthew Stevens and George McKnight.

Rez. (Neve, Brian) in: Cineaste 23,3, 1998, pp. 50-51.

Rez. (Williams, Tony) in: Film Quarterly 53,3, 2000, p. 54.

Rez. in: In the Picture, 36, July 1999, pp. 30-31.

Rez. (Cook, John) in: Journal of Popular British Cinema, 2, Jan. 1999, pp. 185-186.

MacMurraugh-Kavanagh, M.K.: ‚Drama‘ into ‚news‘. Strategies of intervention in The Wednesday Play. In: Screen 38,3, Oct. 1997, pp. 247-259. - An exploration of how the notion of 'objectivity' (i.e. the refraining from expressing opinions on current affairs policy) within the BBC was challenged by James MacTaggart, Tony Garnett and Ken Loach through The Wednesday Play series.

O‘Carroll, S.: Étudier le cinéma de Ken Loach: réflexions méthodologiques. In: Revue française de Civilisation britannique 11,2, 2001.

Oelke, Kerstin: Sozialkritik auf der Leinwand. In: Filmforum, 13, Aug. 1998, pp. 7-9.

Okyay, Sevin: Ken Loach. In: Cinemaya: the Asian Film Quarterly, 47/48, Spring/Summer 2000, pp. 86-87.

Paget, Derek: Tales of Cultural Tourism. In: Rosenthal, Alan (ed.): Why Docudrama? Fact-Fiction on Film and TV. Carbondale, IL: Southern Illinois University Press 1999, pp. 47-63. - Über die TV-Docudramas.

Peigné-Giuli, Annick: La femme, figure de la compassion chez Loach. In: Documentaires - Ken Loach. Ed. par Cathérine Blangonnet. Paris: Association Images Documentaires 1997.

Petley, Julian: Ken Loach. La mirada radical. Valladolid: Semana de Cine 1992, 191 S.

Petley, Julian: Ken Loach – Politics, Protest & the Past. In: Monthly Film Bulletin  54,638, March 1987, p. 94.

Pilard, Philippe: Cinéma britannique: ou est passée la marge? In: CinémAction, 91,2, 1999, pp. 122-132.

Quart, Leonard: A Fidelity to the Real. In: Cineaste 10,4, 1980, pp. 26–29.

Quart, Leonard / Kornblum, William: Documenting workers.(workers on film). In: Dissent 48,4, Fall 2001, pp. 117-121. - Concerning images of labor as portrayed in moving images. Particular attention is given to portrayals of labor in the films of Ken Loach, including Bread and Roses and Riff Raff.

Rall, Marina Caba: Das Dokumentarische in den Kinofilmen Ken Loachs. In: Film und Fernsehen 26,2, 1998, pp. 34-41.

Rizza, Gabriele (a cura di): Ken Loach. Un cineasta di classe. Firenze: Ed. Aida 2004, 158 S. (Personaggi e Interpreti. 10.).

Robins, Mike: Ken Loach, b. Kenneth Loach. In: Senses of Cinema, URL: http://www.sensesofcinema.com/contents/directors/03/loach.html.

Rousselet, Francis: Ken Loach, un rebelle. Paris: Ed. du Cerf [...] 2002,  204 S. (7e art. 117.).

Ryan, Susan / Porton, Richard: The politics of everyday life. In: Cineaste 24,1, 1998, pp. 22-27.

Online: www.lib.berkeley.edu/MRC/LoachInterview.html.

Sandford,  Jeremy: Cathy Come Home. In: Alan Rosenthal (ed.): The New Documentary in Action: A Casebook in Film Making. Berkeley, CA: University of California Press 1971, S. 164-175.

Schwartz, Paula: The message in the medium. In: MovieMaker Magazine (US), 43, Summer 2001, pp. 76-78.

Slaughter, Jane: Revolution is a Pregnant Cow. In: The Progressive, July 1996, S. 30-33.

Smith, Gavin: Voice in the Dark. In: Film Comment, March-April 1988, S. 38-46.

Smith, Gavin: Sympathetic Images. In: Film Comment, March-April 1994, S. 58-67.

Sossi, Tiziano: Aria di casa. In: Filmcronache, 67/68, 1998, pp. 14-16.

Svensson, Agneta: Vinnie Jones vs. Ken Loach. In: Film & TV, 4, 2000, pp. 12-16.

Schwedisch.

Thomas, Erika: Le cinéma de Ken Loach. Misères de l'identité professionnelle. Paris: Harmattan 2005, 100 S. (De visu.).

Thomas, Erika: Ken Loach. Un regard cinématographique sur l'aliénation familiale. Paris: L'Harmattan 2006, 102 S. (De visu.). - Kes (1970), Family Life (1971) et Sweet Sixteen (2002) constituent trois films à part dans la filmographie de Ken Loach constituant un questionnement subtil sur l'aliénation familiale: une exploration de ces univers oppressifs et répressifs des vécus individuels qui s'articulent toujours au sein du collectif. A la manière d'un clinicien, le cinéaste observe, recueille et organise les éléments explicatifs des modes d'agir et d'être des uns et des autres.

Tulloch, John: Television Drama. Agency, Audience, and Myth. London 1990, S. 152-165.

Tulloch, John / Tulloch, Marian: Discourses about Violence: Critical Theory and the 'TV Violence' Debate. In: Miller, Toby (ed.); Television: Critical Concepts in Media and Cultural Studies 3, 2003, pp. 309-353.

Zuerst in: Text 12,2, 1992, pp. 183-231.

Tulloch, Marian / Tulloch, John: Television, industrial relations & audiences. Representing & reading strikes. In: Representing Media Information Australia, 70, Nov. 1993, pp. 34-42. - Includes a look at Ken Loach's work, particularly Which Side Are You On?

Volk, Stefan: Solidarität: Ken Loach zum 70. Geburtstag. In: Film Dienst 59,12, 8.6.2006, pp. 45-47.

Wakeman, John: Ken Loach. In: John Wakeman (ed.), World Film Directors 1945–1985. New York: H.W. Wilson Co. 1988, pp. 593–597.

Walker, Alexander: Hollywood UK. The British Film Industry in the Sixties. New York: Stein and Day 1974, S. 373-383.

Wulff, Hans J.: Vom Gucken, vom Lächeln: Ein Tribut an Ken Loach. In: f.lm, 5.1.2008, URL: http://www.f-lm.de/?p=1270.

Weitere Artikel:

Film Comment 24,2, March 1988, pp. 38-39, 42-46.

Stills, 27, May 1986, pp. 144-148.

Television Weekly, 80, 3.8.1984, p. 6.

 

Die Fernseharbeiten und -auftritte sowie Sendungen über Loach

Z Cars (Task Force Police)

- The Whole Truth... (1964) TV episode

- A Straight Deal (1964) TV episode

- Profit by Their Example (1964) TV episode

Diary of a Young Man

- Life, or a Girl Called Fred (1964) TV episode

- Marriage (1964) TV episode

- Survival or They Came to a City (1964) TV episode

The Wednesday Play

- A Tap on the Shoulder (6.1.1965)

- Wear a Very Big Hat (17.2.1965)

- Three Clear Sundays (7.4.1965)

- Up the Junction (3.11.1965)

- The End of Arthur's Marriage (17.11.1965)

- The Coming Out Party (22.12.1965)

- Cathy Come Home (16.11.1966) - auch Drehbuch

- In Two Minds (1.3.1967) 

- The Golden Vision (17.4.1968)

- The Big Flame (19.2.1969)

Play for Today (englische Fernsehserie)

- The Rank and File (20.5.1971)

- The Price of Coal: Part 1 (29.3.1977)

- The Price of Coal: Part 2 (55.4.1977)

Clapper Board

- Rising Damp and Black Jack (182.2.1980) - als Ken Loach

Hollywood U.K.

- A Very British Picture (1.1.1993) - als Ken Loach

- Making It in London (11.1993) - als Ken Loach

The South Bank Show

- Ken Loach (3.10.1993) - als Ken Loach

Cinema tres (katalanisches Fernsehen)

- Sd. am 20.9.1996 - als Ken Loach

- Sd. am 23.2.2008 - als Ken Loach

Cinéma de notre temps (französisches Fernsehen)

- Citizen Ken Loach (2.7.1997)

Question Time

- Sd. am 21.6.2001

The Buzz

- Episode #1.2 (11.10.2002) - als Ken Loach

Breakfast

- Sd. am 13.9.2004

- Sd. am 30.5.2006

Lettre à un jeune cinéaste (französisches Fernsehen)

- Ken Loach (20.5.2005)

Saturday Night with Miriam

- Episode #2.2 (15.7.2006)

British Film Forever

- Hardship, Humour and Heroes: The Story of British Realism (11.8.2007)

Cartelera (spanisches Fernsehen)

- Sd. am 23.2.2008

 

III. Die Filme

Up the Junction (1965)

Macmurraugh-Kavanagh, Madeleine / Lacey, Stephen: Who Framed Theatre? The 'Moment of Change' in British TV Drama. In: New Theatre Quarterly (NTQ) 15,1 [=57], 1999, pp. 58-74.

 

Cathy, Come Home (Komm nach Hause, Cathy), 1966, BBC

Carner, John: Cathy Come Home. In: Creeber, Glen / Miller, Toby (ed.); Tulloch, John (ed.): The Television Genre Book. London: British Film Institute 2001, p. 33.

Hibbin, Nina: Dokument och fiktion. In: Chaplin 23,2, 1981, pp. 48-51.

O'Carroll, Susannah: Cathy Come Home de Ken Loach: Un déclencheur de la „redécouverte de la pauvreté“ des années soixante? In: Frison, Danièle (ed.): Pauvreté et inégalités en Grande-Bretagne de 1942 à 1990. Paris: Ellipses 2000, pp. 271-283.

Petley, Julian: Why Cathy will never come home again. In: New Statesman & Society 6, 2.4.1993, pp. 23-25.

Sandford, Jeremy: Cathy Come Home. In: Alan Rosenthal (ed.): The New Documentary in Action: A Casebook in Film Making. Berkeley, Cal.: University of California Press 1971, pp. 164–175.

Sandford, Jeremy: Cathy come home. Reprint London [...]: Boyars , X, 142 S.

Ward, Colin.: Cathy never came. In: New Statesman & Society 3, 20.7.1990, p. 23.

 

Poor Cow (Poor Cow - geküßt und geschlagen), 1967

Fudge, Richard: The films of Ken Loach and Tony Garnett: speaking directly to people. In: Jump Cut: a Review of Contemporary Media, 10/11, Summer 1976, pp. 41-43.

Reviews:

Sight and Sound 11,9, Sept. 2001, p. 61.

Sight and Sound 10,8, Aug. 2000, p. 62.

Film Francais, 1478, 16.3.1973, p. 14.

Monthly Film Bulletin 35,409, Feb. 1968, p. 23.

Daily Cinema, 9459, 13.12.1967, p. 4.

Variety, 13.12.1967, p. 6.

Kine Weekly, 3139, 9.12.1967, p. 8.

 

Kes (Kes), 1969

Andrew, Geoff: Kes in Context. In: National Film Theatre Programmes, Oct. 1999, pp. 28-30.

Colpart, G.: Rez. In: Téléciné, 215, Fév. 1977, p. 16.

Darke, Chris: Sweet bird of youth. In: Film Comment 43,4, July 2007, p. 20.

Eccleston, Christopher: "Kes" and my own life. In: Sight & Sound 6, Oct, 1996, p. 8.

Hibbin, Nina: Dokument och fiktion. In: Chaplin 23,2, 1981, pp. 48-51. - Schwedisch.

Nave, Bernard: Rez. In: Jeune Cinéma, 193, Feb./Mars 1989, pp. 46-47.

Robbins, Mike: Rez. In: Senses of Cinema, URL: http://www.sensesofcinema.com/contents/cteq/03/28/kes.html.

Reviews:

Cinema Retro 2,5, April 2006, p. 56.

Woolston, Steve. [Rez. der Filmmusik.] In: Music from the Movies, 39, Sept. 2003, p. 59.

Sight and Sound 13,3, March 2003, pp. 63-64.

Film Review, 627, Feb. 2003, p. 91.

Empire, 164, Feb. 2003, p. 134.

The Guardian, 22.6.2000.

Empire, 135, Sept. 2000, p. 126.

Mottram, James: Kes. In: Film Review, Nov. 1999, p. 36

Jeffries, Neil: New films. In: Empire, 125, Nov. 1999, p. 30

Thomas, Ceri: Kes. In: Total Film, 34, Nov. 1999, p. 104

Andrew, Geoff: Kes in Context. In: National Film Theatre Programmes, Oct. 1999, pp. 16-21.

Matthews, John: A very dramatic game. In: Classic Television, 5, June 1998,  pp. 6-7. - U.a. zu Kes.

Motion Picture Herald, 240,28, 23.9.1970, p. 507.

Hollywood Reporter 212,47, 17.9.1970, p. 8.

Film Français, 1349, 10.7.1970, p. 14.

Sight and Sound 39,3, July 1970, p. 130-131. - Über die Probleme des Verleihs.

Films and Filming 16,8, May 1970, pp. 53-54.

Variety, 8.4.1970, p. 22.

Afterimage 1,1, April 1970, pp. 48-55. - Interview mit Tony Garnett.

Monthly Film Bulletin 37,435, April 1970, p. 74.

Today's Cinema, 9791, 31.3.1970, p. 1.

Today's Cinema, 9789, 20.3.1970, p. 9.

Kine Weekly, 3257, 14.3.1970, p. 12.

Kine Weekly, 3243, 6.12.1969, p. 26.

Sight and Sound  38,4, Oct. 1969, p. 214.

 

After a Lifetime (Nachtrag), 1971, BBC

 

Family Life (Familienleben), 1971

Anon.: [Interview.] In: Cinéma, 171, Dec.1972, pp. 74-77.

Barnett, Anthony / McGrath, John / Mathews, John / Wollen, Peter: Interview with Tony Garnett and Ken Loach: Family Life in the Making. In: Jump Cut: A Review of Contemporary Media, 10-11, June 1976, pp. 43-45.

Fudge, Richard: The films of Ken Loach and Tony Garnett: speaking directly to people. In: Jump Cut: a Review of Contemporary Media, 10/11, Summer 1976, pp. 41-43.

Hoffman, Eva: Lessons in how to film the troubled psyche. In: The New York Times 127, 16.7.1978, p. 25.

Gauthier, Brigitte: Espaces asilaires: Techniques cinématographiques de l'aliénation dans Family Life de Ken Loach. In: Licorne, 28, 1994, pp. 101-111.

Stables, Kate: Rev. In: Sight and Sound 17,8, Aug. 2007, p. 86.

Reviews:

Listener 119,3065, 2.6.1988, p.42.

Radio Times 221,2867, 21.10.1978, p. 91. - Brief von David Mercer.

Jump Cut, 10/11, Jan. 1976, pp. 43-45.

Cinema e Cinema 1,1, Oct. 1974, pp. 98-101.

Rivista del Cinematografo, 5, May 1974, pp. 38-41.

Cineforum, 131, April 1974, pp. 255-267.

Film Quarterly 26,4, July 1973, pp. 2-9.

Avant-Scène du Cinéma, 133, Fév. 1973, pp. 1-52. - Skript u. Reviews.

Positif, 147, Fév 1973, pp. 616-665.

Cahiers du Cinéma, 244 , Fév. 1973, pp. 44-48. - Analyse unter der These, der Film folge einem kleinbürgerlichen Ansatz.

Image et Son, 267, Janv. 1973, pp. 51-64, 119-121. - Roundtable.

Ecran, 10, Déc. 1972, pp. 63-65.

Cinéma, 171, Déc. 1972, pp. 74-77. Interview.

Filmfacts 15,23, Dec. 1972, pp. 582-584.

Cinéma, 170, Nov. 1972, pp. 119-121.

Jeune Cinéma, 66, Nov. 1972, pp. 29-33. - Interview.

Hollywood Reporter 223,17, 5.10.1972, p. 13.

Cinéma Québec 2,2, Oct. 1972, p. 42.

Films and Filming 18,5, Feb. 1972, pp. 52-54

Monthly Film Bulletin 39,457, Feb. 1972, p. 31

CinemaTV Today, 9962, 8.1.1972, p. 26.

Films Illustrated  1,7, Jan. 1972, p. 26.

Hollywood Reporter 219,20, 29.12.1971, p. 3.

Variety, 8.12.1971, p. 20.

Sight and Sound  41,1, Dec. 1971, pp. 50-51.

 

Days of Hope (Tage der Hoffnung), 1975, BBC, Vierteiler

Anon.: [Interview.] In: Cinema Papers, 12, April 1977, pp. 299-301.

Behrendt, Flemming. Nye tider. In: Kosmorama 22,130, 1976, pp. 171-172.

Caughie, John: Progressive television and documentary drama. In: Screen 21,3, 1980, pp. 9-35.

McArthur, Colin: Rez. In: Screen 16,4, 1975/76 (1976), pp. 139-144.

MacCabe, Colin: "Days of Hope" - a response to Colin McArthur. In: Screen 17,1, 1976, pp. 98-101.

Kosminsky, Peter: Goodbye to all that. In: Sight & Sound 9, Dec. 1999, p. 32.

MacCabe, Colin: Memory, Phantasy, Identity: Days of Hope and the Politics of the Past. In: Dickinson, Margaret (ed. and introd.); Rogue Reels: Oppositional Film in Britain, 1945-90. London, England: British Film Institute; 1999, pp. 141-145.

Neale, Steve / Nash, Mark: Reports from the Edinburgh Festival: film: "history/production/memory." In: Screen 18,4, 1977/78 [1978], pp. 77-91.

O'hara, John: Days of Hope. In: Cinema Papers, 12, April 1977, pp. 298-301, 344-345.

Stevens, Tony: Reading the realist film. In: Screen Education, 26, Spring 1978, pp. 13-34.

Tribe, Keith: History and the production of memories. In: Screen 18,4, 1977/78 [1978], pp. 9-22.

Williams, Tony: Rez. In: Senses of Cinema, URL: http://www.sensesofcinema.com/contents/cteq/04/days_of_hope.html.

 

The Price of Coal (Der Preis der Kohle), 1977, BBC

 

Black Jack (Black Jack, der Galgenvogel), Großbritannien/Frankreich 1979

Anon.: [Interview.] In: Image et Son / Ecran, 350, Mai 1980, pp. 59-60. - Über Loachs Arbeit für Film und Fernsehen.

Anon.: Rez. In:  Film: the British Federation of Film Societies Monthly Journal, 83 March 1980, p. 4.

Anon.: [Interview.] In: Films Illustrated  8,88, Dec. 1978, pp. 154-155.

Anon.: Tony Garnett back with "Black Jack." In: Variety 292, 1.11.1978, p. 43.

Arenander, B.: Rez. In: Chaplin 22,2, 1980, pp. 92-93.

Coleman, J.: Films: trial and terror. In: New Statesman 99, 29.2.1980, pp. 333-334.

Dekeyser, H.: "Black Jack." In: Film en Televisie + Video, 275, April 1980, p. 40.

Delmas, Claude: Un grand Ken Loach pour les enfants. In: Jeune Cinéma, 125, March 1980, pp. 35-37.

Gillissen, O.: Rez. In: Révue du Cinéma 50-51, Hors serie 24 (1980).

Gourdon, G.: Rez. In: Cinématographe, 56, 1980, p. 38.

Holthof, M.: Rez. In: Andere Sinema, 17, March 1980, pp. 20-21.

Martin, M.: Rez. In: Ecran, 82, 15.7.1979, pp. 20-21.

Maslin, J.: Rez. In: The New York Times 128, 29.9.1979, p. 9.

Monty, I.: Rez. In: Kosmorama 27,153, June 1981, p. 127.

Perry, S.: Rez. In: Variety 296, 12.9.1979, p. 20.

Prédal, R.: Rez. In: Jeune Cinéma, 120, July/Aug. 1979, pp. 15-16.

Pulleine, T.: Rez. In: Monthly Film Bulletin 47, April 1980, pp. 65-6.

Ramasse, F.: Cannes 1979: Black Jack. In: Positif, 220/221, July/Aug. 1979, p. 48.

Romree, S. de: Rez. In: Amis du Film et de la Television, 286, Mars 1980, p. 35.

Roy, J.: Rez. In: Cinéma 80, 255 Mars 1980, pp. 86-87.

Svendsen, E.: Rez. In: Levende Billeder 7, April 1981, pp. 43-44.

Wilson, D.: Rez. In: Sight & Sound 49,2, 1980, pp. 126-127.

Wivel, Peter: Ny Loach-film etter ni ar - Black Jack. In: Film & Kino, 1, 1981, pp. 23-24. - Norwegisch.

Reviews:

Monthly Film Bulletin 47,555, April 1980, pp. 65-66.

Télérama, 1573, 5.3.1980, p. 101.

Screen International, 230, March 1980, p. 15. - Über die Produktion.

Screen International, 230, March 1980, p. 16.

Jeune Cinéma, 125, Mars 1980, pp. 35-37.

The Listener 103,2651, 28.2.1980, p. 279.

Hollywood Reporter 258,48, 25.10.1979, p. 12.

Time Out, 493, 28.9.1979, p. 3.

Variety, 12.9.1979, p. 20.

The Listener 102,2627, 6.9.1979, p. 311.

Screen International, 167, 2.12.1978, p. 17. - Zur Produktion.

Screen International, 164, 11.11.1978, p. 1. - Zur Produktion.

Hollywood Reporter 253,28, 3.10.1978, p. 7.

Screen International, 158, 30.9.1978, p. 14.

 

The Gamekeeper, 1980, BBC

 

Looks and Smiles (Looks and Smiles - Erwartungen und Enttäuschungen), 1980

Ahlander, Lars. Stagnation i Cannes. In: Chaplin 23,4, 1981, pp. 160-164.

Anon.: England: gra film om gra arbeidsloshet. In: Film & Kino, 4, 1981, p. 157.

Anon.: Ganz gewöhnliche Leute. In: Film und Fernsehen 10,12, 1982, pp. 32-34.

Assayas, O.: Le gentil proletaire. In: Cahiers du Cinéma, 328, Oct. 1981, pp.  60-61.

Bonneville. L.: "Looks and Smiles". In: Séquences: la Révue de Cinéma, 105, Juillet 1981, p. 10.

Brown, R.: "Looks and Smiles". In: Monthly Film Bulletin 50, Jan. 1983, p. 10.

Canby Victor: Film: a grim "Looks and Smiles" by Kenneth Loach. In: The New York Times 131, 5.10.1981, p. C14.

Coleman, J.: Films: near to the real. In: New Statesman 104, 17.-24.12.1982, p. 53.

Cuel, F. / Goldschmidt, D.: "Looks and Smiles". In: Cinématographe, 70, Sept. 1981, pp.  31-32.

Davay, P.: Loach (Ken): "Looks and Smiles"/"Regards et sourires". In: Révue Belge du Cinéma (A.P.E.C.),21, 1981, pp. 44-45.

Eyquem, O.: "Looks and Smiles". In: Positif, 244/245, Juli/Aug. 1981, pp. 97-98.

Gregory, Lee: "Regards et sourires". In: Révue du Cinéma, 286-287, Hors serie 1982 (1982).

Guenter, Netzeband: Seelenlandschaft am Lago Maggiore. In: Film und Fernsehen 10,1, 1982, pp. 41-44.

Houben H.: "Looks And Smiles". In: Andere Sinema, 35, Jan. 1982, pp. 35-36.

Lajeunesse, J.: "Regards et sourires". In: Révue du Cinéma, 365, Oct. 1981, pp. 27-30.

Leirens, J.: "Looks and Smiles". In: Amis du Film et de la Télévision, 309, Fév. 1982, pp. 36-37.

Mosk [=G. Moskowitz]: "Looks and Smiles". In: Variety 303, 27.5.1981, pp. 17-18.

Moskowitz, G.: "Looks and Smiles". In: Variety 303, 27.5.1981, pp. 17-18.

Nave, B.: Une fiction enracinée dans le réel. In: Jeune Cinéma, 137, Sept./Oct. 1981, pp. 10-12.

Nave, Bernard: Entretien avec Ken Loach et Barry Hines. In: Jeune Cinéma, 137, Sept./Oct. 1981, pp. 12-15.

Paini, D.: "Looks and Smiles". In: Cinéma 81 [C81],271/272, Juli/Aug. 1981, p. 130.

Pede, Ronnie: "Looks and Smiles". In: Film en Televisie + Video, 294, Nov. 1981, pp. 20-22.

Petley, J.: "Looks and Smiles". In: Films and Filming, 341, Feb. 1983, pp. 32-34.

Predal, René: "Regards et sourires". In: Cinéma 81 [C81],273, Sept. 1981, pp. 94-95.

Ramasse, F.: Alternative. In: Positif, 248, Nov. 1981, pp. 61-63.

Stearn, M.: "Looks and Smiles". In: Métro, 61, 1983, p. 35.

Reviews:

Metro, 61, April 1983, p. 35.

Films and Filming, 341, Feb. 1983, pp. 32-34.

Monthly Film Bulletin 50,588, Jan. 1983, p. 10.

Monthly Film Bulletin 50,588, Jan. 1983, p. 11. - Interview.

Film News 13,1/2 , Jan. 1983, p. 17.

Screen International, 374, 18.12.1982, p. 35.

Time Out, 643, 17.12.1982, p. 32. - Interview.

TV Times 107,20, 15.5.1982, p. 8-12. - Interview mit Barry Hines.

TV Times 107,20, 15.5.1982, p. 53. - Details über die Kampfszene.

Entertainer, 2, April 1982, p. 28.

Films 2,1, Dec. 1981, pp. 32-33.

Positif, 248, Nov. 1981, pp. 61-63.

Image et Son/Ecran, 365, Oct. 1981, pp. 27-28.

Cahiers du Cinéma, 328, Oct. 1981, pp. 60-61.

Cinéma, 273, Sept. 1981, pp. 94-95.

Cinématographe, 70, Sept. 1981, pp. 31-32.

Variety, 27.5.1981, pp. 17-18.

Jeune Cinéma, 134, Avril 1981, pp. 21-26.

Broadcast, 1065, 7.7. 1980, p. 7.

Film und Fernsehen, 12, Dez. 1975, pp. 32-34. - Interview mit Ken Loach und Barry Hines.

 

Fatherland (Vaterland), BRD/Großbritannien/Frankreich 1985

Clark, Romy: From text to performance: interpretations or traduction? Trevor Griffiths' Fatherland, as directed by Ken Loach. In: Language and Literature 8,2, 1999, pp. 99-123. - Critical discourse analysis, critical realism, discursive practices.

Ambjornsson, Gunila: Getting it right! In: Chaplin 29,3 (=210), 1987, pp. 134-135 [insges. 3 pp.].

Ambjornsson, Gunila: En forfattare soker sin regissor. In: Chaplin 29,3 (=210), 1987, pp. 136-137 [insges. 4 pp.].

Babe, F.: Lettres voices. In: Cinématographe, 114, Déc. 1985, pp. 66-67.

Blaney, Martin: Ken Loach. In: FilmFaust: Internationale Filmzeitschrift, 56/57, Jan./Feb. 1987, pp. 20-22.

Chevallier, J. In: "Fatherland". In: Révue du Cinéma, Hors serie 34, 1987, p. 62.

Clinch, M.: "Fatherland". In: Photoplay Movies & Video 38,3.4.1987, p. 45.

Cunliffe, S. :Seek and hide. In: New Statesman 113, 3.4.1987, pp.  24-25.

Extraits du dialogue. In: Jeune Cinéma, 178, Jan./Feb. 1987, p. 11.

Furlan, S.: "Ocetnjava". In: Ekran: Revija za Film in Televizijo 12,1/2, 1987, p. 8.

Henderson, E.: On location: "Fatherland". In: Stills, 23, Dec./Jan. 1985, p. 33.

Huhtamo, Erkki: Odysseia valvonnan kourissa. In: Filmihullu, 5, 1988, p. 42.

McCarthy, T.: "Fatherland". In: Variety 324, 17.9.1986, p. 14.

McVay, Douglas: "Fatherland." In: Film: the British Federation of Film Societies Monthly Journal, 4, April 1987, p. 9.

Nacache, J.: "Fatherland" par Ken Loach. In: Cinéma 87,398, 6.-21.5.1987, p. 16.

Nave, B.: Un film irrecuperable "Fatherland", de Ken Loach. In: Jeune Cinéma, 178, Jan./Feb. 1987, pp. 4-6.

Nave, B.: Entretien avec Ken Loach. In: Jeune Cinéma, 178, Jan./Feb. 1987, pp. 7-10.

Petley, J.: "Fatherland". In: Monthly Film Bulletin 54, March 1987, pp. 75-76.

Pulleine, T.: "Fatherland". In: Films and Filming, 390, March 1987, pp. 38-39.

Stanislawski, K.: Piesn o ojcu. In: Kino (Warszawa) 22, March 1988, pp. 48-49.

Reviews:

Sight and Sound 4,9, Sept. 1994, p. 60.

Sight and Sound 1,4, Aug. 1991, p. 61.

Cinéaste 17,1, Janv. 1989, pp. 35-37.

Hollywood Reporter 301,3, 9.2.1988, pp. 3, 50.

Video Business 8,20, 18.5.1987, p. 19. - Interview mit Loach.

The Listener 117,3005, 2.4.1987, pp. 30-31.

Premiere, 122, Mai 1987, pp. 184-185. - Interview.

Film (BFFS) 3,4, April 1987, p. 9.

City Limits, 286, 26.3.1987, pp. 14-15. - Interview mit Loach und Trevor Griffiths.

City Limits, 286, 26.3.1987, p. 27.

Time Out, 866, 25.3.1987, pp. 24-25. Interview mit Trevor Griffiths.

Time Out, 866, 25.3.1987, p. 26.

Monthly Film Bulletin 54,638, March 1987, pp. 75-76.

Films and Filming, 390, March 1987, pp. 38-39.

Screen International, 589, 28.2.1987, p. 14.

Filmfaust, 56/57, Jan. 1987, pp. 20-22. - Interview mit Loach.

Variety, 17.9.1986, p. 14.

Film-Echo/Filmwoche, 10, 19.2.1986.

Screen International, 532, 25.1.1986, p. 16. - Produktionsbericht.

Stills, 23, Dec. 1985, p. 33.

Screen International, 517, 5.10.1985, p. 68.

Cinématographe, 114, Oct. 1985, pp. 66-67. - Tagebuch der Schauspielerin Fabienne Babe.

 

Singing the Blues in Red, 1986

 

Hidden Agenda (Geheimprotokoll), 1990, Channel Four

Bara, Allen: Belfast calling. In: The Village Voice 35, 27.11.1990, p. 110.

Camy, Gérard: L'équipe du film s'éxplique: conférence de presse de Ken Loach. In: Jeune Cinéma, 202, Juni/Juli 1990, pp. 26-28.

Camy, Gérard: "Hidden Agenda." In: Jeune Cinéma, 202, Juni/Juli 1990, p. 25.

Cargin, Peter: "Ukryta kaseta." In: Kino (Warszawa) 24, Nov./Dec. 1990, p. 62.

Carroll, Bob: Rez. In: Senses of Cinema, URL: http://www.sensesofcinema.com/contents/cteq/03/28/hidden_agenda.html.

Chase, Donald: A secret "Agenda." In: Millimeter 18, Nov. 1990, p. 150.

Cieutat, Michel: "Hidden Agenda." In: Positif, 353/354, Juli/Aug. 1990, pp. 88-89.

Dumas, Danielle: "Hidden Agenda." In: L'Avant-Scène Cinéma, 395, Oct. 1990, p. 96.

Garel, Sylvain: Ken Loach. In: Cinéma 90, 468, Juin 1990, pp. 14-15.

Giavarini, Laurence: "Hidden Agenda." In: Cahiers du Cinéma, 447, Sept. 1991, p. 74.

Glaessner, Verina: "Hidden Agenda." In: Monthly Film Bulletin 58, Jan. 1991, pp. 18-19.

Greenslade, Roy: Editors as censors: the British press & films about Ireland. In: Journal of Popular British Cinema, 3, March 2000, pp. 77-92. - Über englische Filme, die Irland-Probleme behandeln. U.a. über Hidden Agenda (sowie Michael Collins und In the Name of the Father).

Groves, Don: Producer keeps his "Agenda," tale of murder in Ireland, hidden to forestall protests. In:  Variety 337, 6.12.1989, p. 14.

Hill, John: "Hidden Agenda": politics and the thriller. In: CIRCA Art Magazine, 57, May/June 1991, pp. 36-41.

James, Caryn: Review/film: seeking truths in Northern Ireland. In: The New York Times 140, 21.11.1990, p. C13.

Kauffmann, Stanley: Dealing with surprises. In: The New Republic 204, 4.2.1991, pp. 28-29.

Lebouc, Georges: "Hidden Agenda." In: Ciné-Fiches de Grand Angle, 133, Dec. 1990, pp. [11-12].

Loach, Ken: Market takes all. In: Index on Censorship 24,6, Nov. 1995, pp. 158-159. - Zur Rolle des Marktes als Zensur-Institution.

Lochen, Kalle: "Hidden Agenda." In: Film & Kino, 4, 1990, p. 26.

Manceau, Jean-Louis: "Hidden Agenda." In: Cinéma 90, 468, Juin 1990, p. 14.

Marsolais, Gilles: "Hidden Agenda." In: 24 Images, 50/51, Autumn 1990, p. 53.

Martini, Emanuela: "Hidden Agenda." In: Cineforum 30,295, Juni 1990, p. 22.

Meisel, Myron: "Hidden Agenda." In: The Film Journal 93, Nov./Dec. 1990, pp. 45-46.

Neyt, Geert: Rez. In: Film en Televisie + Video, 404, Jan. 1991, pp. 16-17.

Piazzo, Philippe: "Hidden Agenda." In: Jeune Cinéma, 210, Sept./Oct. 1991, pp. 38-39.

Quart, Leonard: "Hidden Agenda." In: Cinéaste 18,2, 1991, p. 64.

Reijnders, Gusta: Fictie en feiten. In: Skrien, 178, June/July 1991, pp. 18-19.

Ross, Philippe: "Hidden Agenda." In: Révue du Cinéma, 474, Sept. 1991, p. 37.

Ross, Philippe: "Hidden Agenda." In: Révue du Cinéma, Hors serie 39, 1991, p. 53.

Ruggle, Walter: Politik als hochkarätiger Thriller. In: Filmbulletin (Zürich) 33,2 (=176), 1991, pp. 42-47.

Stratton, David: "Hidden Agenda." In: Variety 339, 23.5.1990, p. 28.

Vos, Erik E. de: "Hidden Agenda." In: Skoop 26, Dec./Jan. 1990, p. 70.

Welsh, Henry: On est près de l'Irlande. In: Ciné-Bulles 10,2, 1990, pp. 44-45.

White, Jerry: Hidden Agenda and JFK: conspiracy thrillers. In: Jump Cut, 38, June 1993, pp. 14-18. - Obwohl beide Filme regierungskritisch sind, gäben sie keine Perspektive auf soziale Veränderung frei.

Wolcott, James: The troubles. In: The New Yorker 68, 15.2.1993, p. 24.

Reviews:

MacNAB, Geoffrey. In: Sight and Sound 13,7, July 2003, pp. 63, 65.

[CC]. In: Empire, 168, June 2003, p. 146.

Sight and Sound  1,3, July 1991, p. 58.

McIlheney, Barry. In: Empire, 20, Feb. 1991, p. 24.

McIlheney, Barry: Licence to kill? In: Empire, 20, Feb. 1991, pp. 41-42. - Interview mit Loach. Über Irlandpolitik.

Pannifer, Bill: Agenda bender. In: The Listener 125,3197, 3.1.1991, pp. 30-31.

Monthly Film Bulletin 58,684, Jan. 1991, pp. 18-19.

Hollywood Reporter 315,30, 21.12.1990, pp. 6, 43.

Screen International, .785, Dec. 1990, p. 22.

Positif, 353/354, Juillet 1990, pp. 88, 89.

Variety, 23.5.1990, p. 28.

Film Français, 2296/2297, 4.5.1990, p. 34.

Screen International, 754, 28.4.1990, p. 8.

In Camera, April 1990, p. 5.

Screen International, 735, 16.12.1989, p. 27.

 

Riff-Raff (Riff-Raff), 1991

Ahlund, Jannike: Den nodvandiga vreden. In: Chaplin 34,1 (=238), 1992, pp. 46-48.

Alion, Yves: L'integre. In: Révue du Cinéma, 476, Nov 1991, pp. 28-29.

Alion, Yves: "Riff raff." In: Révue du Cinéma, 473, Juli/Aug. 1991, p. 21.

Alion, Yves: "Riff-raff." In: Révue du Cinéma, 476, Nov. 1991, p. 27.

Atkinson, Michael: "Riff-Raff." In: Movieline 5, Oct. 1993, p. 72.

Bear, Liza: "Riff-Raff." In: The Film Journal 96, March 1993, pp. 69-70.

Beaufoy, Simon: Private view; hidden agendas. In: Sight and Sound 8,3, March 1998, p. 61. - Simon Beaufoy, the screenwriter for The Full Monty explains his admiration for Ken Loach's Riff Raff.

Benoliel, Bernard: "Riff-Raff." In: Révue du Cinéma, Hors serie 39, 1991, p. 93.

Brown, Georgia: Men at work. In: The Village Voice 38, 9.2.1993, p. 56.

Canby, Vincent: Reviews/film: a blue-collar comedy in English, subtitled. In: The New York Times 142, 12.2.1993, p. C10.

Del.: "Riff-Raff." In: Variety 343, 6.5.1991, p. 335.

Duflot, Michèle: "Riff-Raff." In: Cinéma 91,478, Juin 1991, p. 42.

Escarcega, Ignacio: "Riff Raff." In: Dicine: Revista de Diffusion e Investigacion Cinematograficas a.c., 51, May 1993, p. 25.

Furlan, Silvan Rez. In: Ekran: Revija za Film in Televizijo 16,8, 1991, p. 14.

Giavarini, Laurence: Combat. In: Cahiers du Cinéma, 449, Nov. 1991, pp. 63-64.

Guard, Candy: Rough humour. In: Sight & Sound 5, Jan. 1995, p. 69. - Animator Candy Guard talks about the humour in Riff-Raff.

Hedling, Erik: Shopkeepers, profiteers, and libertines. In: Lahikuva, 3, 1995, pp. 84-92.

Kauffmann, Stanley: Out of the past. In: The New Republic 208, 15.2.1993, pp. 26-27.

Klawans, Stuart: "Riff-Raff." In: The Nation 256, 15.2.1993, pp. 209-212.

Koehler, Margret: Sozialkritik mit Satire aus England. In: Medien + Erziehung 35,6, 1991, pp. 349-352.

Kudriavtsev, Sergei: On pa ikh storone. In: Iskusstvo Kino, 11, 1992, pp. 160-161.

Lochen, Kalle: Nyrealistiske drommer. In: Film & Kino, 5, 1991, pp. 10-11.

Loffreda, Pierpaolo: "Riff Raff." In: Cineforum 31, Dec. (=310), 1991, pp. 72-74.

Malcolm, Derek: Straight out of Britain, tales of working-class life. In: The New York Times 142, 31.3.1993, sect. 2, p. 20.

Mandolini, Carlo: "Riff-Raff." In: Séquences: la Révue de Cinéma, 159/160, Sept. 1992, pp. 62-63.

Manera, Paolo: "Riff-Raff." In: Film: tutti i film della stagione 1,1, 1992, pp. 44-45.

Marsolais, Gilles: "Riff-raff." In: 24 Images, 56/57, Autumn 1991, p. 32.

Martin, Jeronimo J.: "Riff-Raff." In: Film-Historia 2,3, 1992, pp. 260-262.

Martini, Emanuela: "Riff-raff." In: Cineforum 31,305, June 1991, p. 31.

Mazierska, Ewa: Rez In: Filmowy Serwis Prasowy 40,8-9 [=762/763],  1994, p. 10.

Morsiani, Alberto: "Riff-Raff." In: Segnocinema: Rivista Cinematografica Bimestrale, 53, Jan./Feb. 1992, pp. 27-28.

Naess, Oyvind: "Riff Raff." In: Film & Kino, 4, 1991, p. 22.

Nave, Bernard: "Riff-Raff." In: Jeune Cinéma, 212, Janv./Fev. 1992, pp. 35-36.

Neyt, Geert: "Riff-Raff." In: Film en Televisie + Video, 415, Dec. 1991, p. 27.

Niel, Philippe: Des rats ou des hommes? In: Positif, 370, Déc. 1991, p. 46.

Niel, Philippe: "Riff-Raff." In: Positif, 365/366, Juli/Aug. 1991, pp. 91-92.

Nopere, Daniel: "Riff-raff." In: Ciné-Fiches de Grand Angle, 144, Déc. 1991, pp. [31-32].

Porter, Beth: Working class gets its due in Ken Loach's "Riff-Raff." In: The Film Journal 96 March 1993, pp. 28-29.

Pust, Maren: Ken Loach vender tilbage. In: Kosmorama 38,199, Spring 1992, p. 55.

Rinaldi, Giorgio: L'ultimo arrabbiato. In: Cineforum 31, Dec. (=310), 1991, pp. 75-76.

Roberts, Juliet: Ken Loach's films. In: Film: the British Federation of Film Societies Monthly Journal, 51, Jan. 1992, p. 11.

Rossi, Umberto: Swiat sie zmienia, ale robotnikom zawsze zle. In: Kino (Warszawa) 25, Sept. 1991, p. 37.

Schwartzberg, Shlomo: "Riff Raff." In: Boxoffice 128, July 1992, R58.

Taboulay, Camille: Sur quatre films de la Quinzaine. In: Cahiers du Cinéma, 445, Juin 1991, p. 46.

Thuena, Ulrich von: "Riff-Raff." In: EPD Film 9, Jan. 1992, p. 36.

Tournes, Andrée: "Riff Raff." In: Jeune Cinéma, 209, Juli/Aug. 1991, p. 26.

Travers, Peter: "Riff-raff." In: Rolling Stone, 650, 18.2.1993, p. 67.

Vicari, Daniele: "Riff raff." In: Cinema Nuovo 41,336, March/April 1992, p. 56.

Wilson, David: "Riff-Raff." In: Sight & Sound 1, May 1991, p. 61.

Zetterstrom, Anna: Kortvaxta psykopater ar de basta. In: Chaplin 38,5 (=266), 1996, pp. 8-10.

Zoglin, Richard: Rambling through the ratholes. In: Time 141, 22.3.1993, p. 79.

Reviews:

Rev. (MacNab, Geoffrey) in: Sight and Sound 10,3, March 2000, p. 62.

Rev. (Quart, Leonard) in: Cinéaste 20,2, Dec. 1993, pp. 54-55.

Rev. (Saynor, James) in: Interview 23,1, Jan. 1993, p. 52.

Rev. in: Premiere 6,3, Nov. 1992, p. 30. - Notiz, dass der Film in den USA mit Untertiteln verliehen werden würde.

Rev. (Niel, Philippe) in: Positif, 370, Dec. 1991, p. 46.

Rev. in: Sight and Sound 1,6, Oct. 1991, p. 66.

Rev. (Newman, Kim) in: Empire, 26, Aug. 1991, p. 26.

Rev. (Keller, Keith) in: Hollywood Reporter 317,30, 21.5.1991, pp. 11, 69.

Rev. in: Variety, 6.5.1991, p. 335.

Rev. in: Sight and Sound 1,1, May 1991, p. 61.

Rev. in: Screen International, 798, 15.3.1991, p. 11.

Rev. in: Screen International, 762, 23.6.1990, p. 16.

 

Ladybird, Ladybird (Ladybird, Ladybird), 1993

Ciment, Michel: L'Actualité, Ken Loach. In: Positif , 404, Oct. 1994, pp. 8-12. - Interview.

Adagio, Carmelo: "Ladybird Ladybird." In: Cinema Nuovo 43,349, May/June 1994, p. 37.

Bear, Liza: "Ladybird, Ladybird." In: The Film Journal 97, Dec. 1994, p. 30.

Bierinckx, Cis: Ken Loach. In: Film en Televisie + Video, 444, Sept. 1994, p. 15.

Braad Thomsen, Christian: Faengsel eller oase? In: Kosmorama 40,210, Winter 1994, pp. 6-8.

Brown, Georgia: Hitting home. In: The Village Voice 39, 13.12.1994, p. 68.

Cardullo, Bert: Family affairs. In: Hudson Review 48,4, 1996, pp. 633-640.

Corliss, Richard: When love isn't enough. In: Time 145,30.1.1995, p. 88.

Crespi, Alberto: "Ladybird, Ladybird." In: Cineforum 34,334, May 1994, pp. 62-65.

Dawtrey, Adam: "Ladybird" finds U.K. home at UIP. In: Variety 354, 11.-17.4.1994, p. 32.

Dufour, Dirk: "Ladybird, Ladybird." In: Film en Televisie + Video, 444, Sept. 1994, pp. 12-14.

Elley, Derek: "Ladybird, Ladybird." In: Variety 354, 28.2.-6.3.1994, p. 69.

Farber, Stephen: Triumph and defeat. In: Movieline 6, Jan./Feb. 1995, pp. 44-45.

Francke, Lizzie: "Ladybird Ladybird." In: Sight & Sound 4, Oct. 1994, pp. 46-47.

Giovannini, Cristina: "Ladybird, Ladybird." In: Film: tutti i film della stagione 2,10, 1994, pp. 12-13.

Hamilton, Alex: "Ladybird, Ladybird." In: Film: the British Federation of Film Societies Monthly Journal 4,1, 1995, p. 21.

Kauffmann, Stanley: Flesh and blood. In: The New Republic 211, 12.12.1994, pp. 24-26.

Kohn, Olivier: "Ladybird." In: Positif, 404, Oct. 1994, pp. 6-7.

Lebouc, Georges: "Ladybird, Ladybird." In: Ciné-Fiches de Grand Angle, 174, Aug./Sept. 1994, pp. [45-46].

MacNab, Geoffrey: Ladybird Ladybird: the director. In: Sight and Sound 4,11, Nov. 1994, pp. 12-14. - Interview.

Malaguti, Cristiana. "Ladybird, Ladybird" - "Una storia vera." In: Segnocinema: Rivista Cinematografica Bimestrale, 68, Juli/Aug. 1994, pp. 34-35.

Munro, Rona: Ladybird Ladybird: the writer. In: Sight and Sound 4,11, Nov. 1994, pp. 11-12. - Rona Munro recalls the compulsion behind writing the screenplay for Ladybird Ladybird (1994) and the experience of watching the completed film.

Nave, Bernard, "Ladybird." In: Jeune Cinéma, 229, Oct./Nov. 1994, pp. 35-38.

Ostria, Vincent: Entretien avec Ken Loach. In: Cahiers du Cinéma, 484, Oct. 1994, pp. 37-41.

Ostria, Vincent: Ken Loach, la logique du vivant. In: Cahiers du Cinéma, 484, Oct. 1994, pp. 34-36.

Poussu, Tarmo: "Ladybird, Ladybird." In: Filmihullu, 6, 1995, pp. 49-50.

Quart, Leonard: "Ladybird, Ladybird." In: Cineaste 21,1/2, 1995, pp. 84-85.

Regosa, Maurizio: La maternita, il karaoke e le sintesi del moderno. In: Cinema Nuovo 43,350-351, Juli-Okt. 1994, pp. 16-18.

Rognlien, Jon: A vaere mor - mot alle odds. In: Film & Kino, 4, 1994, pp. 10-11.

Rubin, Mike: Getting good Marx. In: The Village Voice 39, 13.12.1994, pp. 70-71.

Sande, Unnur: "Ladybird, Ladybird." In: Film & Kino, 2, 1994, p. 27.

Sorenson, Elisabeth: Crissy Rock. In: Chaplin 36,5 (=254), 1994, pp. 34-36.

Taddei, Alessandra: Matrilineare. In: Segnocinema: Rivista Cinematografica Bimestrale, 89, Jan./Feb. 1998, pp. 2-6.

Vrdlovec, Zdenko: "Pikapolonica" in "Samotna zvezda." In: Ekran: Revija za Film in Televizijo 23,1/2, 1998, pp. 20-21.

Reviews:

Rev. (Norman, Barry) in: Radio Times 291,3800, 23.11.1996, p. 68.

Rev. (Quart, Leonard) in: Cinéaste 21,1-2, Feb. 1995, pp. 84-85.

Rev. (Francke, Lizzie) in: Sight and Sound 4,10, Oct. 1994, pp. 46-47.

Rev. (Kohn, Olivier) in: Positif, 404, Oct. 1994, pp. 4-7.

Rev. (Ciment, Michel) in: Positif, 404, Oct. 1994, pp. 8-12. - Interview mit Loach.

Rev. in: Télérama, 2333, 28.9.1994, pp. 28-32. - Mit einem Interview mit Crissy Rock.

Rev. (Korman, Lenny) in: Screen International, 948, 11.3.1994, p. 17.

Rev. (Elley, Derek) in: Variety, 28.2.1994, p. 69.

Rev. (Molhant, Robert) in: Cine and Media, 1, Jan. 1994, p. 8.

Rev. in: Screen International, 929, 15.10.1993, p. 25.

Rev. (Dobson, Patricia) in: Screen International, 929, 15.10.1993, pp. 28-29.

 

Raining Stones (Raining Stones), 1993

Adagio, Carmelo: "Piovono pietre." In: Cinema Nuovo 43,347, Jan./Feb. 1994, pp. 45-46.

Audé, Françoise / Pilard, Philippe: Ken Loach. In: Positif, 392, Oct. 1993, pp. 15-23. - Enthält ein Interview.

Bertin-Maghit, Jean-Pierre: Rez. In: Le Mensuel du Cinéma, 10, Oct. 1993, pp. 74-75.

Birch, Helen: Ken Loach: Very British Director. In: Empire, 53, Nov. 1993, p .58-59. - Interview.

Blois, Marco de: "Raining Stones." In: 24 Images, 100, Winter 2000, p. 10.

Brown, Georgia: Daily bread. In: The Village Voice 39, 15.3.1994, p. 48.

Bruyn, Olivier de: Bons, brutes et truands. In: Positif, 393, Nov. 1993, pp. 6-7.

Canby, Vincent: Review/film festival: what Bob does for a few bob. In: The New York Times 143, 2.10.1993, pp. 11-12.

Cardullo, Bert: Mirabile visu et dictu. In: Hudson Review 48,2, 1995, pp. 294-300.

Codelli, Lorenzo: "Naked"; "Raining Stones." In: Positif, 389/390, Juillet/Aout 1993, pp. 53-54.

Crespi, Alberto: "Piovono pietre." In: Cineforum 33,328, Okt. 1993, pp. 52-56.

Crespi, Alberto: "Raining Stones." In: Cineforum 33,325, Juni 1993, p. 11.

Daniel, Ferenc: A munkasosztaly a kocsmaba megy. In: Filmvilag 37,4, 1994, pp. 52-53.

De Bruyn, Olivier: Bons, Brutes et Truands. In: Positif, 393, Nov. 1993, pp. 6-7. - Discussing Raining Stones, The Snapper and Naked.

Delval, Daniel / Noel, Jacques: "Raining Stones." In: Ciné-Fiches de Grand Angle, 165, Nov. 1993, pp. [37-38].

Desio, Giovanni: "Piovono pietre." In: Film: tutti i film della stagione 2,9, 1994, pp. 15-16.

Eaton, Michael: Not a Piccadilly actor in sight. In: Sight & Sound 3, Dec. 1993, pp. 32-33. - Outlines the history of realism in British films, comments on the meaning of 'realism' and questions whether the recent films Naked and Raining Stones are realist.

Escarcega, Ignacio: "Lluvia de piedras." In: Dicine: Revista de Diffusion e Investigacion Cinematograficas a.c., 60/61, Jan./Feb. 1995, pp. 42-43.

Fava, Claudio G.: "Piovono pietre." In: Rivista del Cinematografo 63, Sept./Oct. 1993, p. 37.

Francke, Lizzie: In the Frame. In: Fact, 20, June 1993, pp. 10-12. - Interview mit Sally Hibbin und ihre Zusammenarbeit mit Loach.

Furlan, Silvan: "Raining Stones." In: Ekran: Revija za Film in Televizijo 18,5/6, 1993, p. 25.

Gervais, Marc: Realism. In: Chaplin 36,1 (=250), 1994, pp. 50-53.

James, Nick: Cheeky Monkeys. In: Blimp: Film Magazine, 25, Frühling 1993, pp. 22-25.

Janicka, Bozena: Praca przed kapitalem. In: Kino (Warszawa) 27, Dec. 1993, pp. 30-31.

Joris, Luc: Ken Loach. In: Film en Televisie + Video, 435, Oct. 1993, pp. 34-35.

Kauffmann, Stanley: Speaking in tongues. In: The New Republic 210, 28.3.1994, pp. 30-31.

Kelleher, Ed: "Raining Stones." In: The Film Journal 97, March 1994, pp. 60-61.

Logette, Lucien: "Raining Stones." In: Jeune Cinéma, 224, Oct. 1993, pp. 51-52.

Marinelli, Marco: "Piovono pietre." In: Filmcritica: Rivista mensile di Studi sul Cinema 44,439, Nov. 1993, pp. 474-475.

Marsolais, Gilles: Il pleut des pierres a Manchester, "the piss-pot of England." In: 24 Images, 68/69, Sept./Oct. 1993, pp. 66-67.

Mauro, Sandro: "Piovono pietre." In: Segnocinema: Rivista Cinematografica Bimestrale, 65, Jan./Feb. 1994, pp. 45-46.

Michiels, Dirk: Hard labeur en lage lonen. In: Film en Televisie + Video, 435, Oct. 1993, p. 33.

Modrzejewska, Ewa: "Wiatr w oczy." In: Filmowy Serwis Prasowy 40,8/9 (=762/763), 1994, p. 11.

Netland, Geir: "Raining Stones." In: Film & Kino, 4, 1993, p. 19.

Pilard, Philippe: Entretien avec Ken Loach. In: Positif, 392, Oct. 1993, pp. 18-21.

Powers, John: Coen south. In: New York Magazine 27, 14.3.1994, pp. 74-75.

Romney, Jonathan: High gloss, true grit. In: New Statesman & Society 6, 8.10.1993, pp. 30-31.

Ruggle, Walter: Schafe stehlen gehen. In: Filmbulletin (Zürich) 36,2 (=193), 1994, pp. 34-36.

Saada, Nicolas: Travail au noir. In: Cahiers du Cinéma, 472, Oct. 1993, pp. 62-63.

Smith, Gavin: Sympathetic images. In: Film Comment 30, March/April 1994, pp. 58-60 [insges. 8 pp.].

Stratton, David: "Raining Stones." In: Variety 351, 7.6.1993, pp. 39-40.

Vasak, Benedek Balazs: "Kozapor." In: Filmkultura [7], Juni 1994, p. 33.

Vermee, Jack: Feature: Raining Stones & Human Resources. In: Cinema Scope, 11, July 2002, p. 36. - Suggests Raining Stones and Resources humaines as a double bill.

Reviews:

Rev. (MacNab, Geoffrey) in: Sight and Sound 10,3, March 2000, p. 62.

Rev. (Callum, Myles: Raining stones is small, gritty gem) in: TV Guide 43,22, 3.6.1995, p. 39.

Rev. in: Sight and Sound 4,11, Nov. 1994, p. 63.

Rev. in: Sight and Sound 4,5, May 1994, p. 66.

Rev. (Khan, Marit) in: Vertigo, 3, April 1994, pp. 39-44. - Vier Besprechungen.

Rev. (Fuller, Graham) in: Interview 24,3, March 1994, p. 34.

Rev. (Mahon, Mick) in: Film Ireland, 39, Feb. 1994, p. 26.

Rev. (Beard, Steve) in: Empire, 53, Nov. 1993, p. 37.

Rev. (Turner, Jenny) in: Sight and Sound 3,10, Oct. 1993, pp. 50-51.

Rev. (Audé, Françoise / Pilard, Philippe) in: Positif, 392, Oct. 1993, pp. 15-23. - Incl. eines Interviews mit Loach.

Rev. (Chamberlin, F.M.) in: Cine and Media, 4, July 1993, p. 7.

Rev. (Stratton, David) in: Variety, 7.6.1993, pp. 39-40.

Rev. (Francke, Lizzie) in: Fact, 20, June 1993, pp. 10-12. - Interview mit Sally Hibbin.

Rev. (Dobson, Patricia) in: Screen International, 906, 7.5.1993, p. 38. - Anläßlich des Cannes Film Festivals 1993.

Rev. (Dobson, Patricia) in: Screen International, 907, 14.5.1993, p. 26.

Rev. in: Film Français, 2453-54, 7.5.1993, pp. 51, 54.

Rev. (Wimphen, Catherine) in: Studio Magazine, 74, May 1993, p. 46.

Rev. in: Screen International, 876, 25.9.1992, p. 21.

 

 

Land and Freedom (Land and Freedom), 1994

Brealey, Louise: Freedom Fighter. In: Premiere 3,12, Jan. 1996, p. 20. - Ken Loach has criticised the distribution company Artificial Eye for the limited release and marketing of Land and Freedom. He argues that it should have made it to the multiplexes, and not limited to arthouse cinemas. See also letters from the producer Rebecca O'Brien and exhibitor Steve Knibbs concerning the distribution of the film in the UK (in: Screen International, 1034, 17.11.1995, p. 10).

Cadé, Michel: Land and Freedom de Ken Loach: La Révolution permanente. In: Cahiers de la Cinémathèque: Revue d'Histoire du Cinema, 77, April 2005, pp. 45-55.

Cardullo, Bert: Lands of the free. In: Hudson Review 49,4, 1997, pp. 637-644.

Christie, Ian: Film for a Spanish Republic. In: Sight & Sound 5, Oct. 1995, pp. 36-37.

Codelli, Lorenzo / Bourget, Jean-Loup / Niogret, Hubert: Entretien avec Ken Loach. In: Positif, 416, Oct. 1995, pp. 73-79.

Cole, Stephen: Europe. In: The American Historical Review 101,4, 1996, pp. 1152-1154.

Collins, Mike: Spanish Guns. In: Film Ireland, 49, Oct. 1995, pp. 24-25. - Interview. Über die Interaktion von politischer Überzeugung und filmischer Erzählung.

Crusells, Magi: Rez. In: Film-Historia 5,2/3, 1995, pp. 233-236.

Ehrlicher, Hanno: Kampf und Konsens: Filmisches Erinnern an den spanischen Bürgerkrieg in Ken Loachs Land and Freedom (1995) und David Truebas Soldados de Salamina (2002). In: Philologie im Netz, 34, 2005, pp. 1-27.

Span.: Batallas del recuerdo. La memoria de la Guerra Civil en Land and Freedom (Ken Loach, 1995) y Soldados de Salamina (David Trueba, 2002). In: Heredero, Carlos F. (preface), Pohl, Burkhard (ed. and introd.), Türschmann, Jörg (ed. and introd.): Miradas glocales: Cine español en el cambio de milenio. Madrid/Frankfurt: Iberoamericana / Vervuert 2007, pp. 283-305.

Eimer, David: Cameos: Director Ken Loach. In: Premiere 3,9, Oct. 1995, pp. 32-33.

Interview.

Feenstra, Pietsie: Mémoires cinématographiques de la guerre civile espagnole. In: Feigelson, Kristian (ed. and introd.): Caméra politique: Cinéma et stalinisme. Saint-Etienne: Sorbonne Nouvelle 2005, pp. 165-177.

Frey, Walter (Hrsg.): Land and freedom. Ken Loachs "Geschichte aus der Spanischen Revolution". Film, Diskussion, Geschichte, Regisseur. [Das Buch zum Film]. [Mit Beitr. von: Victor Alba ...]. Berlin: Ed. Tranvía 1996, 214 S. (Tranvía Kino. 1.).

Jaafar, Ali: Spanish affair. In: Sight and Sound 15,5, May 2005, p. 87. - Kurzes Interview.

Lavoignat, Jean-Pierre: Ken Loach: Le Franc-tireur. In: Studio Magazine, 103, Oct. 1995, pp. 78-79.

Kurzes Interview.

Munton, Alan: How Gender Serves Trotskyism: The Spanish Civil War in Ken Loach's Land and Freedom. In: Smith, Angela K. (ed.): Gender and Warfare in the Twentieth Century: Textual Representations. Manchester: Manchester University Press 2004, pp. 76-95.

Murat, Pierre / Rouchy, Marie-Elisabeth: O.T. In: Télérama, 2386, 4.10.1995, pp. 32-36. - U.a. ein Interview mit Loach über die spanische Rezeption des Films.

Nord, Cristina: Wer sind die Terroristen? [Interview mit Loach.] In: Die Tageszeitung, 6916, 28.11.2002, p. 197.

Pilard, Philippe: "Land and Freedom", Ken Loach. Étude critique. [Paris]: A. Colin 2005, 127 pp. (Synopsis, 30.).

Rez. ( O'Neill, Eithne) in: Positif, 453, Nov. 1998, p. 73.

Porton, R.: The Revolution Betrayed - Land and Freedom. An Interview with Ken Loach. In:  Cineaste 22,1, 1996, S. 30-31.

Positif, 416, Oct. 1995, pp. 70-79: Dossier „Ken Loach“.

Ripoli, Xavier: Los milicianos en el cine. In: Film-Historia 6,3, 1996, pp. 287-294.

Slaughter, Jane: Revolution is a pregnant cow. A conversation with film maker Ken Loach. In: The Progressive 60,7, July 1996, S. 30-31.

Teppich, Fritz: Die kurzen Beine des Ken Loach. Dokumentation zu dem geschichtsverfälschenden Film "Land and Freedom". Bonn: Che & Chandler 1997, 68 pp.

Wulff, Hans J.: Land and Freedom (1996). In: Filmgenres: Kriegsfilm. Hrsg. v. Thomas Klein, Marcus Stiglegger u. Bodo Traber. Stuttgart: Reclam 2006, S. 313-318.

Reviews:

Rev. (Morrison, Alan) in: Empire, 189, March 2005, p. 151.

Rev. in: Premiere 4,10, Nov. 1996, p. 84.

Rev. in: Premiere 10,2, Oct. 1996, p. 126.

Rev. (Pawelczak, Andy) in: Films in Review 47,7-8, July 1996, pp. 89-90.

Rev. (Porton, Richard) in: Cinéaste 22,1, April 1996, pp. 32-34.

Rev. in: Academia, 13, Jan. 1996, p. 116.

Rev. (Nathan, Ian) in: Empire, 77, Nov. 1995, p. 48.

Rev. (Murat, Pierre / Rouchy, Marie-Elisabeth) in: Télérama, 2386, 4.10.1995, pp. 32-36. Mit einem Interview mit Loach.

Rev. (Kemp, Philip) in: Sight and Sound 5,10, Oct. 1995, p. 51.

Rev. (Barry, Shane) in: Film Ireland, 49, Oct. 1995, pp. 30-31.

Dossier: Ken Loach, in: Positif, 416, Oct. 1995, pp. 70-79.

Rev. (Wrathall, John) in: Premiere 3,9, Oct. 1995, p. 21.

Rev. (Eimer, David) in: Premiere 3,9, Oct. 1995, pp. 32-33. - Mit einem Interview mit Loach.

Rev. in: Screen International, 1020, 11.8.1995, p. VII.

Rev. in: Screen International, 1016, 14.7.1995, p. 2. - Über Rechte.

Rev. in: Screen International, 1007, 12.5.1995, p. 2.

Rev. in: Studio Magazine , 99, May 1995, p. 20. - Anläßlich des Cannes Film Festivals.

Rev. (Hopewell, John) in: Variety, 24.4.1995, p. 53.

Rev. (Bojstad, Anneli) in: Screen International, 1004, 21.4. 1995, p. 17.

Rev. in: Eyepiece 15,3, June 1994, p. 26. - In-production credits.

Rev. in: Screen International, 959, 27.5.1994, p. 20.

Rev. (O'Brien, Rebecca: A happy reign in Spain) in: Variety [370], 9.-15.3.1998, p. 16.

Rev. (Hoberman, J.: Class action) in: The Village Voice 41, 9.3.1996, p. 65.

Rev. (Porter, Beth) in: The Film Journal 99, March 1996, p. 103.

Rev. (Ansen, David: For whom the bell tolled) in: Newsweek 127, 1.4.1996, p. 70.

Rev. (Lane, Anthony: Republicans with guns) in: The New Yorker 72, 25.3.1996, pp. 97-99.

Rev. (Cloutier, Mario. Des hommes qui vivent) in: Séquences: la Révue de Cinéma, 185, Juli/Aug. 1996, p. 42.

Rev. (Pawelczak, Andy) in:  Films in Review 47, July/Aug. 1996, pp.  89-90.

Rev. (Oleksiewicz, Maria: Dawid przeciwko Goliatowi) in: Kino (Warszawa) 30, Feb. 1996, p. 35.

Rev. (Kauffmann, Stanley) in: The New Republic 214, 1.4.1996, pp. 26-27.

Rev. (Janicka, Bozena: Garsc hiszpanskiej ziemi) in: Kino (Warszawa) 30, Feb. 1996, p. 34.

Rev. (Mazierska, Ewa: Za wolnosc nasza i wasza) in: Kino (Warszawa) 30, Jan. 1996, pp. 18-19.

Rev. (Lamet, Pedro Miguel) in: Cine & Media, 3, 1995, pp. 4-5.

Rev. (Terrail, Maurice) in:  Cine & Media, 3, 1995, p. 6.

Rev. (Boel, Niels) in: Kosmorama 41,214, Winter 1995, pp. 46-47.

Rev. (Johnsen, Frank: Politisk rundbrenner) in: Film & Kino, 4, 1995, pp. 16-17.

Rev. (Hamdorf, Wolfgang Martin: Rotes Rührstück?) in: Film und Fernsehen 23,6, 1995, pp. 35-36.

Rev. (Gottardi, Michele) in: Segnocinema: Rivista Cinematografica Bimestrale, 76, Nov./Dic. 1995, pp. 43-44.

Rev. (Martini, Emanuela: Chi scrive la storia controlla il presente) in: Cineforum 35, 348, Ott. 1995, pp. 50-52.

Rev. (Masoni, Tullio: La triste primavera del '37) in: Cineforum 35,348, Ott. 1995, pp. 53-55.

Rev. (Nave, Bernard) in: Jeune Cinéma, 234, Nov./Déc. 1995, pp. 28-30.

Rev. (Crusells, Magi) in: Film-Historia 5,2-3, 1995, pp. 233-236.

Rev. (Uisk, Ahto: En lektion i frihetlighet) in: Chaplin 37,5-6 (=260/261), 1995, pp. 85-86.

Rev. (Minks, Patrick: Het gelijk van een individu) in: Skrien, 203, Aug./Sept. 1995, p. 21.

Rev. (Argentieri, Mino: Un film straordinario, ma contraddittorio) in: Cinema Sessanta 36,1, 1995, pp. 26-27.

Rev. (Cercone, Gianfranco: Personaggi falsi e di maniera) in: Cinema Sessanta 36,1, 1995, p. 28.

Rev. (Gilodi, Renzo: Ken Loach e il suo cinema di cose criticamente pensate) in: Cinema Sessanta 36,2, 1995, pp. 31-38.

Rev. (De Robertis, Ennio: Ma Stalin non aveva tutti i torti) in: Filmcronache, 51, Sept./Oct. 1995, pp. 80-82.

Rev. (Sossi, Tiziano: Storia di un fallimento) in: Filmcronache, 51, Sept./Oct. 1995, pp. 82-83.

Rev. (Mahrenholz, Simone) in: EPD Film, 12, Okt. 1995, pp. 36-37.

Rev. (Köhler, Margret: Kriege des 20. Jahrhunderts: wem sind sie dienlich?) in: Medien + Erziehung 39,5, 1995, pp. 290-292.

Rev. (Michiels, Dirk) in: Film en Televisie + Video, 455, Oct. 1995, pp. 30-31.

Rev. (Zappoli, Giancarlo) in: Film: tutti i film della stagione 3,17, 1995, pp. 10-12.

Rev. (Herpe, Noel) in: Positif, 416, Oct. 1995, pp. 71-72.

Rev. (Majois, Isabelle) in: Ciné-Fiches de Grand Angle, 187, Nov. 1995, pp. [23-24].

Rev. (Jansen, Peter W.: Spanische Erde) in: Filmbulletin (Zürich) 37,5 (=202), 1995, pp. 19-21.

Rev. (Ostria, Vincent: Grandfather Land) in: Cahiers du Cinéma, 495, Oct. 1995, pp. 56-57.

Rev. (Lowenstein, Lael) in: Boxoffice 131, Sept. 1995, R75.

Rev. (Elhem, Philippe: Le dérnier des Mohicans) in: 24 Images, 78/79, Sept./Oct. 1995, p. 43.

Rev. (Niogret, Hubert) in: Positif, 413/414, Juli/Aug. 1995, pp. 89-90.

Rev. (Dumas, Danielle) in:  L'Avant-Scène Cinéma, 444, Juli 1995, p. 81.

Rev. (Furlan, Silvan) in:  Ekran: Revija za Film in Televizijo 20,4-6, 1995, pp. 27-28.

Rev. (La Polla, Franco) in: Cineforum 35,345, Juni 1995, p. 9.

 

Carla's Song (Carla‘s Song), 1996

Anon.: The Ken Loach Approach - and how to film it. In: In Camera, April 1996, pp. 16-17. - Produktionsbericht.

Lavert, Paul: Carla's song. London: Faber and Faber 1997, XXVII, 131 S. - Vorlage.

Neff, Renfreu: Carla's Song and High Art. In: Creative Screenwriting 5,5, Sept./Oct.1998, pp.  46, 80.

Remy, Vincent: ‚J'étais le vilain petit canard‘. In: Télérama, 2442, 30.10.1996, pp. 43-44. - Interview.

Ryan, Susan and Richard Porton. The politics of everyday life. Cineaste 24 n1 (1998): 22-27.

Reviews:

Amante Cine (Schwarzböck, Silvia: Melodía interrumpida), 68, Oct. 1997, p. 6-7.

Amante Cine (Noriega, Gustavo: Indignación y política), 68, Oct. 1997, pp. 12-13.

Boxoffice (Loewenstein, Lael) 133, Oct. 1997, p. 40.

Ciné-Fiches de Grand Angle (Simons, Roger: The sound of music), 200, Jan. 1997, pp. [51-52].

Ciné-Fiches de Grand Angle (Lebouc, Georges), 199, Dec. 1996, pp. 13-14.

Cineaste (Buchsbaum, Jonathan) 23,4, 1998, pp. 52-53.

Cineforum (Crespi, Alberto) 36, Sept (=357), 1996, pp. 68-70.

Cineinforme, 678 , Oct. 1996, p. 48.

Cinema Sessanta (Travers, Julienne: Propaganda e violenza nel cinema) 37,4, 1996, pp. 24-25.

Creative Screenwriting (Neff, Renfreu: Carla's Song and High Art) 5,5, Sept. 1998, p. 46. Interview mit dem Drehbuchautoren Paul Laverty.

Empire (McCabe, Bob), 92, Feb. 1997, p. 22. Über Robert Carlyles Rolle.

Empire (McCabe, Bob), 92, Feb. 1997, p. 38.

EPD Film (Thüna, Ulrich von), 14.9.1997, pp. 47-48.

Film & Kino (Kibar, Osman: Ken Loach pa ny jord), 1, Febr./March 1997, pp. 22-25.

Film-Historia (Estève, Llorenc) 6,3, 1996, p. 317.

Film Review (Gray, Marianne), 22 [Spec. Issue], Feb. 1998, p. 24.

Film en Televisie + Video (Meeus, Marcel), 467, Dec. 1996, p. 16.

Film: tutti i film della stagione (Zappoli, Giancarlo) 4,24, 1996, pp. 34-36.

Film en Televisie + Video (Pede, Ronnie: Paul Laverty), 467, Dec. 1996, p. 18.

Film en Televisie + Video (Pede, Ronnie: Ken Loach), 467, Dec. 1996, p. 17.

Film West (Phelan, James), 27, 3.2.1997, p. 60.

Film Ireland Burke, Marina), 57, Feb. 1997, p. 36-37.

In Camera (The Ken Loach Approach - and how to film it), April 1996, pp. 16-17. Über die Zusammenarbeit Barry Ackroyds mit Loach.

Interview (Morley, Hugh: Dancing away a dirty war),  Junw 1998, p. 40. Über Oyanka Cabezas.

Jeune Cinéma (Nave, Bernard: Rencontre avec Ken Loach), 240, Nov./Dec. 1996, pp. 15-20.

Jeune Cinéma (Nave, Bernard), 239, Sept./Oct. 1996, pp. 41-42.

L'Avant-Scène Cinéma (Michel, Anne), 457, Dec. 1996, p. 71.

Moving Pictures International (Malcolm, Derek), 23, Jan. 1997, p. 6.

Positif (Jeancolas, Jean-Pierre), 429, Nov. 1996, pp. 41-42.

Premiere 4,4, May 1996, p. 24.

Screen International (Dobson, Patricia), 1075, 13.9.1996, p. 24.

Screen International (Mitchell, Robert: Shaken and stirred), 1555, 14.7.2006, p. 21.

Segnocinema: Rivista Cinematografica Bimestrale (Pugliese, Roberto), 82, Nov./Dec. 1996, p. 39.

Sight & Sound (Smith, Paul Julian), 7, Febr. 1997, pp. 38-39.

Télérama (Remy, Vincent), 2442, 30.10.1996, pp. 40-44.

Télérama (Murat, Pierre: Le long chemin vers la sortie), 2441, 23.10.1996, pp. 32-34, 36, 38.

Télérama (Remy, Vincent: 'J'étais le vilain petit canard'), 2442, 30.10.1996, pp. 43-44. Interview mit Loach.

The Film Journal (Garcia, Maria), 101, May 1998, pp. 63-64.

The Film Journal (Garcia, Maria: Song of freedom), 101, July 1998 34-35.

The Village Voice (Hooper, Joseph: When the shooting starts) 41, 26.3.1996, pp. 25-29.

The Village Voice (Hooper, Joseph: Contra distinctions, 43, 30.6.1998, p. 140.

The Guardian (Simon Hattenstone), 28.10.1998. - Interview.

Variety (Young, Deborah) 364, 9.-15.9.1996, p. 118.

Vertigo (Hibbin, Sally: The Plague) 1,6, 1996, pp. 16-17.

Vertigo (Laverty, Paul: Day 28 of shoot) 1,6, 1996, p. 15.

Vertigo (Talking to Ken Loach) 1,6, 1996, p. 14.

Vertigo (Laverty, Paul), 6, Oct. 1996, pp. 12-18. Einschl. Eines Interviews mit Loach.

Z Filmtidsskrift (Gronnestad, Dag), 2 (=60), 1997, p. 39.

 

The Flickering Flame, 1997 (Dokumentarfilm)

Kohn, Olivier: Les dockers de Liverpool. In: Positif, 446, Avril 1998, pp. 96-97.

 

My Name Is Joe (My Name is Jo), 1998

Llena, Toni: Entrevista con Ken Loach. In: Film-Historia 9,1, 1999, pp. 47-53.

McDougall, Julian: My Name Is Joe: reverberations in the audience. In: In the Picture, 36, July 1999, pp. 16-19.

Pincus, Adam: Things I cannot change. In: Filmmaker 7,2, Feb. 1999, pp. 52-55. - Interview.

Ryan, Susan / Porton, Richard: The politics of everyday life. In: Cineaste 24,1, 1998, pp. 22-27.

Reviews:

24 Images (Marsolais, Gilles: Risque-tout), 93/94, Autumn 1998, p. 46.

Boxoffice (Scheid, Ed) 134, July 1998, p. 127.

Cahiers du Cinéma (Toubiana, Serge), 528, Oct. 1998, p. 79.

Ciné-Fiches de Grand Angle (Noel, Jacques / Konieczny, Romuald), 219, Oct. 1998, pp. [33-34].

Cineforum (Crespi, Alberto) 38,375, June 1998, p. 58.

Cineforum (Cremonini, Giorgio: Storie di sconfitti, stile vincente) 38,380, Dec. 1998, pp. 12-15.

Cinema Sessanta (Gilodi, Renzo) 39,1, 1998, pp. 55-56.

Dirigido Por (Casas, Quim), 274, Dec. 1998, p. 24.

Ekran: Revija za Film in Televizijo (Kernel, Igor) 24,3-4, 1999, p. 37.

Ekran: Revija za Film in Televizijo (Emersic-Mali, Ziva) 23,5-6, 1998, p. 8.

El Cine Amante (Garcia, Santiago: El amor es mas fuerte), 8 (=88), July 1999, p. 19.

Entertainment Weekly (SchwarzbauM, Lisa: Scot's honour), 470, 5.2.1999, p. 47.

EPD Film (Distelmeyer, Jan) 16, Jan. 1999, pp. 40-41.

EPD Film (Arnold, Frank: Die Kamera ist nur ein Beobachter: Interview mit Ken Loach) 16, Febr. 1999, pp. 6-7.

Film-Historia (Garcia, Lluisa) 9,2, 1999, pp. 211-212.

Film: tutti i film della stagione (Vergerio, Flavio) 5,34, 1998, p. 58.

Film Ireland (Byrne, Peter), 68, Dec. 1998, pp. 35-36.

Film-Echo/Filmwoche (Vöster, Conny), 1, 9.1.1999, p. 38.

Film-Echo/Filmwoche (dock: Ein Kämpfer für die Benachteiligten), 51-52, 19.12.1998, p. 27. Interview mit Loach.

Film-Echo/Filmwoche (Dockhorn, Katharina), 49, 5.12.1998, p. 46.

Film en Televisie + Video (Frans, Peter), 485, Oct. 1998, p. 12.

Film-Dienst (Messias, Hans) 52,1, 5.1.1999, pp. 20-21.

Film Review (Cameron-Wilson, James), 26 [Spec. Issue], Jan. 1999, p. 94.

Filmbulletin (Jansen, Peter W.: Der Glasgow Ranger) 40,4 (=218), 1998, pp. 34-36.

Filmcronache (Sossi, Tiziano: Aria di casa), 67/68, May/Aug. 1998, pp. 14-16.

Filmihullu (Tuominen, Sami), 5-6, 1999, p. 100.

Filmmaker (Pincus, Adam: Things I cannot change) 7,2, Feb. 1999, pp. 52-55. Interview mit Loach.

Filmmaker: the Magazine of Independent Film (Pincus, Adam: Things I cannot change) 7,2, 1999, pp. 52-55.

Filmrutan: Tidskrift for Film och Filmstudios (Engven, Ingvar) 42,2, 1999, pp. 35-36.

Filmvilag: Bori, Erzsebet: Tatabanya, Glasgow) 42,3, 1999, pp. 4-5.

IF Magazine: Australia‘s Independent Film Magazine (Smith, Bec), 16, Aug. 1999, p. 71.

In the Picture (McDougall, Julian: My name is Joe: reverberations in the audience), 36, July 1999, pp. 16-19.

Independent Film and Video Monthly (Power, Paul) 21,8, Oct. 1998, p. 54.

Jeune Cinéma (Camy, Gerard), 251, Sept./Oct. 1998, pp. 42-43.

Kino (Warszawa) (Fainaru, Dan: Terytorium Kena Loacha) 33, Febr. 1999, p. 43.

L'Avant-Scène Cinéma (Leclere, Jacques), 475, Oct. 1998, p. 105.

Music from the Movies (Keech, Andrew), 22, Jan. 1999, p. 20. Review des Soundtracks von George Fenton.

New York Magazine (Rainer, Peter: The grunge tour), 32, 1.2.1999, pp. 47-48.

Positif (Niogret, Hubert), 452, Oct. 1998, pp. 52-53.

Positif (Tobin, Yann), 449/450, July/Aug. 1998, p. 103.

Premiere (Diastème), 260, Oct. 1998, p. 38.

Premiere (Kenny, Glenn) 12, Jan. 1999, p. 24.

Rivista del Cinematografo (Nepoti, Roberto) 68, Dec. 1998, pp. 59-61.

Screen International, 1131, 24.10.1997, p. 10. Produktionsbericht.

Screen International (Mitchell, Robert: Shaken and stirred), 1555 , 14.7.2006, p. 21.

Segnocinema: Rivista Cinematografica Bimestrale (Gottardi, Michele), 96, March/April 1999, p. 42.

Sight and Sound (MacNab, Geoffrey) 10,2, Feb. 2000, p. 62.

Sight & Sound (Hill, John: Every fuckin' choice stinks) 8, Nov. 1998, pp. 18-21.

Sight & Sound (Williamson, Judith) 8, Nov. 1998, p. 58.

Skrien (Wijngaarden, Clementine van: Bedreigde relatie), 230, Feb. 1999, p. 61.

Télérama (Remy, Vincent), 2544, 14.10.1998, pp. 30-31.

Télérama (Pascaud, Fabienne: Solitaire souveraine), 2550, 25.11.1998, pp. 22, 24. Hommage an Edwige Feuillère.

The New Yorker (Lemon, Brendan) 74, 7.-14.12.1998, p. 70.

The Village Voice (Taubin, Amy: The dispossessed) 44, 26.1.1999, p. 64.

The Film Journal (Porton, Richard), 101, Nov. 1998, p. 113.

The New Yorker (Lane, Anthony: Happy together), 74, 1.2.1999, pp. 84-85.

Variety (Elley, Derek: Brogue cools warm love saga) 371, 18.-24.5.1998, pp. 72-73.Empire (Newman, Kim), 114, Dec. 1998, p. 32.

 

Bread and Roses (Bread and Roses), 2000

Bremme,. Bettina: Traumgehälter und Lohndumping. In: Berliner Zeitung, 4.10.2001.

Distelmeyer, Jan: Mit Herzblut in den Kampf. In: Die Zeit, 41, 2001.

Hallensleben, Silvia: Wir sind nicht allein. In: Der Tagesspiegel, 4.10.2001.

Hurwitz, Matt: An evening with Ken Loach: "Bread and Roses." In: DGA Magazine 26,2, 2001, pp. 19-20.

Krebs, Geri: In den Hinterhöfen Hollywoods. In: Neue Zürcher Zeitung, 20.4.2001.

Krivine, Alain: Brot und Rosen. Interview mit Ken Loach. In: SoZ - Sozialistische Zeitung, 24, 23.11.2000, p. 16.

Zuerst frz. in: Rouge (Paris), 1894, 19.10.2000.

Lau, Mariam: Der rote Ken strampelt sich frei. In: Die Welt, 4,10.2001.

Rall, Veronika: Land der Freiheit. In: Frankfurter Rundschau, 4.10.2001.

Reviews:

24 Images (Gajan, Philippe: Loach s'en va-t-en guerre), 103/104, Autumn 2000, p. 60.

Boxoffice (Loewenstein, Lael) 136, Aug. 2000, p. 54.

Cahiers du Cinéma (Burdeau, Emmanuel), 551, Nov. 2000, pp. 91-92.

Cahiers du Cinéma (Krohn, Bill: Carte postale d'Hollywood), 543, Fév. 2000, p. 18.

Cineforum (Gandini, Leonardo) 40,396, 2000, pp. 43-44.

Cineforum (Crespi, Alberto) 41,401,  Jan./Feb. 2001, pp. 35-38.

Der Schnitt (Thomas Warnecke).

DGA Magazine (Matta, Mendez: Through a glass, clearly) 26,2, 2001, pp. 21-24.

Dirigido Por (Fernandez Valenti, Tomas, 299, March 2001, p. 19.

Ekran: Revija za Film in Televizijo (Popek, Simon) 25,5-6, 2000, p. 27.

EPD Film (Mahrenholz, Simone) 18, Okt. 2001, p. 41.

Evening Standard, 24.2.2001 (Alexander Walker).

Film & TV (Stockholm) (Svensson, Agneta: Vinnie Jones vs. Ken Loach), 4, 2000, pp. 12-16.

Filmbulletin (Bodmer, Michel: "Um die Verbindung zwischen Persönlichem und Öffentlichem geht es mir") 43,2 (=231), 2001, pp. 13-15. Interview mit Loach.

Filmbulletin (Vian, Walt R.: Wer tut was, warum?) 43,2 (=231), 2001, pp. 9-12.

Filmrutan: Tidskrift for Film och Filmstudios (Engven, Ingvar) 44,1, 2001, pp. 34-35.

Jeune Cinéma (Nave, Bernard), 265, Déc. 2000, pp. 38-40.

MovieMaker Magazine (Schwartz, Paula: The message in the medium), 43, Summer 2001, pp. 76-78.

Niogret, Hubert. "Bread and Roses." Positif n473/474 Jul/Aug (2000): 89-90.

Positif (Valens, Gregory), 477, Nov. 2000, p. 52.

Premiere (Kenny, Glenn) 14, June 2001, p. 91.

Segnocinema: Rivista Cinematografica Bimestrale (Gottardi, Michele), 108 Marzo/Aprile 2001, p.  59.

Sight and Sound, May 2001.

Sight & Sound (Matthews, Peter: Beyond our Ken) 11, May 2001, pp. 36-37+ [insges. 4 pp].

The Film Journal (Garcia, Maria) 104, May 2001, pp. 76-77.

The Village Voice (Winter, Jessica: Not for ourselves alone) 46, 5.6.2001, p. 148.

Variety (McCarthy, Todd) 378, 15.-21.5.2000, p. 30.

Empire (Newman, Kim), 143, May 2001, p. 62.

Film-Echo/Filmwoche, 39, 29.9.2001, p. 28.

Film Review (Mottram, James), 605, May 2001, p. 26.

Film Tutti i Film della Stagione. 50, Marzo 2001, pp. 5,6.

Interview (Fuller, Graham: Shots in the dark: after 40 years, a Hollywood debut), June 2001, pp. 60-61.

Positif (H.N.), 473/474, July 2000, p. 89.

Premiere (Kenny, Glenn) 14,10, June 2001, p. 91.

Premiere (De Bruyn, Olivier), 284, Nov. 2000, p. 76.

Screen International (Clarke, Natacha), 1261, 2.6.2000, p. 19.

Screen International (Mitchell, Robert: Shaken and stirred), 1555, 14.7.2006, p. 21.

Sight and Sound (MacNab, Geoffrey) 12,4, April 2002, p. 66.

Variety (McCarthy, Todd), 15.5.2000, p. 30.

Sight and Sound 11,5, May 2001, pp. 36-37, 43-44.

 

 

The Navigators (The Navigators), 2001

Smith, Bec: Ken Loach: true believer. In: IF, 46, Aug. 2002, pp. 50-51. - Interview mit Loach.

Reviews:

Boxoffice (Green, Susan) 137, Dec. 2001, p. 55.

Cineforum (Soncini, Alberto: Scacco matto alla classe operaia) 41, 408, Oct. 2001, pp. 22-24.

Variety (Stratton, David) 384, 10.-16.9.2001, p. 64.

CineAction! (Forsyth, Scott: Making and remaking class in Ken Loach's recent films), 61, Aug. 2003, pp. 66-67.

Film-Echo/Filmwoche, 40, 5.10.2002, p. 24.

IF (Woolley, Jamie), 45, July 2002, p. 62.

Screen International (Levy, Emanuel: Humanist touch lightens agitprop load), 1327, 5.10.2001, p. 24.

Sight and Sound (Kelly, Richard) 12,1, Jan. 2002, p. 52.

Sight and Sound (MacNab, Geoffrey) 12,6, June 2002, p. 61.

Televisual (Espensen, Sam: Loach tracks rail crisis for C4), Nov. 2001, p. 11. Produktionsnotizen.

 

Sweet Sixteen (Sweet Sixteen), 2002

Sweet sixteen. Un film de Ken Loach. [Themenheft.] Paris: Avant-Scène 2002,  96 S. (L'avant-scène. Cinéma. 517.).

Alion, Yves: Entretien avec Ken Loach. In: L‘Avant-Scène Cinéma, 517, 2002, pp. 65-68.

Borenstein, Pascale: Entretien avec Paul Laverty, scénariste du film. L‘Avant-Scène Cinéma, 517, 2002, pp. 69-71.

De Bruyn, Olivier / Narbonne, Christophe: Colère noire. In: Première, 310, Dec. 2002, pp. 128-130. - Porträt Loachs.

Gilbey, Ryan: Reasons to be Cheerful. In: Sight and Sound 12,10, 2002, pp. 14-17.

Hüttmann, Oliver: Das Ende aller Träume. In: Spiegel Online, 28.6.2003, URL: http://www.spiegel.de/kultur/kino/0,1518,254972,00.html.

Pflaum, H.G.: Sein Name ist Liam. In: Süddeutsche Zeitung, 26.6.2003.

Poirier, Agnes Catherine: Une journée avec Ken Loach. In: Film Français, 2964 , 15.11.2002, p. 13. - Produktionstagebuch.

Rolinson, Dave: Sweet Sixteen. In: McFarlane, Brian (ed. and introd.): The Cinema of Britain and Ireland. London: Wallflower 2005, pp. 251-259.

Seidel, Hans-Dieter: Wo Illusionen niederbrennen. In: Frankfurter Allgemeine Zeitung, 24.6.2003.

Zinsmeyer, Markus: Sie küßten und sie schlugen ihn. In: Die Zeit, 27, 26.6.2003.

Reviews:

Avant-Scène du Cinéma, 525, Oct. 2003, pp. 122-123.

CineAction! (Forsyth, Scott: Making and remaking class in Ken Loach's recent films), 61, Aug. 2003, pp. 66-67.

Cinéaste (Bromley, Roger) 28,4, Oct. 2003, pp. 48-50.

Cineinforme, 742, Feb. 2002, p. 37. Produktionsbericht.

Empire (DW), 167, May 2003, p. 135.

Film-Echo/Filmwoche (Wydra, Thilo), 24, 14.6.2003, p. 29.

Film Francais (Poirier, Agnes Catherine: Une journée avec Ken Loach), 2964, 15.11.2002, p. 13. Produktionstagebuch.

Film Review (Laight, Rupert), 623, Oct. 2002, p. 75.

Premiere (De Bruyn, Olivier: Et encore...), 310, Dec. 2002, p. 56.

Premiere (De Bruyn, Olivier / Narbonne, Christophe: Colère noire), 310, Dec. 2002, pp. 128-130.

Screen International (Hunter, Allan: Youngster sparkles in tale of life in the raw), 1358, 31.5.2002, p. 19.

Screen International, 1380, 8.11.2002, p. 36. Über die Altersfreigabe.

Sight and Sound (Gilbey, Ryan: Reasons to be cheerful) 12,10, Oct. 2002, pp. 14-17.

Sight and Sound (Matthews, Peter) 12,10, Oct. 2002, pp. 54,56.

Variety (Rooney, David), 3.6.2002, p. 29.

 

 

Just a Kiss (Just a Kiss), 2004

Arnold, Frank: Widersprüche, die darauf warten zu explodieren: Regisseur Ken Loach und Drehbuchautor Paul Laverty zu Just a Kiss. In: epd Film, 11,  2004, pp. 44-45.

Blandford, Steve: A way of life, British cinema and new British identities. In: Journal of British Cinema and Television 5,1, June 2008, pp. 99-112. Discusses contemporary British cinematic representations of black, Asian and other diasporic identities in a post-9/11 British culture. With a focus on the impact of immigration on the Celtic nations of Wales, Scotland and Ireland.

Crowe, Peter: Losing Liam. On Ken Loach's Realist Masterpiece, Sweet Sixteen. The best British film of its time? In: Bright Lights Film Journal, 48, May 2005. URL: http://www.brightlightsfilm.com/48/sixteen.htm.

Finger, Evelyn: Liebe ohne Gott. In: Die Zeit, 47, 11.11.2004.

Kilb, Andreas: Eine Liebe unter Fremden. In: Frankfurter Allgemeine Zeitung, 14.2.2004, Nr. 38.

Knörer, Ekkehard: Das Konfliktparallelogramm. In: Die Tageszeitung, 7513, 13.11.2004, p. 17.

Mottram, James: In the mood for love. In: Sight and Sound  14,3, March 2004, pp. 22-23. - A report from the set of Ken Loach's Ae Fond Kiss. Includes comments by the director on his method, and screenwriter Paul Laverty discusses the events that led him to the story.

Stafford, Roy: Filmmakers we admire...and want to celebrate. In: In the Picture, 50, Dec. 2004, pp. 16-19. A critique of the productions and narratives of Ae Fond Kiss, Code 46 and The Motorcycle Diaires.

Reviews

Süddeutsche Zeitung (Martina Knoben), 12.11.2004.

Cineforum (Mosca, Umberto: Anche l'intimità è politica), 441, Jan. 2005, pp. 40-42.

Empire (Hughes, David), 195, Sept. 2005, p. 146.

Film-Echo/Filmwoche (Wydra, Thilo), 9, 28.2.2004, p. 22.

Film Review (Brett, Anwar: AE Fond Kiss: Atta Boy), 648, Sept. 2004, pp. 84-85. Atta Yaqub über seine Rolle in Loachs Film.

Film Review (Booth, Owen), 648, Sept. 2004, p. 119.

Film Review (Booth, Owen), 55, Dec. 2004, p. 36.

Film Review (Fox, Tom), 659, July 2005, p. 110.

Screen International (Minns, Adam: Loach secures Azure tax funding), 1411, 4.7.2003, p. 5.

Screen International (Marshall, Lee), 1441, 20.2.2004, p. 33.

Segnocinema (Grespi, Barbara) 25,132, March 2005, pp. 42-43.

Sight and Sound (Mottram, James: In the mood for love) 14,3, March 2004, pp. 22-23. Drehbericht. Mit einem Interview mit Paul Laverty.

Sight and Sound (Gilbey, Ryan) 14,9, Sept. 2004, p. 52.

Sight and Sound (Stables, Kate) 15,9, Sept. 2005, p. 86.

Variety (Felperin, Leslie), 23.2.2004, p. 38.

 

 

Tickets (2005)

Rodier, Melanie: Strangers on a train. In: Screen International, 1472, 15.10.2004, p. 22.

Background information on the collaborative project Tickets between Abbas Kiarostami, Ermanno Olmi and Ken Loach.

Trojano, Filippo: Viaggio. Roma: Gangemi Ed. 2006, 143 S.

Bildband. Außerdem: Drehbuch.

Yari, Abbas: Like Pieces of a Puzzle: Ticket Signals Kiarostami's Comeback to Storytelling. In: Film International: Iranian Film Quarterly 11,1-2, Herbst/Winter 2004/05, pp. 12-15.

Reviews:

Cineforum (Tassi, Fabrizio: Un biglietto cambia la vita), 444, May 2005, pp. 40-44.

Empire (Parkinson, David), 199, Jan. 2006, p. 50.

Film Review (Mottram, James), 664, Dec. 2005, p. 105.

Film Review (Kempster, Grant), 670, June 2006, p. 120.

Screen International (Rodier, Melanie: Strangers on a train), 1472, 15.10.2004, p. 22.

Screen International (Marshall, Lee), 1490, 25.2.2005, p. 21.

Segnocinema (Menarini, Roy) 25,133, May 2005, pp. 46-47.

Sight and Sound (Clarke, Roger: Closely observed train) 15,12, Dec. 2005, pp. 44-45, 80.

Variety (Young, Deborah), 28.2.2005, p. 37.

 

 

The Wind That Shakes the Barley (The Wind That Shakes the Barley), 2006

Archibald, David: Correcting Historical Lies: An Interview with Ken Loach and Paul Laverty. In: Cinéaste 32,2, April 2007, pp. 26-30. - About their film The Wind That Shakes the Barley, the controversy it caused and how it reflects the politics of the Anglo-Irish war and the Irish Civil War.

Arnold, Frank: 'Filmemachen hat nicht nur mit Politik zu tun': Gespräch mit Ken Loach. In: epd Film 24,1, 2007, p. 33.

Badt, Karin: Fighting Irish. Ken Loach takes on the Irish resistance in The Wind That Shakes the Barley. In: Moviemaker, Jan. 2007.

URL: http://www.moviemaker.com/hop/editorial.php?id=444.

Beddies, Peter: Ich habe eine Allergie gegen das Vergessen. [Interview mit Loach.] In: Die Welt, 17.6.2006.

Brett, Anwar: Director's chair: Ken Loach. In: Film Review, 672, July 2006, pp. 108-112. - On The Wind That Shakes the Barley and politics.

Conrad, Bernadette: Film muss ein Angriff auf falsche Hoffnungen sein. In: Neue Zürcher Zeitung, 12.6.2006. - Interview.

Gant, Charles: A swell wind. In: Sight and Sound  16,8, Aug. 2006, p. 8. - A brief forecast of the potential commercial success of Loach's The Wind That Shakes the Barley in Europe. Includes table of gross revenues of Ken Loach's films at the UK box- office since 1991.

Köhler, Margret: Die Geister jagen noch: Interview mit Ken Loach. In: Film Dienst 59,13, Juni 2006, p. 9.

Köhler, Margret: Emotionales Kino: Gespräch mit Ken Loach. In: Film Dienst 60,1, 4.1.2007, p. 16.

Mitchell, Robert: Shaken and stirred. In: Screen International, 1555, 14.7.2006, p. 21.

Most, Madelyn: When Barry met Ken. In: British Cinematographer, 18, Sept. 2006, pp. 28-29. - Barry Ackroyd talks about working with Ken Loach on many of his films, the lighting, equipment and techniques used, and particularly about the fim The Wind That Shakes the Barley.

Oppenheimer, Jean: Production Slate: Irish blood. In: American Cinematographer 88,4, April 2007, pp. 24, 26, 28-29. - Cinematographer Barry Ackroyd describes his working relation ship with Ken Loach and in particular their collaboration on The Wind That Shakes the Barley.

Sheehy, Ted: Shaking up history. In: Screen International, 1517, 30.9.2005, pp. 26-27. - Director Ken Loach and producer Rebecca O'Brien explain the challenges of making their period film The Wind That Shakes the Barley, financed by 21 different sources. Includes box office tables on Loach's and Irish-themed political films.

Shields, Paula: Rhapsody in Black and Tan. In: Film Ireland, 111, July 2006, pp. 12-14. - Loach and Paul Laverty talk about making The Wind That Shakes the Barley.

Smith, Damon: Our Times of Troubles: Ken Loach on War, Irish History, and The Wind That Shakes the Barley. In: Bright Lights Film Journal, 56, May 2007, URL: http://www.brightlightsfilm.com/56/kenloachiv.htm.

Worthmann, Merten: Blut auf den grünen Hügeln. In: Die Zeit, 52, 2006.

Reviews:

Neue Zürcher Zeitung (Martin Walder: Der Unbeirrbare), 12.6.2006.

Frankfurter Rundschau (Heike Kühn), 28.12.2006.

Die Tagesteitung (Birgit Glombitza), 8161, 28.12.2006, p. 14.

Die Welt (Matthias Heine), 27.12.2006.

New York Times (Graham Fuller), 4.3.2007.

New York Times (A.O. Scott), 16.3.2007.

American Cinematographer (Oppenheimer, Jean: Production Slate: Irish blood)  88,4, April 2007, pp. 24, 26, 28-29. - Kameramann Barry Ackroyd über seine Zusammenarbeit mit Loach.

British Cinematographer (Most, Madelyn: When Barry met Ken), 18, Sept. 2006, pp. 28-29. Kameramann Barry Ackroyd über seine Zusammenarbeit mit Loach.

Cinéaste (Crowdus, Gary) 32,2, April 2007, pp. 55-57.

Cinéaste (Archibald, David: Correcting Historical Lies: An Interview with Ken Loach and Paul Laverty) 32,2, April 2007, p. 26-30.

Cinema Scope (Porton, Richard: The revolution - betrayed once more), 27, July 2006, pp. 50-51.

Empire (Morrison, Alan), 210, Dec. 2006, p. 179.

Empire (Wise, Damon), 205, July 2006, p. 42.

Film Ireland (Griffin, Sarah), 111, July 2006, p. 48.

Film Ireland (Shields, Paula: Rhapsody in Black and Tan), 111, July 2006, pp. 12-14. Ken Loach und Paul Laverty über die Arbeit am Film.

Film Review (Brett, Anwar), 672, July 2006, pp. 108-112. Interview mit Loach.

Film Review (Mottram, James), 672, July 2006, p. 130.

Film Review (Edwards, Simon: Winds of change), 677, December 2006, pp. 112-113. Der Schauspieler

Cillian Murphy über seine Arbeit an dem Film.

IF (Turk, Rachael), 91, Sept. 2006, p. 40.

In the Picture (Withall, Keith: The Wind that shakes the critics), 55, Nov. 2006, pp. 14-15.

Screen International (Sheehy, Ted: Shaking up history), 1517, 30.9.2005, pp. 26-27. Loach und die Producerin Rebecca O'Brien über die Drehvorbereitungen und die Thematik des Films.

Screen International (MacNab, Geoffrey), 1550, 2.6.2006, p. 16.

Screen International (Halligan, Fionnuala: Winds of change), 1552, 16.6.2006, p. 10. Die Producerin Rebecca O'Brien über die Probleme der Produktion.

Screen International (Sheehy, Ted: Mighty Wind), 1559, 18.8.2006, p. 21. Über den Boxoffice-Erfolg.

Segnocinema (Caron, Mauro) 26,141, Sept. 2006, pp. 90-91.

Sight and Sound (Lawrenson, Edward: The crying of the wind) 16,7, July 2006, pp. 46-47, 83.

Sight and Sound (Gant, Charles: A swell wind) 16,8, Aug. 2006, p. 8. Über den Boxoffice-Erfolg.

Sight and Sound (Leyland, Matthew) 17,4, April 2007, p. 87.

Variety (Elley, Derek), 22.5.2006, p. 41.

 

 

It‘s a Free World (2007)

Andrew, Geoff: Meet Ken Loach. In: BFI Southbank Guide, Sept. 2007, pp.6, 38-39. - Season of five of Ken Loach's most significant films, selected to complement screening and discussion of his latest work, It's a Free World.

Corvin, Ann-Marie: Coming home. In: Broadcast, 21.9.2007, pp. 24-25. - Ken Loach discusses his television drama It's a Free World, and comments on the issue of trust in television.           

Gant, Charles: A swell wind. In: Sight and Sound 16,8, Aug. 2006, p. 8. - A brief forecast of the potential commercial success of Ken Loach's The Wind That Shakes the Barley in Europe.

Luyken, Reiner: "Selbstverantwortung ist Gelaber". [Gespräch mit Loach.] In: Die Zeit, 48, 20.11.2008.

Mitchell, Robert: Shaken and stirred. In: Screen International, 1555, 14.7.2006, p. 21.

Ostwald, Susanne: Sklaven unter uns. Der Brite Ken Loach erweist sich mit It's a Free World  erneut als treffsicherer Sozialkritiker. In: Neue Zürcher Zeitung, 13.3.2008,.

URL: http://www.nzz.ch/nachrichten/kultur/film/sklaven_unter_uns_1.688073.html

Reviews:

Broadcast (Corvin, Ann-Marie: Coming home), 21, Sept. 2007, pp. [24]-25. - Interview mit Loach.

Empire (Thomas, William), 221, Nov. 2007, p. 195.

Radio Times (Wilson, Benji), 22, Sept. 2007, p. 29.

Screen International (MacNab, Geoffrey), 1611, 14.9.2007, p. 23.

Segnocinema (Gottardi, Michele) 27,148, Nov. 2007, pp. 38-39.

Variety (Simon, Alissa), 10.9.2007, p. 88.

  Impressum   Letzte Änderung: 21.10.2010