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Medienwissenschaft / Hamburg: Berichte und Papiere

57 / 2006: Robert Altman. Eine Arbeitsbibliographie

 

Zusammengestellt v. Nina Jebsen u.. Hans J. Wulff

Redaktion und Copyright dieser Ausgabe: Nina Jebsen, Hans J. Wulff.
Letzte Änderung: 28. Februar 2006.

 

Robert Altman: Erste bibliographische Notizen

Zusammengestellt v. Nina Jebsen u. Hans J. Wulff

Die folgende Arbeitsbibliographie entstand im Kontext eines Seminars zu den Filmen Altmans. Sie versteht sich als eine erste Durchsicht des Materials und soll fortgeschrieben werden. Die Oscar-Verleihung im März 2006 wird auch das akademische Interesse an Altmans Filmen beleben - insbesondere für diesen Kontext versteht sich die folgende Sammlung. Wir bitten, uns Ergänzungen und Korrekturen, Abstracts und Hinweise auf Mehrfachabdrucke zuzusenden, wir werden sie in die Bibliographie einfügen und sie gelegentlich in erweiterter Fassung online zugänglich machen.


Bibliographie

Prinzler, Hans Helmut: Daten. In: Robert Altman. Mit Beitr. V. Judith M. Kass [...]. München: Hanser 1981, pp. 171-201 (Reihe Film. 25.).
Bibliographie: pp. 189-207.

Wexman, Virginia Wright / Bisplinghoff, Gretchen: Robert Altman. A guide to references and resources. Boston, Mass.: G.K. Hall 1984, ix, 243 pp.


Inhalt

1. Interviews
Interviews II: Chronologische Liste
2. Bücher
3. Artikel
4. Einzelne Filme (im Alphabet der Filme)


1. Interviews

Andrew, Geoff: Interview with Robert Altman. ULR: http://www.bfi.org.uk/showing/nft/interviews/altman/1.html.

Beaver, Frank: An Interview with Robert Altman. In: Michigan Quarterly Review 22,1, Winter 1983, pp. 45-55.

Braudy, Leo / Kolker, Robert P.: Robert Altman: An Interview. In: Post Script: Essays in Film and the Humanities 1,1, Fall 1981, pp. 2-7 (Tl. 1); 1,2, Winter 1982, pp. 2-14 (Tl. 2).

Breskin, David: Robert Altman. In: Inner views. Filmmakers in conversation. Boston: Faber and Faber 1992, pp. 267-323.

Robert Altman: the Rolling Stone interview. In: Rolling Stone, 628, 16.4.1992, pp. 72-81. [pp. 74-77, 86, 94-95.]

Fuller, Graham (Hrsg.): Altman on Altman. London 1993.
Teildr. In: Projections. 2. Ed. by John Boorman & Walter Donohue. London: Faber & Faber 1993.

Henry, Michael: Robert Altman: Entretîen avec Robert Altman - La rencontre des Dix Petits Indiens et de La Règle du jeu. In: Positif. Revue mensuelle de cinéma, 493, 2002, pp. 21-26.

Kalogerakis, George: A seat at Bob's table. In: New York Goes to the Movies (New York), 34, Sekt. i48, 17.12.2001, pp. 40-42.
The critical and public reaction to Robert Altman's new film, 'Gosford Park,' indicates that the venerate director may have a large commercial hit on his hands. At Elaine's restaurant in New York, Altman reflects on his career and what his films mean to him.

Keogh, P.: Death and Hollywood. In: Sight & Sound NS 5,2, June 1992, pp. 12-13.

Kloman, H. / Michaels, L. / Wexman, Virginia Wright: A foolish optimist: interview with Robert Altman. In: Film Criticism 7,3, Spring 1983, pp. 20-28.

Köhler, Margret: Sinn- und Wertkrisen. Gespräch mit Robert Altman. In: Filmdienst 46,26, 21.12.1993.
Anläßlich des Starts von „Short Cuts“.

Kolker, R.P.: Robert Altman: an interview, part I. In: Post Script: Essays in Film and the Humanities 1,1, 1981, pp. 2-7.

Kolker, R.P. / Braudy, Leo: Robert Altman: an interview, part II. In: Post Script: Essays in Film and the Humanities 1,2, 1982, pp. 2-14.

Kroll, Jack: Seeking the 'rotten core.' In: Newsweek, 23. Aug. 1993, 122,8, S.52; Newsweek, 23. Aug. 1993, 122,8, p. 52.
Altman talks about the prostitution scandal involving Hiedi Fleish, hypocrisy in Hollywood, CA, and trends in the film industry. He also names Jonathan Demme and Martin Scorsese as two of the men he admires the most. Altman dislikes the way Japanese businesses are running movie studios. [Expanded Academic Index]

Raab, Scott: What I've learned: Robert Altman. In: Esquire 141,2, Feb. 2004, pp. 110-111.

Sterritt, David (ed.): Robert Altman: interviews. Jackson: University Press of Mississippi 2000, xxxv, 225 pp. (Conversations with filmmakers series).

Tavernier, Bertrand (éd.): Amis Americains: entretiens avec les grands auteurs d'Hollywood. Institut Lumière: Actes Sud 1993, pp. 695-739.

Thompson, David (ed.): Altman on Altman. London: Faber, 2004, 352 p.


Interviews II: Chronologische Liste

Cutts, John: „M*A*S*H*“, „McCloud“ and „McCabe“: an Interview with Robert Altman. In: Films and Filming 17,2, Nov. 1971, pp. 40-44.

Auwerter, Robert: A Conversation with Robert Altman. In: Action, Jan.-Feb. 1971.

Als „Robert Altman“ In: Directors in Action. Ed. by Bob Thomas. Indianapolis: Bobbs-Merrill 1973, pp. 60-65.

Werter, R.: Robert Altman. A Conversation. In: Act 6,1, Jan.-Feb. 1971.

Miangois, M.: Interview with Robert Altman. In: Zoom, 12, Mai-Juni 1972.

O'Brien, G.: Robert Altman. In: Interview, 25, Sept. 1972.

Grisolia, M: Conversation avec Robert Altman. In: Cinéma, 168, Juli-Aug. 1972.

Brancourt, G.: Propos de Robert Altman. In: Ecran, 14, April 1973.

Ciment, Michel / Tavernier, B.: Entretien avec Robert Altman. In: Positif, 147, Feb. 1973.

Dawson, Jan: Robert Altman Speaking. In: Film Comment 10,2, March/April 1974, pp. 40-41.

Lecombe, A.: Robert Altman et Thieves Like Us. In: Ecran, 27, Juli 1974.

American Film Institute: Interview with Laszlo Kovacs and Vilmos Zsigmond. In: Dialogue on Film 3, 1974, pp. 1-28.

Reid, M.: The Making of California Split. An Interview with Robert Altman. In: Filmmakers‘ Newsletter 7, 12.10.1974.

Even, M.:Entretien avec Robert Altman. In: Le Monde, 27.2.1975.

Henry, M.: Conversation avec Robert Altman sur le plateau de Nashville. In: Positif, 166, Feb. 1975.

Hodenfield, C.: Zoom Lens Voyer: a Few Moments with Nashville's Bob Altman. In: Rolling Stone, 17.7.1975.

Altman, R.: Dialogue On Film. In: American Film, Feb. 1975.

Ciment, Michel / Henry, M.: Entretien avec Robert Altman. In: Positif, 166, Feb. 1975.

American Film Institute: Robert Altman seminar. In: Dialogue on Film 4, 1975, pp. 2-26.

Coletti, L.: Conversazione con Robert Altman. In: Europeo, 13.8.1976.

Macklin, A.: Welcome to Lion's Gate. In: Film Heritage 12,1, autumn 1976.

Williamson, B.: Playboy Interviews: Robert Altman. In: Playboy, Aug. 1976.

Macklin, A.: The Artist and the Multitude Are Natural Enemies. In: Film Heritage, Winter 1976-77.

Demby, Barbara Jeffries: Robert Altman Talks About His Life and Art. In: The New York Times, 19.6.1977, sect. 2, pp. 1, 17.

Fieschi, J.: Robert Altman. In: Cinématographe, 28, Juni 1977.

Jameson, R.T. / Murphy, K.: Robert Altman Interviewed. In: Movietone News, 55, 16.9.1977.

Ciment, Michel / Henry, M.: Entretien avec Robert Altman. In: Postitif, 197, Sept. 1977.

Carlsson, G.: Samtal med Altman. In: Chaplin, 19,6, 1977.

Clouzot, C.:26 question à Robert Altman. In: Ecran, 74, Nov. 1978.

Rosenbaum, Jonathan / Michener, C.: An Altman. In: Film Comment, 14,5, Sept.-Okt. 1978.

Le Pavec, J.: Entretien avec Robert Altman. In: Cinéma, 239, Nov. 1978.

Kloman, H. / Michaels, L. / Waxman, V.W.: A Foolish Optimistic, Interview with Robert Altman. In: Film Criticism, 7,3, Spring 1978.

Michener, C.: Interview with Robert Altman. In: Film Comment, Sept. 1978.

Kolsek, P. / Schrott, S. / Zenske, Tri: Interview. In; Ekran, 15,3, 1978.

Iversen, E.: En Comersel succes Ville Gore Han Barge. In: Kosmorama, 25,141, Spring 1979.

Carcassone, P. / Fieschi, J.: Entretien avec Robert Altman. In: Postitif, 216, Mars 1979.

Ciment, Michel / Henry, M.: Entretien avec Robert Altman. In: Postitif, 216, Mars 1979.

Eyquem, O.: Rencontre avec Robert Altman. In: Postitif, 226 , Jan. 1980.

McGilligan, P.: Feiffer and Popeye. In: Focus on Film, 37, March 1981.

Altman, D.: Robert Altman Building Castle. In: Cinema Papers, July-Aug. 1981.

Combs, Richard / Milne, Tom: Altman Talking. In: Sight and Sound, 3, 1981.

Stuart, A.: Peripherical Vision. In: Films, 1, 8.7.1981.

Brandy, L. / Kolker, Robert: Robert Altman: An Interview Part I. In: Post Script, 1,1, Autumn 1981.

Ciment, Michel: Entretien avec Robert Altman. In: Postitif, 249, Dec. 1981.

Brandy, L. / Kolker, Robert: Robert Altman: An Interview Part II. In: Post Script, 1,2, Winter 1982.

Durgnat, Richard: Popeye Pop Up. In: Films, 2,5-6, April-Mai 1982.

Guislan, P. / Najman, C. / Carcassonne, P.: Entretien avec Robert Altman. In: Cinématographe, 89, Mai 1983.

Beaver, F.: An Interview with Robert Altman. In: Michigan Quarterly Review 22, 1983.

Chesire, Godfrey: Against the odds. An interview with Robert Altman. In: Spectator Magazine, 17.-
23.3.1983, pp. 507-508.

Ciment, Michel: Entretien avec Robert Altman. In: Positif, 280, giugno 1984.

Aufderheide, Pat: Secret Honor: Interviews with Donald Freed and Robert Altman. In: Cineaste, 2, 1985.

Ciment, Michel: Entretien avec Robert Altman. In: Positif, 299, gennaio 1986.

Ahlund, J.: If you're not a Cowboy. In: Chaplin, 208, febbraio 1987.

Walters, M.: Digging Up the Past. In: Listener, 123,3160, 12.4.1990.

Combs, Richard: Game Boy Squares the Circles. In: Observer, 21.6.1992.

Johnstone, I.: Still Ahead of the Game. In: Sunday Times, 14.6.1992.

Malcolm, D.: How the West Was Lost. In: The Guardian, 19.4.1992.

Henry, Michael: La plus belle musique au monde: entretien avec Robert Altman. In: Positif. Revue mensuelle de cinéma, 423 (1996), pp. 8-11.

Robert Altman: interviewed by C. Michener. In: Film Comment, September 1978, 14, pp. 15-18.

Fuller, G.: Robert Altman does it again. In: Interview, Oktober 1993, 23, pp. 126-130.

Lewin, A.: It happend in Nashville. In: Premiere, Juli 2000, 13, 11, pp. 88-102.

Smith, G. / Jameson, R.T.: Robert Altman on The player. In: Film Comment, Mai/Juni 1992, 28, pp. 20-30.

Breskin, D.: Robert Altman: The Rolling Stone interview. In: Rolling Stone, 16. April 1992, pp. 72-
77.

Stewart, R.B.: Reimagining Raymond Carver on film: a talk with Robert Altman and Tess
Gallagher. In: The New York Times Book Review, 12. September 1993, pp. 98-100.

Kroll, J.: Seeking the `rotten core`. In: Newsweek, 23. August 1993, 122, p. 52.


2. Bücher

Robert Altman. Mit Beitr. von Judith M. Kass [u.a.]. München [u.a.] : Hanser 1981, 207 S. (Reihe Film 25).

Bourget, Jean Loup: Robert Altman. Paris: Edilig 1980. (Cinegraphiques.).
Neuausg.: Robert Altman. (Nouvelle éd.) Paris: Ramsay, 1994, 158 S. (Ramsay poche cinéma. 117/118.).

Caldiron, O. / Lucci, S. (a cura di): La televisione di Robert Altman. Conegliano 1996.

Castelli, Giancarlo / Marchesini, Mauro: Robert Altman. Bln [Berlin]: Guhl [1980], 133 S. (Kino heute 4).
Zuerst: Robert Altman: altrove o negli immediati dintorni. Milano/Moizzi: Contemporanea, [1976], 125 p.

D'Alto, Davide: Robert Altman dal teatro al cinema. [Prefazione di Roberto Lasagna.] Alessandria: Edizioni Falsopiano 2001, 266 pp. (Falsopiano Cinema).

Esch-Jakob, Juliane: Filmphilologie. Demonstriert am Beispiel Robert Altmans Thieves like us (1974) und ausgewählter Gangsterfilme unter Einbeziehung der Umsetzung Roman - Film. Phil. Diss. Kiel 1983, 304, 159 S.

Estève, Michel (sous la direcion de): Robert Altman. Presente par Michel Esteve ; avec des textes de Vincent Amiel, Serge Chauvin, Frank Curot ... [et al.]. Paris: Lettres modernes Minard, 1999, 209 pp. (Etudes cinematographiques. 64 [249-257]).

Feineman, Neil: Persistence of vision: the films of Robert Altman. New York: Arno Press 1978, vii, 222 pp. (Arno Press cinema program.) / (Dissertations on film series.).
Zuerst als Diss., University of Florida 1976.

Fink, Guido: I film di Robert Altman. Rome: Gremese, 1982, 150 pp.

Holtzclaw, Robert Paul: A new stage: Neoformalist analysis of Robert Altman's theater-to-film adaptations of the 1980's. Diss. 1991, v, 283 pp.

Kass, Judith M.: Robert Altman, American Innovator. New York: Popular Library 1978, 282 pp.

Kagan, Norman: American skeptic: Robert Altman's genre-commentary films. Ann Arbor, MI: Pierian Press 1982.
Darin u.a. Durgnat, Raymond: The man with no genre, pp. xi-xvii.

Karp, Alan: The films of Robert Altman. Metuchen, N.J.: Scarecrow Press, 1981, 171 pp.

Keyssar, Helene: Robert Altman's America. New York: Oxford University Press, 1991.

La Polla, F.: Il cinema come filosofia (Robert Altman), in Il nuovo cinema americano. Venezia: Marsilio 1985.

Lucci, S. (a cura di): Leggere Altman. Roma: Bulzoni 1995.

Magrelli, E.: Robert Altman. Firenze: La Nuova Italia 1977, 133 pp. (Il Castoro cinema. 39.).
Aktualisiert: De Bernardinis, Flavio: Robert Altman. Firenze: 1994, 172 pp. (Il Castoro Cinema. 39.).
2nd ed. Aprile 1995.

Martini, Emanuela: Il lungo addio. L'America di Robert Altman. Torino: Lindau 2000, 205 pp. (Saggi. 8).

McGilligan, Patrick: Robert Altman: jumping off the cliff: a biography of the great American director. New York: St. Martin's Press, 1989.

Micciché, Lino: L'incubo americano: il cinema di Robert Altman. Venice: Marsilio Editori, 1984, 155 pp.

Morini, Andrea (a cura di): America oggi. Il cinema di Robert Altman. Bologna: Cinema Lumière 2000, 83 pp. (Mostra Internazionale del Cinema Libero.)./(I quaderni del Lumière. 32).

O'Brien, Daniel: Robert Altman: Hollywood survivor. New York: Continuum, 1995, 144 pp.
Zugl. London: Batsford 1995, 144 pp.

Pangon, Gérard / Amiel, Vincent: Robert Altman : 1970. [Paris] : Arte éd : Mille et une nuits [1970], 63 pp.

Plecki, Gerard: Robert Altman. Boston: Twayne 1985, xiv, 159 pp. (Twayne's filmmakers series.)

Salvadori, Roberto (a cura di): Robert Altman: un acrobato nel circo americano. Firenze: Loggia de' Lanzi 1997, 270 S. (Quaderni della Mediateca. 3).

Self, Robert T.: Robert Altman's subliminal reality. Minneapolis: University of Minnesota Press 2002, xxix, 332 pp. (Commerce and Mass Clture Series.).
In Robert Altman's Subliminal Reality, Robert T. Self sheds light on Altman's work and provides the most comprehensive analysis of his films to date. With close readings of classics like MASH, McCabe and Mrs. Miller, and Nashville, as well as more recent films like The Player, Short Cuts, and Cookie's Fortune, Self asserts the value of Altman's work not only to film theory and the entertainment industry but to American culture itself. In his analysis, Self identifies Altman's films particularly as they address issues of form, identity, and industry. He explains how Altman critiques moviemaking forms by using an open, fragmented mode of storytelling and by turning conventional Hollywood genres inside out. He examines Altman's characterization of social and individual identity as fragile and fragmentary and his depiction of antiheroic characters debilitated by their socially constructed gender roles. Finally, Self shows how Altman challenges the entertainment industry itself, questioning its methods and motives and critiquing its role in our cultural alienation. Self frames his study of Altman's work with a discussion of the director's efforts to create a "subliminal reality" in his narratives-to touch audiences on an unconscious level and to recognize the unspoken, and unspeakable, dimensions in human interactions. According to Self, this striving for "subliminal reality" makes Altman's films not only exemplary of the potential of art cinema narration but instrumental in keeping such narrative alive.


3. Artikel

Aureli, E.: Altman, missione teatro. In: Filmcritica, 350, dicembre 1984.

Auwerter, R.: Robert Altman. In: Directors in Action. A cura di Bob Thomas. Indianapolis/New York: Bobbs Merril 1973.

Baker, C.A.: The theme of structure in the films of Robert Altman. In: Journal of Popular Film and Television 2,3 (Summer 1973), pp. 243-261.
Discusses R.A.'s view on structure vs. freedom in life, as shown in his films 'That cold day in the park', 'MASH', 'Brewster McCloud' and 'McCabe and Mrs. Miller'.

Balski, G.: Robert Altman. In: Iluzjon, 34, aprile-giugno 1989.

Belton, John / Tector, L.: The Bionic Eye: The Aestethics of the Zoom. In: Film Comment, 5, settembre-ottobre 1990.

Benayoun, Robert: Robert Altman. In: Positif, (fuori serie), gennaio 1991.

Bibaud, A.M.: Robert Altman ou la mise en question. In: Cinema, 1976.

Bonnet, J.C.: Dossier Robert Altman. In: Cinématographe, 54, gennaio 1980.

Bourgigne, T.: Robert Altman. In: Positif, 395, gennaio 1994.

Calum, P.: Robert Altman, En Introduktion. In: Kosmorama, 108, 1972.

Cielsar, J.: Robert Altman. In: Film & Doba, 7, luglio 1978.

Dempsey, Michael: Altman; the empty staircase and the Chinese princes. In: Film Comment 10,5, Sept.-Oct. 1974, pp. 10-17.
Analysis of the themes in Robert Altman's films.

DiPiero, W.S.: Wish and power. Robert Altman. In: Chicago Review 30, Summer 1978, pp. 34-51.

Edgerton, Gary: Capra and Altman: Mythmaker and Mythologist. In: Literature/Film Quarterly. 11,1, 1983, pp. 28-35.

Eyles, A.: Robert Altman. In: Focus on Film, 9, primavera 1972.

Farber, Stephen: Let us now praise - not overpraise - Robert Altman. In: New York Times, 29.9.12974, sect. 2, p. 1.

Farber, Stephen: Five Horses after the Apocalypse. In: Film Comment, 4, luglio-agosto 1985.

Gilbey, Ryan: Robert Altman. In seinem: It don't worry me: the revolutionary American films of the seventies. New York: Faber and Faber 2003.

Giles, Paul: The cinema of Catholicism: John Ford and Robert Altman. In: Unspeakable images: ethnicity and the American cinema. Ed. by Lester D. Friedman. Urbana: University of Illinois Press 1991.
"Ritual and burlesque: John Ford and Robert Altman." In: American Catholic arts and fictions: culture, ideology, aesthetics / Paul Giles. Cambridge ; New York: Cambridge University Press, 1992. (Cambridge studies in American literature and culture.).

Grob, Norbert: Robert Altman. In: New Hollywood, 1967-1976. Trouble in Wonderland. Hrsg. v. Hans Helmut Prinzler u. Gabriele Jatho. Berlin: Bertz 2004, pp. 94-96.

Hendrykowski, M.: Robert Altman, Krytyk fascinacij. In: Iluzjon, 33, gennaio-marzo 1987.

Hillier, Jim (ed.): "Mavericks: Robert Altman, Paul Thomas Anderson, Abel Ferrara, Spike Jonze, Harmony Korine, David Lynch, John Sayles." In: American independent. London: British Film Institute Publishing, 2001. Sight and sound reader.

Jacobs, Diane: Robert Altman. In ihrem: Hollywood Renaissance. South Brunswick: A. S. Barnes 1977.

Koebner, Thomas: Robert Altman. In: Filmregisseure. Biographien, Werkbeschreibungen, Filmographien. Hrsg. v. Thomas Koebner. Stuttgart: Reclam 1999, pp. 26-31.

Koebner, Thomas: Von Verrückten und Tollhäusern. zum 80. Geburtstag von Robert Altman. In: film-dienst 58,4, 2005, pp. 46-47.

Kolker, Robert Phillip: A cinema of loneliness: Penn, Kubrick, Coppola, Scorsese, Altman. 3rd ed. Oxford ; New York: Oxford University Press, 2000.
2nd ed. 1988; zuerst 1980.
Dt.: Allein im Licht : Arthur Penn, Oliver Stone, Stanley Kubrick, Martin Scorsese, Steven Spielberg, Robert Altman / Kolker, Robert: München [u.a.] : Diana-Vlg. 2001.

Leconte, A.: De Long Goodbye a Thieves Like Us. In: Ecran, 27, marzo 1974.

Levin, L.: Robert Altman's innovative sound techniques. In: American Cinematographer 61, April 1980, pp. 336-339.

Levine, R.: Robert Altman & Co.. In: Film Comment, gennaio 1977.

Maroval, P.: Altman versus Hollywood. In: Cinématographe, 45, marzo 1979.

McGilligan, P.: Altman in Kansas City. In: Sight and Sound, 2, primavera 1990.

Metrak, K.: Mitroburca i obrazoburca. In: Kino, 3, marzo 1977.

Murphy, K. / Rudolph, A.: A Lion's Gate: the Cinema According to Robert Altman. The Product as a Gambler. In: Film Comment, 2, marzo-aprile 1994.

Murphy, M.: Crisis of a Cult Figure. In: New West, 23.5.1997.

Parrill, William: Robert Altman. In: Religion in film. Ed. by John R. May and Michael Bird. Knoxville: University of Tennessee Press 1982.

Pitiot, P./ Talvot, H.: Robert Altman de M*A*S*H* a Nashville. In: Jeune Cinéma, 98.

Plecki, Gerard: The South in the films of Robert Altman. In: The South and film. Ed. by Warren French. Jackson: University Press of Mississippi, 1981.
Southerners in Robert Altman's films, M*A*S*H, Brewster McCloud, Thieves Like Us, and Nashville, represent a cross section of American lifestyles and attitudes. The people of the South are proud, resilient, and forceful but are also prone to racial and regional biases, stubbornness, and greed. Altman finds and pictures the South as the locus of conservatism in the United States.

Quart, L.: On Altman: Image as Essence. In: Marxist Perspective, 1, primavera 1978.

Raceva, M.: Edin cudak sred Holivud. In: Kinoizkustvo, 6, giugno 1978.

Roodnat, J.: Robert Altman, luis in de pels van Hollywood. In: "Skoop", 8, novembre 1985

Roodnat, J.: Verhalen over dromers realiseteru en de buitenwereld de films van Robert Altman. In: Skoop, 3, aprile 1977.

Roodnat, J.: Van de deromers naar het compromismet de werkelijkheid. In: Skoop, 4, maggio 1977.

Sanjek, David: It Could Have Been Worse: Robert Altman's O. C. and Stiggs. In: Post Script: Essays in Film and the Humanities. 13,3, Summer 1994, pp. 39-53.

Self, Robert: "The Perfect Couple: 'Two Are Halves of One' in the Films of Robert Altman." In: Wide Angle: A Film Quarterly of Theory, Criticism, and Practice. 5,4, 1983, pp. 30-37.
An analysis of Robert Altman's films with the central theme of 'human pairing', and the depiction of US life in the 1970's.

Self, Robert: "The art cinema and Robert Altman." In: Velvet Light Trap, 19, 1982, pp. 30-34.

Self, Robert: "Robert Altman and the theory of authorship." In: Cinema Journal 25, Fall 1985, pp. 3-11.
"Robert Altman" is the name of the author metonymic with the variety of productive forces that intersect and disperse across the set of two dozen films bearing that name. It signifies numerous modes of discourse - technological, industrial, societal, formal, psychological, academic - each of which authorizes a different "notional coherence" in the reading of these films.

Sessien, G.: Welcome to Europe, Mr. Altman. In: epd Film, 5.5.1990.
Stratton, D.: Film Styles. In: Lumière, 22.4.1973.

Sugg, Richard P.: William R. Robinson's Philosophy of Image-Freedom and Robert Altman's The Player and Short Cuts. In: Robinson, William R[onald]: Seeing beyond: movies, visions, and values: 26 essays. By William R. Robinson and friends. Introduction and essay by Frank Burke. Edited with an essay by Richard P. Sugg. New York: Golden String Press 2001, pp. 319-330 (Studies in the Film Series).

Tibbets, John C.: Robert Altman: After 35 years, still the ‚action painter‘ of American cinema. In: Literature/Film Quarterly 20,1, 1992.

Ungureit, Heinz: Robert Altman. In: New Hollywood. München/Wien: Hanser 1976, pp. 59-82 (Reihe Film. 10).

Wandruszka, Maria Luisa: Mettere insieme i frammenti. Da Caroline Schlegel a Robert Altman. Roma: Carocci 2002, 111 S. (Lingue e letterature Carocci. 18.).
Über Altmans Frauenfiguren.

Wexman, Virginia Wright: "Rhetoric of cinematic improvisation." In: Cinema Journal 20,1, Fall 1980, pp. 29-41.

White, A.: Play Time. In: Film Comment, 1, Jan.-Feb. 1986.

Wood, Robin: Smart-ass & cutie-pie: notes toward an evaluation of Altman. In: Movie 21, 1975, pp. 1-17.

Wood, Robin: Smart ass and cutie-pie: notes toward the evaluation of Altman. In: Ders.: Hollywood from Vietnam to Reagan. New York: Columbia University Press, 1986. pp. 26-45.

Wyatt, Justin: Economic Constraints/Economic Opportunities: Robert Altman as Auteur. In: Velvet Light Trap 38, Fall 1996, pp. 51-67.
An auteurist appraisal of the work by independent US director R.A., also providing an economic survey of his career to date.

Yacowar, Maurice: "Actors as conventions in the films of Robert Altman." In: Cinema Journal 20,1, Fall 1980, pp. 14-28.
"Altman's use of an actor may be prompted by the director's personal response to the performer's image or nature or by his awareness of the performer's associations from other films or from real life. His purpose is continually to upset or to challenge his viewer's habitual responses."

Morales, Juan: What about Bob? In: Movieline 13, Dec./Jan. 2002, p. 24.

Silver, Alain / Walkow, Gary: Robert Altman. In: DGA Magazine 25,5, 2001, pp. 63-67.

Reed, Jordan: A walk in the "Park." In: Boxoffice 137, Nov. 2001, p. 36.

Kalogerakis, George: A seat at Bob's table. In: New York Magazine 34, 17.12.2001, pp. 40-43.

Ellingson, Annlee: T'd off. In: Boxoffice 136, Sept. 2000, p. 30.

Neff, Renfreu: Anne Rapp. In: Creative Screenwriting 7,5, 2000, p. 8.

Esposito, Lorenzo: Americana... 1973-2000. Le nuove generazioni di cinema USA. Filmcritica: Rivista mensile di Studi sul Cinema 50,505, May 2000, pp. 267-288.

Romano, Helene: Robert Altman [Book Review]. In: Jeune Cinéma, 259, Jan. 2000, p. 55.

Lally, Kevin: Altman's women. In: The Film Journal 103, Nov. 2000, pp. 8-9.

Decker, Christof: Hollywoods Spiel mit den Zuschauern. In: Augen-Blick, 31, Okt. 2000, pp. 55-69.

Calderale, Mario: Filmografie. In: Segnocinema: Rivista Cinematografica Bimestrale, 106, Nov/Dec 2000, p. 40.

Gopalan, Nisha: Southern discomfort. In: Premiere 12, May 1999, p. 63.

Mobilio, Albert: Robert Altman. In: Bomb, 68, Summer 1999, pp. 24-30.

Altman, Robert: Una storia che scorre col fiume. In: Cineforum 39,383, Apr. 1999, pp. 6-9.

Martini, Emanuela: ...Che avra settantacinque anni nel 2000. On: Cineforum 39,389, Nov. 1999, pp. 58-59.

Calderale, Mario: Filmografie. In: Segnocinema: Rivista Cinematografica Bimestrale, 97, May/Juni, 1999, p. 40.

Calderale, Mario: Filmografie. In: Segnocinema: Rivista Cinematografica Bimestrale, 96, March/April 1999, p. 40.

Lachat, Pierre: "Bei jedem gewoehnlichen Zweistuender muss ich auswalzen und wiederholen." In: Filmbulletin 40,2 (=216), 1998, pp. 37-38.

Siniscalchi, Claudio: Robert Altman l'altra faccia dell'impero americano. In: Rivista del Cinematografo 68, Juni 1998, p. 58.

Avati, Tommaso: Tra etica e contestazione. In: Rivista del Cinematografo 68, Juni 1998, pp. 61-64.

Combs, Richard: "Kansas City," Kansas City. In: Film Comment 33, March/April 1997, pp. 68-71.

Biskind, Peter: The sweet hell of success. In: Premiere 11, Oct. 1997, pp. 84-86, 87-98.

Mancino, Anton Giulio: Una nouvelle vague americana. In: Cineforum 37,369, Nov. 1997, pp. 28-37.

Henry, Michael: Entretien avec Robert Altman. In: Positif, 423, May 1996, pp. 8-11.

Kelleher, Ed: All that Altman jazz. In: The Film Journal 99, Aug. 1996, pp. 10-11.

Yaffe, David M.: He am what he am. In: The Village Voice 41, 20.8.1996, p. 8.

Or, Victor: Multiple storylines [Book Review]. In: Film & History 26,1-4, 1996, pp. 108-109.

Emiliani, Simone: Il primo Altman. In: Cineforum 36,356, Juli/Aug. 1996, pp. 84-86.

Wyatt, Justin: Economic constraints/economic opportunities: Robert Altman as auteur. In: Velvet Light Trap: a Critical Journal of Film and Television, 38, Fall 1996, pp. 51-67.

Tobin, Yann: "Pret-a-porter" de Robert Altman. In: Positif, 410, April 1995, pp. 16-17.

Armata, Jerzy: Filmografie. In: Film Pro, 3, 1995, p. 28.

Sossi, Tiziano: Lo specchio della vita. In: Filmcronache,48, Mar/April 1995, pp. 60-65.

Altman, Robert: The actor as auteur. In: Projections 4 1/2, 1995, pp. 9-13.

Novelli, Mara: I quattro momenti di Robert Altman. In: Filmcronache, 51, Sept./Oct. 1995, pp. 63-65.

Emiliani, Simone: Voglia di generi per Robert Altman. In: Filmcronache, 49/50, May/Aug. 1995, pp. 37-41.

Viviani, Christian: "Pret-a-porter." In: Positif, 410, April 1995, pp. 18-20.

Bourget, Jean-Loup: "Pret-a-porter." In: Positif, 410, April 1995, pp. 21-23.

Ciment, Michel: "Pret-a-porter," un film de Robert Altman. Par Robert Altman, Barbara Shulgasser et Brian D. Leitch [Book Reviews]. In: Positif, 410, April 1995, p. 22.

Franco, Guillermo: La moda en la mira. In: Dicine: Revista de Diffusion e Investigacion Cinematograficas a.c., 62, May/Juni 1995, pp. 27-29.

Gallagher, Tess: Taiteilija kuilun partaalla. In: Filmihullu, 2, 1995, pp. 42-43.

Koski, Markku: Oikopolkuja Robert Altmanin uralta. In: Filmihullu, 2, 1995, pp. 40-41.

Nacache, Jacqueline: "Short Cuts" - "Les americains." In: Le Mensuel du Cinéma,14, Jan. 1994, pp. 28-29.

Sauvaget, Daniel: Des itineraires contraries. In: Le Mensuel du Cinéma,14, Jan (1994), pp. 72-73.

Meeus, Marcel / Pede, Ronnie: Robert Altman. In: Film en Televisie + Video,439, Feb. 1994, pp. 15-17.

Alion, Yves: Un cinema plus europeen qu'americain. In: Le Mensuel du Cinema,14, Jan. 1994, pp. 74-76.

Murphy, Kathleen: Robert Altman. In: Film Comment 30, March/April 1994, pp. 20-24.

Bourget, Jean-Loup: Entretien avec Robert Altman. In: Positif, 395, Jan. 1994, pp. 28-34.
Altman, Robert: L'acteur comme auteur. In: Positif, 400, Juni 1994, pp. 4-6.

Seguin, Louis: ROBERT ALTMAN SHORT CUTS. In: La quinzaine littéraire, 640, 1994, p. 27.

Ciciriello, Marcello: Un'ascia per il mare ghiacciato. In: Cinema Nuovo 43,347, Jan./Feb. 1994, pp. 22-23.

Greene, Ray: Model citizen. In: Boxoffice 130, Dec. 1994, pp. 10-12.

Griffin, Nancy: French dressing. In: Premiere 8, Dec. 1994, pp. 96-99.

Mazierska, Ewa: "Na skroty." In: Filmowy Serwis Prasowy 40,n2 (n756) (1994), pp. 12-13.

Euvrard, Michel: Scenes de la vie banlieusarde. In: Cine-Bulles 13,2, (1994), pp. 47-48.

Loewe, Peter: Amerikansk minestrone. In: Chaplin 36 n1 (n250) (1994), pp. 40-44.

Codelli, Lorenzo: "Short Cuts." The screenplay. Par Robert Altman & Frank Barhydt [Book Review]. In: Positif,395, Jan (1994), p. 33.

Rudolph, Alan: The producer as gambler. In: Film Comment 30 Mar/Apr (1994), pp. 21-22.

Canova, Gianni: Filmografie. In: Segnocinema: Rivista Cinematografica Bimestrale, 59, Jan./Feb. 1993, pp. 40-41.

Kroll, Jack: The player returns. In: Newsweek 121 Apr 26 (1993), pp. 62-63.

Kroll, Jack: Seeking the "rotten core." In: Newsweek 122 Aug 23 (1993), p. 52.

Falaschi, Francesco: Altmanville o la percezione del cinema. In: Filmcritica: Rivista mensile di Studi sul Cinema 44,437/438, Sep/Oct (1993), pp. 410-412.

Martini, Emanuela: The next generation. In: Cineforum 33,328, Oct (1993), pp. 31-32.

Martini, Emanuela: Bestiario. In: Cineforum 33,328, Oct (1993), pp. 25-30.

Martini, Emanuela: Rane con le ali. In: Cineforum 33,328, Oct (1993), pp. 11-24.

De Marinis, Gualtiero: Che tipo di fiori erano, se c'erano? In: Cineforum 33,328, Oct (1993), pp. 8-10.

La Polla, Franco: "America oggi" schegge impazzite. In: Cineforum 33,328 Oct (1993), pp. 4-7.

Norcen, Luca: Filmografie. In: Segnocinema: Rivista Cinematografica Bimestrale,64, Nov/Dec (1993), p. 40.

Hearty, Kitty Bowe: Bob and Ray. In: Premiere 7 Nov (1993), pp. 58+ [3p].

Heller, Zoe: Hollywood's last angry man. In: Vanity Fair 56 Oct (1993), pp. 170+ [5p].

Medina de la Serna, Rafael: Altman vs. Hollywood. In: Dicine: Revista de Diffusion e Investigacion Cinematograficas a.c.,52, Jul (1993), pp. 2-4.

Altman, Robert: A long shot pays more than the odds. In: Esquire 120 Oct (1993), pp. 132.

Stewart, Robert: Reimagining Raymond Carver on film: a talk with Robert Altman and Tess Gallagher. In: The New York Times 142 Sep 12 (1993), pp. 3+ [3p] sec 7.

Weinraub, Bernard: Robert Altman, very much a player again. In: The New York Times 142 Jul 29 (1993), pp. C11-C12.

Saban, Stephen: Bob & Ray. In: Movieline 5 Oct (1993), pp. 36-40+ [8p].

Bart, Peter: Altman's revenge. In: Variety 346 Feb 10 (1992), pp. 5+ [2p].

Weinraub, Bernard: Hollywood captivated by an Altman film about how awful it is. In: The New York Times 141 Feb 18 (1992), pp. C13+ [2p].

Fuller, Graham: Robert Altman. In: Interview 22 May (1992), pp. 30-31.

Kasindorf, Jeanie: Home movie. In: New York Magazine 25 Mar 16 (1992), pp. 50-55.

Pond, Steve: Flushing the locusts. In: Premiere 5 May (1992), pp. 32+ [2p].

Tibbetts, John C.: Robert Altman: after 35 years, still the "action painter" of American cinema. In: Literature/Film Quarterly 20,1, (1992), pp. 36-42.

Smith, Gavin / Jameson, Richard T.: "The movie you saw is the movie we're going to make." In: Film Comment 28 May/Jun (1992), pp. 22-30.

Schiff, Stephen: Auteur! Auteur! In: Vanity Fair 55 Apr (1992), pp. 136+ [4p].

Henry, Michael: "Hollywood n'est qu'une metaphore." In: Positif, 377, Jun (1992), pp. 8-12.

Myers, Eric: Mining McTeague's gold. In: The New York Times 142 Oct 25 (1992), pp. 46-50+ [7p] sec 6.

Smith, Gavin / Jameson, Richard T.: Robert Altman. In: Film en Televisie + Video, 424, Sep (1992), pp. 16-19.

Lochen, Kalle: Satire fra innsiden av Hollywood. In: Film & Kino,4, (1992), pp. 8-9.

Andersen, Kurt: A player once again. In: Time 139, 20.4.1992, pp. 78-80.

Kroll, Jack: Robert Altman gives something back. In: Esquire 117, May 1992, pp. 86-90+ [6p].

Breskin, David: Robert Altman: the "Rolling Stone" interview. In: Rolling Stone, 628, 16.4.1992, pp. 72-77+ [9p].

Mariani, Paola: Che "attore"! In: Rivista del Cinematografo 62, Mai 1992, p. 27.

Hoberman, J: Rerunning for president. In: The Village Voice 37, 14.7.1992, p. 57.

Ostria, Vincent: Robert Altman. In: Cahiers du Cinéma,462, Dec (1992), pp. 82-83.

Keogh, Peter: Death and Hollywood. In: Sight & Sound 2 Jun (1992), pp. 12-13.

Kerr, Paul: A long goodbye [Book Review]. In: Sight & Sound 2 Aug (1992), pp. 44.

Wilmington, Michael: Laughing and killing. In: Sight & Sound 2 Jun (1992), pp. 10-15.

Camy, Gerard: Conference de presse de Bob Altman. In: Jeune Cinéma,215, May/Jun (1992), pp. 44-47.

Richolson, Janice Mosier: "The Player." In: Cinéaste 19,2/3, (1992), pp. 61.

Temmerman, Jan: "Ik blijf in het individu geloven." In: Skoop 28 Sep (1992), pp. 8-11.

Brookhouse, Christopher: Robert Altman's America. Helene Keyssar [Book Review]. In: Hitchcock Annual,1, (1992), pp. 161-163.

Sauvaget, Daniel: "The Player." In: Revue du Cinéma,482, May (1992), pp. 26-27.

Ansen, David / Kuflik, Abigail / Sawhill, Ray: Hollywood is talking: "The Player." In: Newsweek 119 Mar 2 (1992), pp. 61-62.

Weinraub, Bernard: When Hollywood is a killer. In: The New York Times 141 Apr 5 (1992), pp. 17+ [2p] sec 2.

Clark, John: Filmographies. In: Premiere 5 May (1992), pp. 112.

Walker, Beverly: Altman '91. In: Film Comment 27 Jan/Feb (1991), pp. 5-10.

Sanjek, David: The case for Robert Altman [Book Review]. In: Literature/Film Quarterly 19,1, (1991), pp. 66-68.

Van Gelder, Lawrence: At the movies. In: The New York Times 140 Aug 23 (1991), p. C8.

Nangle, John: Robert Altman: jumping off the cliff. By Patrick McGilligan [Book Review]. In: Films in Review 41 Jan/Feb (1990), p. 55.

McGilligan, Patrick: Altman in Kansas City. In: Sight & Sound 59,2, (1990), pp. 110-116.

Roberts, John: More on books... Robert Altman [Book Review]. In: Classic Images,179, May (1990), pp. bet p32 and 33 [pC2].

McGilligan, Patrick: Altman at Calvin. In: Sight & Sound 59,2, (1990), pp. 112-113.

Segers, Frank: Altman quits Rossini pic. In: Variety 339 Jun 13 (1990), pp. 9.

Slodowski, Jan: "M.A.S.H." In: Filmowy Serwis Prasowy 36,3/4, (n685/686) (1990), pp. 7-9.

Combs, Richard: "The world is a bad painting." In: Monthly Film Bulletin 57 Jul (1990), p. 186.

Rickman, Gregg: Robert Altman: jumping off the cliff. By Patrick McGilligan [Book Review]. In: Film Quarterly 44,1, (1990), pp. 60-63.

Giddins, Gary: Altman's back. In: The Village Voice 35 Nov 6 (1990), pp. 65+ [2p].

Fisher, William: Vincent and Theo and Bob. In: Millimeter 18 Sep (1990), pp. 174.

Comuzio, Ermanno: Flavio De Bernardinis: Robert Altman [Book Reviews]. In: Cineforum 30,298, Oct (1990), pp. 96.

Quart, Leonard: Robert Altman: jumping off the cliff. By Patrick McGilligan [Book Review]. In: Cineaste 18,1, (1990), pp. 56.

Giddins, Gary: Altman's back. In: The Village Voice 35 Nov 6 (1990), pp. 65+ [2p].

Altman, Robert: Le diable. In: Le point / Edition internationale, No. 1112 (1994), pp. 66-69 (1994.)

Rickman, Gregg: Robert Altman: jumping off the cliff. By Patrick McGilligan [Book Review]. In: Film Quarterly 44,1, (1990), pp. 60-63.

Arnold, Frank: Wir haben die Kunst nich sehr ehrerbietig behandelt. In: Filmbulletin 32,3, (=171), 1990, pp. 29-35.

Seesslen, Georg: Welcome to Europe, Mr. Altman. In: EPD Film 7, May 1990, pp. 20-24.

Maland, Charles J.: Synthetic criticism and American movies [Book Reviews]. In: American Quarterly 41,1, 1989, pp. 204-209.

Solman, Gregory: Robert Altman. In: Millimeter 17, Jan. 1989, pp. 83-85.

Kimmel, Dan: Robert Altman: jumping off the cliff. By Patrick McGilligan [Book Review]. In: Variety 336 Aug 23/29 (1989), pp. 91.

Sarris, Andrew: Altered states [Book Review]. In: Film Comment 25 Sep/Oct (1989), p. 78.

Altman sues for share of "Streamers" gross. In: Variety 330, 9.3.1988, p. 7.

Turroni, G.: L'occhio del la mosca. In: Filmcritica: Rivista mensile di Studi sul Cinema 39, 385/386, Jun/Jul (1988), pp. 354-356.

Robert Altman [additions and corrections]. In: Film Dope, 39, March 1988, p. 15.

Ahlund, J.: If you're not a cowboy... In: Chaplin 29,1 (=208), 1987, pp. 10-11.

Farber, Stephen: For his return to TV John Travolta turns Cockney. In: The New York Times 136, 10.5.1987, pp. 25-26, sect. 2.

La vedette de la semaine. In: Ciné-Télé-Revue n23 Jun 4 (1987), p. 70.

Bjorkman, S.: Fran ord till levande materia. In: Chaplin 29, n1 (n208) (1987), pp. 6-9+ [5p].

White, Armond: Play time. In: Film Comment 22 Jan/Feb (1986), pp. 7-12+ [7p].

Combs, R.: A trajectory built for two. In: Monthly Film Bulletin 53 Jul (1986), pp. 199-200.

Bartell, Gerald L.: Robert Altman. By Gerard Pleck. In: Journal of Popular Film and Television 14,1, (1986), p. 45.

Ciment, Michel: Entretien avec Robert Altman. In: Positif, 299, Jan (1986), pp. 10-15.

Mosier, John: Tramps abroad: the Anglo-Americans at Cannes. In: New Orleans Review 13,4, (1986), pp. 5-23.

Steele, Bruce C. Books: Hollywood from Vietnam to Reagan by Robin Wood. In: Columbia Film View [4] n3 (1986), pp. 12-13.

Sauvaget, D.: Entretien avec Robert Altman. In: Revue du Cinéma,413, Feb (1986), pp. 37-39.

Roddick, N.: On the road with Robert Altman. In: Cinema Papers,59, Sep (1986), pp. 24-7.

Rensin, David: The man who would be different. In: American Film: a Journal of the Film and Television Arts 11 Mar (1986), pp. 50-54.

Poague, Leland / Self, Robert: Leland Poague replies to Robert Self's "Robert Altman and the Theory of Authorship". In: Cinema Journal 25,3, (1986), pp. 76-83.

Games, Marcelo: Robert Altman's "The Long Goodbye": Marlowe's last stand. In: Filament,5, (1986), pp. 23-24.

Felix, C.H.:Robert Altman: the European. In: Visions,40, Summer (1986), pp. 17.

Crawley, Tony: Altman's playground. In: Photoplay Movies & Video 37 Aug (1986), pp. 40-43.

Ciment, Michel: Az Altman-fele "Popeye". In: Filmkultura 22,10, (1986), pp. 71-75.

Bodmer, M.: Ueberdrehte Liebesdramen. In: Filmbulletin 21/22, Oct (1984), pp. 36-37.

Philbert, Bertrand: Robert Altman. Cinématographe,99, Apr (1984), pp. 29-31.

Man in a dressing gown. Stills,14, Nov (1984), p. 22.

Stromberg, Jari: Lahilukua: amerikkalainen skeptikko. Filmihullu,4, (1984), pp. 30.

Elsaesser, Thomas: "Nashville": putting on the show. In: Persistence of Vision: the Journal of the Film Faculty of the City University of New York, 1, Summer 1984, pp. 35-43.

Aureli, Enrico: Altman missione teatro. Filmcritica: Rivista mensile di Studi sul Cinema 35,360, Dec (1984), pp. 550-553.

Altman, Robert: Kaksi tapaa: totta. Filmihullu,6, (1984), pp. 12-14.

Self, Robert: American skeptic: Robert Altman's genre-commentary films by Norman Kagan [Book Review]. Wide Angle 6,1, (1984), pp. 66-68.

Ferguson, Ken: The art of Altman. Photoplay Movies & Video 35 Jul (1984), pp. 26-28.

De santi, G.: "Streamers". Cineforum 24,234, May (1984), pp. 51-55.

Ciment, Michel: Entretien avec Robert Altman. Positif,280, Jun (1984), pp. 21-25.

Bell, Arthur: Bell tells. The Village Voice 28 Aug 23 (1983), p. 30.

Combs, Richard: A discussion with Robert Altman on film and theatre,past and present, toing and froing... Monthly Film Bulletin 50 Sep (1983), p. 233.

Edgerton, Gary: Capra and Altman: mythmaker and mythologist. Literature/Film Quarterly 11,1, (1983), pp. 28-35.

Jaehne, Karen: The films of Robert Altman by Alan Karp [Book Review]. Cineaste 12,3, (1983), p. 52.

Beaver, Frank: An interview with Robert Altman. Michigan Quarterly Review 22,1, (1983), pp. following p96 (p13 + [2p]).

Costello, Owen: Altman on art. USC Spectator 3,1, (1983), pp. 6.

Peltonen, Osmo: Kuvien takana. Filmihullu,6, (1983), pp. 22-7.

Self, Robert: The perfect couple: "two are halves of one" in the films of Robert Altman. Wide Angle 5,4, (1983), pp. 30-37.

Altre dichiarazioni. Cinema Nuovo 32,286, Dec (1983), pp. 27-35.

Roodnat, Joyce: Overwegingen bij "Jimmy Dean, Jimmy Dean": het verschil tussen de illusie. Skoop 19 May/Jun (1983), pp. 13-15.

Robbins, Jim: Cinecom has 3-pic U.S.-Canada distrib tie-up with Altman. Variety 310 Feb 2 (1983), pp. 3+ [2p].

Lally, Kevin: Altman and Mileti on "Streamers". The Film Journal 86 Oct 28 (1983), pp. 16-17.

Kloman, Harry and others: "A foolish optimist": interview with Robert Altman. Film Criticism 7,3, (1983), pp. 20-28.

Guislain, Pierre and others: Entretien avec Robert Altman. Cinématographe,89, May (1983), pp. 50-52.

Corliss, Richard: The lively adventures of play TV. Film Comment 19 Jan/Feb (1983), pp. 51-7.

Ciment, Michel: Entretien avec Shelley Duvall. Positif,268, Jun (1983), pp. 5-11.

Benayoun, Robertlls: Portrait de groupe en jeune homme. Positif,268, Jun (1983), pp. 2-4.

Allen, Jennifer: Cher and Altman on Broadway. In: New York Magazine 15, 1.2.1982, pp. 26-29 [5p].

Canby, Vincent: Film view: Robert Altman - an endangered species. The New York Times 131 Apr 18 1982 sec 2 (1982), p. 17.

Kerr, Walter: Stage view: film directors who have lost focus in thetheater. The New York Times 131 Feb 28 1982 sec 2 (1982), pp. 3+ [2p].

Lightman, Herb A. / Duvall, Michael: Altman shoots Super-16. American Cinematographer 63 Sep (1982), pp. 889-91.

Voi, Pierluigi: "Popeye" - "Braccio di ferro". Rivista del Cinematografo 55 (1982), pp. bet p160 and 161 [p- Apr.

Peltonen, Osmo: Yksinaisyyden elokuva [Book Review]. Filmihullu,6, (1982), p. 38.
Simon, John: Theater: the Dean's September. New York Magazine 15 Mar 1 (1982), p. 74.

Self, Robert: The art cinema and Robert Altman. Velvet Light Trap: a Critical Journal of Film and Television,19, (1982), pp. 30-34.

Rosenbaum, Jonathan: Robert Altman a Broadway. In: Cahiers du Cinéma,334/335, (1982).

Robert Altman goes cable. In: Filmmakers Film & Video Monthly 15 Jan/Feb (1982), p. 19.

Reijnhoudt, Bram: Festival in Knokke, Altman Corman. In: Skoop 18 Sep/Oct (1982), p. 3.

Ramasse, Francois: Bourget (Jean-Loup, pp. Robert Altman [Book Review]. Positif,253, Apr (1982), pp. 76-77.

Braudy, Leo / Kolker, Robert P.: Robert Altman: An Interview. In: Post Script: Essays in Film and the Humanities 1,2, 1982, pp. 2-14.

Harmetz, Aljean: Altman films his "Jimmy Dean" play. The New York Times 131 Sep 22 (1982), pp. C19.
Bassan, Raphael: Une nouvelle collection de livres su le cinema (suite) [Book Reviews]. Revue du Cinema,370, Mar (1982), pp. 14-16.

Antal, Istvan: Egy filmes ujsagiro: Robert Altman. Filmkultura 18 Sep/Oct (1982), pp. 67-84.

Kroll, Jack: Theater: Altman's new stage. Newsweek 98 Oct 26 (1981), p. 72.

Milne, Tom / Combs, Richard: Robert Altman: backgammon and spinach. Sight & Sound 50,3, (1981), pp. 182-187.

Ciment, Michel: Entretien avec Robert Altman. Positif,249, Dec (1981), pp. 15-23.

Gilodi, Renzo: L'effetto Altman. Rivista del Cinematografo 54 Jun (1981), pp. 270-273.

Kolke, R.P.: Robert Altman: an interview, part I. Post Script: Essays in Film and the Humanities 1,1, (1981), pp. 2-7.

Sinyard, Neil: "I yain't wot I woz|" Films Illustrated 10 Jul (1981), pp. 374-377.

Kent, Leticia: Robert Altman turns to the stage. The New York Times 131 Oct 11 1981 sec 2 (1981), p. 3.

Harmetz, Aljean: Robert Altman sells studio film for $2.3 million. The New York Times 130 Jul 11 (1981), p. 15.

Fox's "Lone Star" sans Atlman; latter denies his withdrawal. Variety 302 Apr 8 (1981), pp. 6+ [2p].

Bourget, J.-L.: "Popeye". Revue du Cinema,367, Dec (1981), pp. 22-24.

Lawson, Carol: Broadway: coast directors coming east to stage plays. The New York Times 130 Sep 11 (1981), pp. C2.

Lawson, Carol: Altman signs six actresses. The New York Times 131 Nov 17 (1981), pp. C9.

Additions and corrections: Robert Altman. Film Dope,20, (1980), pp. 22.

Carcassonne, Philippe: La symphonie du nouveau monde. Cinématographe,54, Jan (1980), pp. 14-16.

Cuel, Francois: Robert Allen et Woody Altman. Cinématographe,54, Jan (1980), pp. 17-18.

Dibbets, Karel: Hollywood [Book Reviews]. Skrien,97, May/Jun (1980), pp. 40-41.

Yacowar, Maurice: Actors as conventions in the films of Robert Altman. Cinema Journal 20,1, (1980), pp. 14-28.

Place, Janey: "Buffalo Bill and the Indians": welcome to show business. Jump Cut: a Review of Contemporary Media,23, Oct (1980), pp. 21-2.

The stormy saga of Popeye: or how an unlikely crew guided a musical to port. American Film: a Journal of the Film and Television Arts 6 Dec (1980), pp. 30-36+ [8p].

Surmani, C.: "Un couple parfait." Revue du Cinema,346, Jan (1980), pp. 30-32.

Ranvaud, Donald: A cinema of loneliness by R.P. Kolker [Book Review]. Framework,12, (1980), pp. 45-46.

Kent, Leticia: Robert Altman turns to the stage. The New York Times 131 Oct 11 1981 sec 2 (1980), p. 3.

Hogue, Peter: A cinema of loneliness: Penn, Kubrick, Coppola, Scorsese, Altman [Book Review]. Film Quarterly 33,4, (1980), pp. 29-30.

Fieschi, Jacques: Altman le joueur. Cinématographe,54, Jan (1980), pp. 11-13.

Eyquem, Olivier: Rencontre avec Robert Altman. In: Positif, 226, Jan. 1980, pp. 7-12.

Eyman, Scott: Against Altman. In: Focus on Film, 36, Oct. 1980, pp. 26-28.

Douglass, Wayne J.: A cinema of loneliness by Robert Phillip Kolker[Book Review]. In: Film Criticism 4,2, 1980, pp. 41-44.

Carcassonne, Philippe / Fieschi, Jacques: Entretien avec Robert Altman. Cinématographe,54, Jan (1980), pp. 2-7.

Belton, John / Tector, Lyle: The bionic eye. Film Comment 16 Sep/Oct (1980), pp. 11-14+ [6p].

Belmans, Jacques / De Bongnie, Jean: Robert Altman en images. Amis du Film et de la Television,285, Feb (1980), pp. 23-30.

De marinis, Gualtiero: Il principio del cinema: Altman in gioco. Cineforum,189, Nov (1979), pp. 680-91.

Buckley, T.: At the movies: Bacall combines age and beauty in Altman's "Health." The New York Times 128 Mar 9 (1979), pp. C8.

Ciment, Michel / Henry; M.: Entretien avec Robert Altman (de "A Wedding" a "Quintet"). Positif,216, Mar (1979), pp. 7-21.

Combs, Richard: Playing the game: or Robert Altman and the Indians. Sight & Sound 48,3, (1979), pp. 136-40.

Iversen, E.: En kommerciel succes ville gore ham bange [Interview with Robert Altman].
Kosmorama 25,141, Spring (1979), pp. 30-35.

Kass, Judith M.: Robert Altman: American innovator. (New York, Popular Library, 1978. 282p filmog il paper $2.25) Films in Review 30 Apr (1979), p. 239.

Rood, J.: Robert Altman: cen bruiloft als doofpot. Skoop 15 Feb (1979), pp. 6-9.

Robert Altman (Trans. by B. Kovic from "Positif" n216 Mar 1979). Ekran: Revija za Film in Televizijo 4,3/4, (1979), pp. 16-17.

O'connor, Rory: Sound track: strike up the band. American Film: a Journal of the Film and Television Arts 4 Feb (1979), pp. 64-5.

Michie, L.: B'way cassettes: a new art form. Variety 297 Dec 12 (1979), pp. 1+[2p].

Maraval, P. Dossier: Hollywood 79: Altman versus Hollywood. Cinématographe,45, Mar (1979), pp. 33-7.

Cottom, J. von: Dans "Health," son nouveau film, Robert Altman denonce les combines politiques! Cine-Tele-Revue 59 Jul 26 (1979), pp. 24-27.

Clouzot, Claire: Portrait de groupe avec hargne. L'Avant-Scene Cinema,223, Mar 1 (1979), pp. 6-7.

Canby, Victor: Film view: Altman-a daring filmmaker falters. The New York Times 128 Feb 18 (1979), pp. 1+[2p] sec 2.

Bernstein, Gene M.: Robert Altman's "Buffalo Bill and the Indians or Sitting Bull's History Lesson": a self-portrait in celluloid. In: Journal of Popular Culture 13,1, 1979, pp. 17-25.

Benayoun, Robert: Vous vous croyez a Chi ou a L.A? Positif,204, Mar (1978), pp. 37-43.

Cook, Bruce: Inner circles: Bob and Pauline: a fickle afair. American Film: a Journal of the Film and Television Arts 3 Dec/Jan (1978), pp. 6-9.

Racheva, M.: Edin chudak sred kholivud. Kinoizkustvo 33 Jun (1978), pp. 75-82.

Schrott, Saso: Pogovor z Robertom Altmanom. Ekran: Revija za Film in Televizijo 3,3, (1978), pp. 19.

Schreger, Charles: The second coming of sound. Film Comment 14 Sep/Oct (1978), pp. 34-37.

Rosenbaum, Jonathan / Michener, Charles: An Altman. Film Comment 14 Sep/Oct (1978), pp. 12-18.

Robert Altman: "Jumping off the cliff." Monthly Film Bulletin 45 Dec (1978), p. 258.

Le Pavec, Jean-Pierre / Rabourdin, Dominique: Entretien avec Robert Altman. il interv port stills (Trans. by J.-P. Le Pavec and D. Rabourdin) Cinema 78 C78 n239 Nov (1978), pp. 7-17.

Clouzot, Claire: Avec Robert Altman: a propos de "A Wedding" et de quelques autres films. Ekran: Revija za Film in Televizijo,74, Nov 15 (1978), pp. 14-26.

Brookhouse, Christopher: Comment on media/arts: good director, bad film. Christian Century 95 Dec 20 (1978), pp. 1228-1229.

Bidaud, Anne-Marie: Anatomie des rituels dans quelques films de Robert Altman. Cinema 78 C78 n239 Nov (1978), pp. 18-25.

Ciment, Michel / Henry, M.: Entretien avec Robert Altman. Positif,197, Sep (1977), pp. 12-20.
Henry, M.: Robert Altman: reperes biofilmographiques. Positif,197, Sep (1977), pp. 28-32.

Nolan, Jack Edmund: Notes sur les films tv de Robert Altman. Positif,197, Sep (1977), pp. 33-34.

Altman relieved of "Ragtime" assignment. Variety 283 Jun 23 (1976), pp. 5.

Belmans, Jacques: Altman demythifie avec "Buffalo Bill et les Indiens Amis du Film et de la Television,246, Nov (1976), pp. 20-21.

Belmans, J.: Pour bientot de Robert Altman. Amis du Film et de la Television,236, Jan (1976), pp. 18-19.

Bidaud, Anne-Marie: Robert Altman ou las mise en question. Cinema 76 C76 n210 Jun (1976), pp. 36-61.

Gallagher, Tag: "Buffalo Bill and the Indians" & "The Missouri Breaks." Film Criticism 1,2, (1976), pp. 37-39.

Byrne, C. / Lopez, W.O.: "Nashville." Film Quarterly 29,2, (1976), pp. 13-25.

Canby, Vincent: Robert Altman's gallery of American portraits. In: The New York Times 125, 4.7.1976, sect. 2, pp. 1-2.

De Laurentiis: "Bill" will do okay, not cause for "Ragtime" rupture; Altman in separate explanation. Variety 283 Jun 30 (1976), p. 6.

Duynslaegher, Patrick: Robert Altman. Film en Televisie + Video n224 Jan; n226:12-17 Mar (1976), pp. 18-20.

Gussow, Mel: Altman goes by the book--his way. The New York Times 125 Feb 24 (1976), pp. 28.

Hamacher, Rolf-Ruediger: Zu sechs Filmen von Robert Altman im Fernsehen. Medium 6 Jul (1976), pp. 23-24.

Hawkins, Jack: Altman reluctant winner at Berlin. Variety 283 Jul 7 (1976), p. 5.

Higham, Charles: How "Ragtime" led to discord. The New York Times 126 (1976), pp. 1+ Sep 26 1976 sec 2.

Hodenfeld, C.: Voyeur z zoomom. Ekran: Revija za Film in Televizijo 1,6, (1976), pp. 44-46.

Lelchuk, A.: Mushville. The Atlantic 238 (1976), pp. 102+ Oct.

Macklin, F.A.: Welcome to Lion's Gate: interviews with director and composer Richard Baskin. Film Heritage 1-17 Fall 1976.

Nash, Alanna: Joan Tewkesbury. Films in Review 27 (1976), pp. 467-76+ Oct.

Self, Robert T.: Invention and death: the commodities of media in Rob "Nashville." Journal of Popular Film and Television 5,3/4, (1976), pp. 273-88.

Pitiot, P. / Talvat, Henri: Robert Altman de "MASH" a "Nashville. Jeune Cinema,98, Sep/Oct (1976), pp. 29-34.

Williamson, Bruce: Playboy interview: Robert Altman. Playboy 23 (1976), pp. 53-68+ Aug.

Wagner, Rainer: Filmprofis inszenieren oper Wie Altmeister Robert Altman in Chicago seinen Film [...] auf die Opernbühne bringt. In: Opernwelt : die internat. Opernzeitschr., 46,3, (2005), p. 33-35.

Creation in chaos. In: Time, 96,13, Jul 1970, p. 62.

Hermetz, A.: 15th man who was asked to direct MASH (and did) makes a peculiar western. In: New York Times Magazine, Jan 1971, pp. 10-11.

Kael, P.: Current cinema. In: The New Yorker,47,3, Jul 1971, pp. 40-44.

Stewart, G.: Long goodbye from Chinatown. In: Film Q, Winter 1974, 28, pp. 25-32.

Michener, C.: Action director. In: Newsweek, 83,11, März 1974, pp. 86-87.

Michener, C. / Kasindorf, M.: Altman`s opryland epic. In: Newsweek, 85,30, Jan 1975, pp. 46-50.

From the heartland. In: Time, 105,16, Jan 1975, pp. 67-68.

Byron, S.: Formal affair. In: Harper`s, 257, Oktober 1978, pp. 104-106.

Brookhouse, C.: Good director, bad film. In: Christian Century, 95,20, Dec 1978, pp. 1228-1229.

In lovers` lane with Altman. In: Newsweek, 93, April 1979, p. 87+.

Grinsby, W.: Robert Altman: a young Turk at 54. In: Maclean`s, 92, April 1979, pp. 4-5+.

Kroll, J.: Altman`s new stage. In: Newsweek, 98, Oktober 1981, p. 72.

Bromell, H.: Solving problems. In: Atlantic, 247, Januar 1981, pp. 82-84.

Allen, J.: Cher: Altman on Broadway. In: New Yorker, 15, Februar 1982, pp. 26-29+.

Corliss, R.: Come back to Hollywood & Vine, Robert Altman, Robert Altman. In: Film Comment, 19, Ja/F 1983, pp. 54-55.

Richard Nixon: a soliloquy (excerpt from screenplay secret honor). In: Harper`s, 269, Aug. 1984, pp. 30-31.

Bethany, M.: The walls have eyes. In: New York, 18,4, 1985, pp. 56-57.

Dowd, M.: Eighty-eightsomething. In: The New Republic, 199, 1, Aug. 1988, pp. 37-40.

Crotta, C.A.: Everyone here is a bit tilted. In: TV Guide, 36, 7.-13. Ma 1988, pp. 43-4+.

Tameson, R.T.: Tanner `88. In: Film Comment, 24, Ma/Jun 1988, pp. 73-75.

Goldberger, P.: Architecture: Franklin D. Israel: Kathryn and Robert Altman`s Malibu residence. In: Architectural digest 46, Jul 1989, pp. 120-125+.

Aronson, S.M.L.: Architectural digest visits: Kathryn and Robert Altman. In: Architectural Digest, 47, Mar 1990,pp. 212-219+.

Walker, B.: Altman `91. In: Film comment, 27, Ja/F 1991, pp. 5-10.

Schiff, S.: Auteur! Auteur! In: Vanity Fair, 55, April 1992, p. 136+.

Kasindorf, J.: Home movie. In: New York, 25, März 1992, pp. 50-55.

Myers, E.: Mining McTeague`s gold. In: The New Yorker, 25, Oktober 1992, pp. 46-50+.

Anderson, K.: A player once again. In: Time, 139, April 1992, pp. 78-80.

Goldstein, P.: Rebel`s return. In: Vogue, 182, May 1992, pp. 254-257.

Kroll, J.: Robert Altman gives back. In: Esquire, 117, May 1992, pp. 86-90+.

Rico, D.: SMASH. In: Gentlemen`s Quarterly, 62, May 1992, p. 95+.

Rickey, C.: Tarnishing the Gilded Age: Robert Altman directs McTeague. In: Opera News, 57, Nov 1992, p. 18+.

Jenks, T.: Short cuts: Robert Altman shoots the stories of Raymond Carver. In: Esquire, 120, Sep 1993, pp.102-109+.

A long shot pays more than the odds. In: Esquire, 120, Oct 1993, p. 132.

Hearty, K.B.: Bob and Ray. In: Premiere, Nov 1993, 7, p. 58+.

McInerney, J.: Couples. In: Gentlemen`s Quarterly 63, Oct 1993, pp. 246-251+.

Henry, B.: Back road to Short cuts. In: Film Comment 29, Sep/Oct 1993, pp. 34-35+.

Heller, Z.: Hollywood`s last angry man. In: Vanity Fair 56, Oct 1993, p. 170+.

Gallagher, T.: Kindred spirits (excerpt from Shrot cuts: the screenplay). In: Harper`s Bazaar, Sept 1993, p. 200+.

Elder, S.: Dark victory. In: Vogue 183n Oct 1993, p. 218+.

Griffin, N.: French dressing. In: Premiere 8, Dec 1994, pp. 96-99+.

Shulgasser, B.: House of Altman. In: Vanity Fair 57, Nov 1994, pp. 174-181+.

Murphy, K.: A lion` s gate: the cinema according to Robert Altman. In: Film Comment 30, Mar/Ap 1994, pp. 20-1+.

Podolsky, J.D.: Paris a la Altman. In: People Weekly, 41,28, Mar 1994, pp. 46-48.

Rudolph, A.: The producer as gambler. In: Film Comment 30, Mar/Ap 1994, pp. 21-22.

Wohlfert, L.: Robert Altman`s new play: directing six woman. In: Harper`s Bazaar 115, F 1995, pp. 136-137+.

Kael, P.: Coming: Nashville. In: New Yorker, 51, Mar 1995, pp. 79-83.

Hooper, J.: Swing shift. In: Harper`s Bazaar, Mar 1996, pp. 228+.

Le Mensuel du Cinéma, 14, Janvier 1994, pp. 70-76. - Allgemein, Gesamtüberblick.


4. Einzelne Filme (im Alphabet der Filme)

#Beyond Therapy (1987)

De Bernardinis, Flavio: "Beyond Therapy," ovvero la commedia del futuro (ma non il futuro della commedia). In: Il Castoro Cinema, 39, 2nd ed. Apr. 1995, pp. 115-117.

Leonard, John: Beyond therapy. In: New York Magazine 23 Nov 5 (1990), pp. 113-114.

Scarrone, C.: Terapia di gruppo. In: Segnocinema: Rivista Cinematografica Bimestrale,33, May (1988), pp. 76.

Rabius, M.: "Therapie zwecklos". EPD Film 5 Jan (1988), pp. 39-40.

Franchi, I.: "Terapia di gruppo." Cinema Nuovo 37,312, Mar/Apr (1988), pp. 48-49.

Stefanoni, L.: "Terapia di gruppo." Cineforum 28,274, May (1988), pp. 81-84.

Turroni, G.: L'occhio del la mosca. Filmcritica: Rivista mensile di Studi sul Cinema 39,385/386, Jun/Jul (1988), pp. 354-356.

Vachaud, L.: Un monde fou, fou, fou. Positif,317/318, Jul/Aug (1987), pp. 54-55.
Sutton, M.: "Beyond Therapy". Films and Filming,397, Oct (1987), pp. 31-32.

Summers, J.: "Beyond Therapy". Boxoffice 123 May (1987), pp. bet p44 and 58 [pR46].

Sauvaget, D.: "Beyond Therapy". Revue du Cinema Hors serie 34 (1987), p. 27.

O'Brien, T.: Screen: laughs & disappointment. Commonweal 114 Mar 27 (1987), pp. 182-183.

Nacache, J.: "Beyond Therapy". Cinema 87,401, Jun 3/9 (1987), pp. 2.

Moens, C.: "Beyond Therapy": hellep, de dokter verzuipt! Film en Televisie + Video,366, Nov (1987), pp. 26.

Milne, T.: "Beyond Therapy". Monthly Film Bulletin 54 Oct (1987), pp. 301-302.

Magny, J.: "Beyond Therapy". Cahiers du Cinema,397, Jun (1987), pp. 62.

Kauffmann, S.: Stanley Kauffmann on films: three from the theater. The New Republic 196 Mar 23 (1987), pp. 24-25.

Giguere, A.: "Beyond Therapy". Sequences: la Revue de Cinema,129, Apr (1987), pp. 78-79.

Edelstein, D.: Film: Ward wields the cleaver. The Village Voice 32 Mar 3 (1987), p. 54.

Dhont, F. / Mactrevor; Joan: "Beyond Therapy". Cine-Tele-Revue,18, Apr 30 (1987), pp. 26-29.

Denby, D.: Movies: foreign correspondence. New York Magazine 20 Mar 2 (1987), pp. 100+ [3p].

Combs, R.: The last time I saw Paris. Sight & Sound 56,4, (1987), pp. 293-294.

Corliss, Richard: Rev. In: Time, 2.3.1987, pp. 74-75.

McCarthy, T.: "Beyond Therapy". Variety 326 Jan 28 (1987), pp. 22.

Canby, V.: Film: "Beyond Therapy," a match made in the ads. The New York Times 136 Feb 27 (1987), pp. C8.

Darnton, N.: At the movies: in New York, a late start on "Hoosiers". The New York Times 136 Feb 27 (1987), pp. C6.

Corliss, R.: Cinema: don't put your drama onscreen. Time 129 Mar 2 (1987), pp. 74+ [2p].

T. O`Brien in: Commonweal, 114, Mar 27 (1987), pp. 183-184.

L.O. O`Toole in: Macleans`s, 100, Mar 9 (1987), p. 57.

S. Kauffmann in: The New Republic, 196, Mar 23 (1987), p. 25.

R. Corliss in: Time, 129, Mar 2 (1987), p. 74+.


#Brewster McCloud (1970)

Reid, John Howard: "Brewster McCloud." Reid’s Film Index,19, (1996), pp. 47-51.

De Bernardinis, Flavio: "Brewster McCloud," ovvero "Lo sparo inesistente." Il Castoro Cinema,39, 2nd ed. Apr (1995), pp. 27-30.

Dolmark, J.: "Brewster McCloud." Ekran: Revija za Film in Televizijo 3,9/10, (1978), p. 49.

Allezaud, R.: "Brewster McCloud." Telecine,221, Oct (1977), pp. 13-14.

Cumbow, R.C.: "Brewster McCloud." Movietone News,51, Aug (1976), pp. 41-42.


#Buffalo Bill and the Indians

Bernstein, Gene M.: "Robert Altman's "Buffalo Bill and the Indians or Sitting Bull's History Lesson": A Self-Portrait in Celluloid." In: Journal of Popular Culture 13:1 (1979:Summer) 17.

Billman, Carol W.: Illusions of grandeur: Altman, Kopit, and the legends of the Wild West. In: Literature/Film Quarterly 6,3, Summer 1978, pp. 253-261.
Considers the use of history and illusion through the Wild West Show in Arthur Kopit's play 'Indians' and the film "Buffalo Bill and the Indians".

Coyne, Michael: Legends revisited, legends revised in ‚bicentennial westerns‘: „Buffalo Bill and the Indians“, „The Outlaw Sjosey Wales“, and „The Shootist“. In: The crowded prairie. American national identity in the Hollywood western. London: Tauris 1998, pp. 166-183.

Braucourt, Guy: "L'ouest sauvage de Buffalo Bill ou Comment on met en scène un mensonge à l'échelle nationale." Ecran; nr.50 (Sept 1976); pp.46-47 Review of the film and a list of films about Buffalo Bill.

"Buffalo Bill and the Indians" (review) The Atlantic 238, Oct 1976, pp. 106-108.

"Buffalo Bill and the Indians" (review) Commentary,103, Aug. 13, 1976, pp.: 528-529.

"Buffalo Bill and the Indians" (review) Commentary, 62, Oct. 1976, pp.: 75-77.

"Buffalo Bill and the Indians" (review) Film Quarterly, 45, Winter 1976, p. 254.

"Buffalo Bill and the Indians" (review) Films in Review, 27, Oct. 1976, pp.505-506.

"Buffalo Bill and the Indians." Monthly Film Bulletin; Vol.XLIII,512, Sept 1976, p. 208.
A chronology of the film's period, biographies of the main characters, a list of films in which Buffalo Bill featured and a list of films where he is portrayed by actors.

"Buffalo Bill and the Indians" (review) The Nation, 223, July 31, 1976, pp. 93-94.

"Buffalo Bill and the Indians" (review)New York Review of Books, 23, July 15, 1976, pp. 29-30.

"Buffalo Bill and the Indians" (review)New York Times, 23, July 4, 1976, Sect II, p. 1.

"Buffalo Bill and the Indians" (review)New York Times, 52, July 28, 1976, p. 62

"Buffalo Bill and the Indians" (review)New Yorker, 23, July 15, 1976, pp: 29-30

"Buffalo Bill and the Indians" (review)Sight and Sound, 30 (Fall 1976), pp: 54-60

Clark, Susan F.: "The Menace of Wild West Shows." In: Popular Culture Review, 4,1, pp. 49-60. Jan 1993.

Combs, R.: "Playing the game, or Robert Altman and the Indians." In: Sight & Sound,48,3, Summer 1979, pp. 136-140.

Di Piero, W. S.: "Wish and power." In: Memory and enthusiasm: essays, 1975-1985 / by W.S. di Piero.pp. 41-62. Princeton, NJ: Princeton University Press, c1989.

Ebert, Roger: Show Biz Bill Cody. In: Chicago Sun-Times, 2.7.1976, p. 49.

Gow, Gordon: "Buffalo Bill and the Indians" (review) Films & Filming; Vol.XXII,12, Sept 1976, pp.33-34.

Karp, Alan: The Films of Robert Altman. Pp. 75-82 Metuchen, N.J.: Scarecrow Press, 1981.

McCreadie, Marsha: "Buffalo Bill and the Indians" (review) Films in Review, 27,Oct. 1976, pp. 505-506.

Place, J.: "Buffalo Bill and the Indians: welcome to show business." Jump Cut, 23, Oct 1980, pp. 21-22.
Discusses the film as a work of radical, popular art.

Plecki, Gerard: Robert Altman. Pp. 91-8 Boston: Twayne, 1985. Twayne's filmmakers series.

Rosenbaum, Jonathan: "Buffalo Bill and the indians, or Sitting Bull's history lesson." In: Monthly Film Bulletin; Vol.XLIII,512, Sept 1976, pp.188-189.

Self, Robert T.: "Author, Text, and Self in Buffalo Bill and the Indians." In: Ambiguities in Literature and Film: selected papers from the Seventh Annual Florida State University Conference on Literature and Film / edited by Hans P. Braendlin. pp: 104-116. Gainesville, FL: University Presses of Florida ; Tallahassee: Florida State University Press, c1988.

Shor, F.: "Biographical moments in the written and cinematic text." Film & History,XIV,3, Sept 1984, pp. 61-68.
Compares written biographies of Joe Hill and Buffalo Bill with their portrayal in "Joe Hill" and "Buffalo Bill and the Indians" respectively.

Simon, William G. / Spence, Louise: "Cowboy wonderland, history, and myth: 'It ain't all that different than real life'." Journal of Film and Video; Vol.XLVII,1-3, Spring-Fall 1995, pp.67-81.
"Robert Altman raises questions on how history is created and historical figures become legends in his film 'Buffalo Bill and the Indians, or Sitting Bull's History Lesson.' The film repeatedly draws attention to its fictional character by references to the genre form and to Buffalo Bill's acts of self-promotion as a means of creating a myth at a time when the real western frontier was already regarded as history. It also questions the significance of film narrative in historiography by destroying the viewer's sense of causality.

Stabiner, K.: "Reviews; Buffalo Bill and the Indians." Film Quarterly 30,1, Fall 1976, pp. 54-56.

Vitoux, F.: "Un spectacle éclaté (Buffalo Bill et les indiens." Positif,187, Nov 1976, pp.57-59.

Stabiner, K.: "Buffalo Bill and the Indians" (review) Film Quarterly, 45, Winter 1976, p. 254.

Simon, William G. and Louise Spence. Cowboy wonderland, history, and myth: "It ain't all that different than real life." Journal of Film and Video 47,1/3, (1995), pp. 67-81.

De Bernardinis, Flavio. "Buffalo Bill and the Indians," ovvero W.F. Cody e i fantasmi della montagna. Il Castoro Cinema,39, 2nd ed., Apr 1995, pp. 57-59.

Self, Robert T.: Author, text. and self in "Buffalo Bill and the Indians." Florida State University Conference on Literature & Film 7 (1988), pp. 104-116.

Samola, J.: "Buffalo Bill ja intiaanit." Filmihullu,7, (1980), pp. 36-37.

Place, Janey: "Buffalo Bill and the Indians": welcome to show business. Jump Cut: a Review of Contemporary Media,23, Oct 1980, pp. 21-22.

Viana, N.: Revisao da obra de Robert Altman. Celuloide 24,282, Oct 1979, pp. 246-248.
Billman, Carol W.: Illusions of grandeur: Altman, Kopit, and the legends of the wild west. Literature/Film Quarterly 6,3, (1978), pp. 253-261.

Roffe, Alfredo: "Buffalo Bill." Cine al dia,22, Nov 1977, pp. 26-27.

Schrott, Saso: "Buffallo Bill in Indianci. Ekran: Revija za Film in Televizijo 2,1/2, (1977), p. 28.

Masson, A.: La toile et l'ecran. Positif,189, Jan 1977, pp. 17-30.
Boost, Charles: "Buffalo Bill and the Indians": Altman g'eeft de historie er een dimensie bij. Skoop 13 Apr (1977), pp. 40-43.

Turroni, Giuseppe: "Buffalo Bill e gli indiani." Filmcritica: Rivista mensile di Studi sul Cinema 29 Feb (1977), pp. 79-81.

Surmani, C.: "Buffalo Bill et les indiens." Revue du Cinema,320/321, Oct 1977, pp. 43-44.

Rinaldi, Giorgio: Robert Altman: "Buffalo Bill e gli indiani." Cineforum,165, May/Jun 1977, pp. 362-371.

Peruzzi, Giuseppe: "Buffalo Bill e gli indiani." Cinema Nuovo 26, Jul/Aug 1977, pp. 295-297.

Nelissen, I.: "Buffalo Bill and the Indians." Film en Televisie + Video,246, Nov 1977, p. 11.

Cole, Marcus: "Buffalo Bill and the Indians." Cinema Papers,11, Jan 1977, pp. 268-289.

Masson, A.: Platno in ekran. (Trans. from "Positif" Jan 1977 by J. Razpotnik) Ekran: Revija za Film in Televizijo 2,1/2, (1977), pp. 36-45.

Allen, T.: A summer tonic of humor. America 135 Sep 4 (1976), pp. 99-100.
American Legends. Vogue 166 May (1976), pp. 116-17.

Attallah, Paul: "Buffalo Bill and the Indians or Sitting Bull's Hi Sequences: la Revue de Cinema,86, Oct 1976, pp. 52-53.

Belmans, Jacques: Altman demythifie avec "Buffalo Bill et les Indiens Amis du Film et de la Television,246, Nov 1976, pp. 20-21.

Benoit, Claude: "Buffalo Bill et les Indiens." Jeune Cinema,98, Sep/Oct 1976, pp. 34-36.

Braucourt, Guy / Lavaud, C.: Buffalo Bill: mythe ou realite. Ekran: Revija za Film in Televizijo,50, Sep 1976, pp. 41-48.
Coleman, J.: Bang bang. New Statesman 91 Jul 23 (1976), pp. 123-124.

Colpart, G.: "Buffalo Bill et les indiens." Revue du Cinema,311, Nov 1976, pp. 82-85.

Crist, J.: The movies: a Bicentennial Buffalo Bill. Saturday Review 3 Jul 10 (1976), pp. 62-63.

Eder, K.: "Buffalo Bill und die Indianer." Medium 6 Aug (1976), p. 25.

Elia, Maurice: Robert Altman et les Indiens. Sequences: la Revue de Cinema,84, Apr 1976, pp. 13-17.

Frenais, J.: "Buffalo Bill et les indiens": une spirale. Cinema 76 C76,212/213, Aug/Sep 1976, pp. 264-268.

Gilliatt, P.: The current cinema: white dreams ("Buffalo Bill an ;"Murder by Death"). The New Yorker 52 Jun 28 (1976), pp. 62-63.

Gow, G.: "Buffalo Bill and the Indians." Films and Filming 22 Sep (1976), pp. 33-34.

Greenspun, R.: Mild West shows: "Silent Movie"; "Buffalo Bill an Indians." Penthouse 8 Oct (1976), pp. 45-47.

Gallagher, Tag: "Buffalo Bill and the Indians" & "The Missouri Breaks." Film Criticism 1,2, (1976), pp. 37-39.

Hatch, R.: Films. The Nation 223 Jul 31/Aug 7 (1976), pp. 93-94.

Hollywood angles re "Buffalo Bill." Variety 283 Jul 7 (1976), p. 28.

Kauffmann, S.: Stanley Kauffmann on films: bull sitting. The New Republic 175 Jul 24 (1976), pp. 22-23.

Klain, S.: "Buffalo Bill and the Indians." Independent Film Journal 78 Jun 25 (1976), pp. 13-14.

Knorr, Wolfram: "Buffalo Bill und die Indianer"; "Nashville." Medien + Erziehung 20,4, (1976), p. 2.

Kroll, J.: Buffalo bull. Newsweek 87 Jun 28 (1976), p. 77.

Maraval, P.: "Buffalo Bill et les Indiens." Cinématographe,21, Oct/Nov (1976), p. 35.

Mccreadie, M.: "Buffalo Bill and the Indians or Sitting Bull's History Lesson." Films in Review 27, Oct 1976, pp. 505-506.

McGuiness, R.: Altman's bitter lesson. The Thousand Eyes,12, Jul/Aug 1976, p. 12.

Miller, E.: Paul Newman puts thespur to Buffalo Bill. Seventeen 35 (1976), pp. 258-9+ Aug.

Milne, Tom: "Buffalo Bill and the Indians." Sight & Sound 45,4, (1976), p. 254.

Murphy, A.: "Buffalo Bill and the Indians, or Sitting Bu Lesson." Variety 283 Jun 30 (1976), p. 20.

Olsson, Sven: "Buffalo Bill and the Indians." Chaplin 18,5, (1976), pp. 178-179.

Rosenbaum, J.: "Buffalo Bill and the Indians, or Sitting Bull's Lesson." Monthly Film Bulletin 43, Sep 1976, pp. 188-189.

Schickel. R.: Bill rendered. Time 108 Jul 19 (1976), p. 66.

Simon, J.: Movies: who is buffaloing whom? New York Magazine 9 (1976), pp. 70+ Jul 5.

Stabiner, Karen: "Buffalo Bill and the Indians." Film Quarterly 30,1, (1976), pp. 54-56.

Pechter, W.S.: Altman, Chabrol, and Ray. Commentary 62 Oct (1976), pp. 75-78.

Vitoux, F.: Un spectacle eclate ("Buffalo Bill et les indiens"). Positif,187, Nov 1976, pp. 58-59.

Westerbeck, C.L.: Jr. Present at the creation. Commonweal 103 Aug 13 (1976), pp. 528-529.

Wood, Michael: Hi ho, Silver| New York Review of Books 23 Jul 15 (1976), pp. 29-30.

Wood, Robin: Mad smile of a hollow civilization ("Buffalo Bill and The Times Educational
Supplement, 3192, Aug 6, (1976), p. 42.


#The Caine Mutiny

Crotta, Carol A.: The Caine Mutiny court-martial. In: TV Guide, 7.5.1988, pp. 43-44.


#California Split (1974)

Robert Altman's California Split. Stuttgart : Wiedleroither 1982, [12] S. (Filmprogramm. 68.).

Tonguette, Peter: "California Split." In: Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema. 26, May-June 2003.ULR: http://www.sensesofcinema.com/contents/03/26/cteq/california_split.html

Rosenbaum, Jonathan: "Altman and the spirit of improvisation (California split)." In: Movies as politics. Berkeley: University of California Press 1997, pp. 57-59.

Williams, Alan: "California Split."In: Film Quarterly 28,3, Spring 1975, pp. 54-55.

Molinari, Mario: Segni infranti. In: Segnocinema: Rivista Cinematografica Bimestrale,90, Mar/Apr 1998, pp. 76-78.

De Bernardinis, Flavio: "California Split," ovvero "Il caos nella manica." Il Castoro Cinema, 39, 2nd ed. Apr 1995, pp. 44-47.

Berman, Bruce: California compulsions. The Thousand Eyes,6, (1976), pp. 16+.


#Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean (1982)

Ansen, David: Review. In: Newsweek, 27.10.1997, pp. 68-70.

Muscio, G.: "Come Back to the 'Five & Dime' - Jimmy Dean, JimmyDean". Segnocinema: Rivista Cinematografica Bimestrale,6, Jan 1983, p. 44.

Terreehorst, Pauline: "Come Back to the Five and Dime Jimmy Dean, Jimmmy Dean". In: Skrien,126, Apr 1983, p. 13.

Codelli, L.: "Come Back to the 'Five and Dime', Jimmy Dean, Jimmy Dean"; "Health". In: Positif,261, Nov 1982), p. 35.

Denby, David: Review. In: New York, 1.2.1982, pp. 86-87.

Denby, David: Review. In: New York, 15, Nov 1982, pp. 86-87.

Kael, Pauline: Review. In: The New Yorker, 58, Nov 1982, pp.177-178.

Ansen, D.: Review. In: Newsweek, 100, Dezember 1982, p. 90.

Toole, L.O.: Review. In: Maclean`s, 96, Januar 1983, p. 52.


#The Company (2003)

The Company - Robert Altman takes us behind the scenes of his ballet drama... In: Film review : Britain's best selling movie monthly, (06. 2004), pp. 48-49.

Acocella, Joan: The Company a film by Robert Altman, screenplay by Barbara Turner. In: The New York review of books,51,3, (2004), pp. 7-8.

Bernstein, Jill: Raising the Barre - Robert Altman turns his camera on the world of professional dance in The Company, featuring Neve Campbell, Malcolm McDowell, and the real-life stars of Chicago's Joffrey Ballet... . In: Premiere, (01. 2004), pp. 92-95.

Lachat, Pierre: die sehnen des achilles. "the company" von robert altman. In: filmbulletin,46,251, (2004), pp. 34-36.


#Cookie's Fortune (1999)

Castagna, Gustavo J.: "La fortuna de Cookie." In: El Cine Amante,95, 9 Feb (2000), p. 28.

Aldarondo, Ricardo: Perdiendo el juicio: la comedia frente a la ley. Nosferatu: Revista de Cine,32, Jan (2000), pp. 21-25.

Invernici, Arturo: "Non per soldi... ma per denaro." Cineforum 40 Nov,399, (2000), pp. 90-91.

Pohar, Nejc: "Dragulj z Mississippija." Ekran: Revija za Film in Televizijo 24,7/8, (1999), p. 49.

Kim, John: The new Hollywood screenwriters: 10 to watch in 1999. Scr(i)pt (United States) 5,3, (1999), pp. 42-45+ [6p].

Jaggers, Stephane: "Cookie's Fortune." Black Film Bulletin 7,3, (1999), pp. 16-17.

Oplustil, Karlheinz: "Cookies Fortune." EPD Film 16 Sep (1999), pp. 36-37.

Lindholm, Tommy: "Cookie's Fortune." Filmhaftet: Tidskrift om Film och TV 27,n3 (n107) (1999), pp. 96-97.

De Bernardinis, Flavio: The end. Segnocinema: Rivista Cinematografica Bimestrale,97, May/Jun 1999, p. 59.

Canova, Gianni: "La fortuna di Cookie." Segnocinema: Rivista Cinematografica Bimestrale,97, May/Jun 1999, pp. 34-35.

Macnab, Geoffrey: "Cookie's Fortune." Sight & Sound 9 Sep (1999), pp. 44.

Greene, Ray: "Cookie's Fortune." Boxoffice 135 Apr (1999), p. 218.

Lally, Kevin: "Cookie's Fortune." The Film Journal 102 Mar (1999), pp. 121.

Hartig, Peter: "Cookie's Fortune." Film & TV Kameramann 48 Mar (1999), p. 28.

Higuinen, Erwan: Farce et manigance. Cahiers du Cinema,534, Apr (1999), pp. 90-91.

Gopalan, Nisha: Southern discomfort. Premiere 12 May (1999), p. 63.

Denby, David: Southern comfort. The New Yorker 75 Apr 12 (1999), pp. 109-111.

Losilla, Carlos: "Cookies's Fortune." Dirigido Por,279, May (1999), p. 8.

Hoberman, J.: Spring fever. The Village Voice 44 Apr 6 (1999), p. 121.

Wolthuis, Julius J.C.: "Cookie's Fortune." Score (Netherlands),112, Sep 1999, p. 19.

Pede, Ronnie: "Cookie's Fortune." Film en Televisie + Video,491, Apr 1999, p. 25.

Sebastiani, Massimo: Il mistero di Holly Springs. Rivista del Cinematografo 69 May (1999), pp. 30-31.

Tsyrkun, Nina: V del'te Missisipi. Iskusstvo Kino,7, 1999, pp. 40-42.

Rudzinski, Kamil: Tramwaj zwany zachlannoscia. Kino (Poland) 33 Sep (1999), pp. 38-39.

Gajan, Philippe: "Cookie's Fortune." 24 Images,97, Summer 1999, p. 59.

Walravens, Eric: "Cookie's Fortune." Cine-Fiches de Grand Angle,226, May 1999, pp. [3-4].

Simons, Roger: Sound of music. Cine-Fiches de Grand Angle,227, Jun 1999, pp. Magazine n13:1-2.

Emiliani, Simone: "La fortuna di Cookie." Film: tutti i film della stagione 6,39, 1999, pp. 3-4.

Nave, Bernard: "Cookie's Fortune." Jeune Cinema,255, May/Jun 1999, pp. 38-39.

Roy, Charles-Stephane: "Cookie's Fortune." Cine-Bulles 18 n1 (1999), pp. 54-55.

Primeau, Francois: "Cookie's Fortune." Sequences: la Revue de Cinema,203, Jul/Aug 1999, pp. 48-49.

Loewenstein, Lael: "Fortune Cookie." Variety 375 Aug 16/22 (1999), pp. 30.

McCarthy, Todd: "Cookie": Altman bakes a tasty morsel. Variety 373 Jan 25/31 (1999), pp. 74+ [2p].

Farber, Stephen: Family ties. Movieline 10 Apr (1999), pp. 42-43.

Jansen, Peter W.: Die amerikanische Komoedie. Filmbulletin (Switzerland) 41,n4 (n223) (1999), pp. 32-34.

Kehr, Dave: "Cookie's Fortune." Film Comment 35 Mar/Apr (1999), pp. 74.

Travers, Peter: "Cookie's Fortune." Rolling Stone,811, Apr 29 (1999), pp. 76.

Manzoli, Giacomo: Invito al cinema senza delitto. In: Cineforum,383, Apr 39, (1999), p. 10.

Altman, Robert: Una storia che scorre col fiume. In: Cineforum, 383, Apr 39, (1999), pp. 6-9.

Krueger, Thorsten: "Cookies Fortune." Splatting Image,39, Sep 1999, p. 63.

Engven, Ingvar: "Cookie's Fortune." Filmrutan: Tidskrift for Film och Filmstudios 42,3, (1999), pp. 37-38.

Carver, Benedict / Cox, Dan: October picks up Altman's "Fortune." Variety 371 May 11/17 (1998), p. 8.

Niel, Philippe: Un amour de fortune cookie. Positif,349, Mar 1990, pp. 67-68.

Alion, Yves: "La grande combine." Revue du Cinema,453, Oct 1989, p. 29.

Blake, R.A.: Reveiw. In: America, 180, 15, 1. Mai 1999, pp. 23-24.

Kehr, D.: Review. In: Film Comment, 35, 2, Mar/Ap 1999, p. 74.

Rayner, R.: Review. In: Harper`s Bazaar, 3449, April 1999, p. 138.

Hluchy, P.: Review. In: Maclean`s, 112, 15, 12. April 1999, p. 61.

Simon, J.: Review. In: National Review, 51, 9, 17. Mai 1999, pp. 67-68.

Shargel, R.: Review. In: The New Leader, 82, 5, April/Mai 1999, pp. 17-18.

Kauffmann, S.: Review. In: The New Republic, 220, 16, 19. April 1999, pp. 28-29.

Rainer, P.: Review. In: New York, 32, 14, 12. April 1999, p. 81+.

Denby, D.: Review: In: The New Yorker, 75, 7, 12. April 1999, pp. 109-111.

Rozen, L.: Review. In: People Weekly, 51, 13, 12. April 1999, p. 35.

Gopalan, N.: Review. In: Premiere, 12, 9, Mai 1999, p. 63.

Travers, P.: Review. In: Rolling Stone, 811, 29. April 1999, p. 76.


#Dr T and the Women (2000)

Interview mit Hollywood-Legende Robert Altman über seine Frauenarzt-Komödie "Dr. T and The Women". in: Der Spiegel ,55,4, (2001), p. 196.

Travers, Peter: It's raining babes for Richard Gere in Dr. T and the Women, Robert Altman's canny comic riff about a gynecologist taking on the opposite sex. In: Rolling stone / Englische Ausgabe, 852, (2000), pp. 121-131.

Loehndorf, Marion: "Dr. T and the Women." In: EPD Film 18 Feb (2001), pp. 40-41.

Viviani, Christian: "Dr. T et les femmes." In: Positif,479, Jan 2001, pp. 25-26.

Nave, Bernard: "Docteur T et les femmes." In: Jeune Cinema,266, Jan/Feb 2001, pp. 41-42.

Elia, Maurice: "(Doctor) Dr. T and the Women." In: Sequences: la Revue de Cinema,211, Jan/Feb 2001, p. 44.

Ebert, Roger: Rez. In: Chicago Sun-Times, 13.10.2000.
Online: http://www.suntimes.com/ebert_reviews/2000/10/101313.html.

Joyard, Olivier: "Docteur T & les femmes." In: Cahiers du Cinema,553, Jan 2001, p. 86.

Kemp, Philip: "Dr. T & the Women." In: Sight & Sound 11 Jul (2001), pp. 41-42.

Rudzinski, Kamil: "Doktor T i kobiety." In: Kino (Poland) 35 May (2001), p. 48.

Weinrichter, Antonio: La enfermedad del Dr. Travis. In: Dirigido Por,300, Apr 2001, pp. 26-27.

Castagna, Gustavo J.: "El doctor y las mujeres." In: El Cine Amante 10 Jun,111, (2001), p. 23.

De Girolamo Marini, Fabio: "Il dottor T e le donne." In: Film: tutti i film della stagione 8,47, (2000), pp. 14-16.

Henne, Peter: "(Doctor) Dr. T & the Women." In: The Film Journal 103 Dec (2000), p. 62.

Ellingson, Annlee: "Dr. T and the Women." In: Boxoffice 136 Oct (2000), p. 71.

Calderale, Mario: The end. In: Segnocinema: Rivista Cinematografica Bimestrale,106, Nov/Dec 2000, p. 48.

Lim, Dennis: Dolorous haze. In: The Village Voice 45 Oct 17 (2000), p. 136.

Glenn, Kenny: Reviews. In: Premiere 14 Nov (2000), pp. 25-26.

Comuzio, Ermanno: Tutte pazze per Richard. In: Rivista del Cinematografo 70 Oct (2000), pp. 16-18.

Bellavita, Andrea / Avondola; Carlo: "Il dottor T & le donne." In: Segnocinema: Rivista Cinematografica Bimestrale,106, Nov/Dec 2000, pp. 46-48.

McCarthy, Todd: Gere, gals, Altman & Rapp fit Dallas upper crust to a T. In: Variety 380 Sep 4/10 (2000), pp. 19+ [2p].

Scotti, Alessandro: Richard Gere. In: Rivista del Cinematografo 70 Oct (2000), pp. 14-15.

Sanzone, Daniella: Le donne di Altman. In: Rivista del Cinematografo 70 Oct (2000), p. 56.

Luscombe, James: The inscrutable Mr. Altman. In: Cinema Scope,5, Fall 2000, pp. 91-92.

La Polla, Franco: L'uomo che comprendeva troppo. In: Cineforum 40,399, Nov 2000, pp. 52-56.

Ellingson, Annlee: T'd off. In: Boxoffice 136 Sep (2000), p. 30.

Denby, David: Sex and trouble. In: The New Yorker 76 Oct 16/23 (2000), pp. 256+ [2p].

Lally, Kevin: Altman's women. In: The Film Journal 103 Nov (2000), pp. 8+ [2p].

Hamacher, Rolf-Ruediger: Dr. [Doctor] T & The Women. In: Film-Dienst 54,2, 2001, pp. 28-29.

Fuller, G.: Review. In: Interview, 30, 10, Oct 2000, p. 108.

Simon, J.: Review. IN National Review, 52, 21, Nov 2000, p. 66.

Denby, D.: Review. In: The New Yorker, 76, 31, Oct 2000, p. 260.

Rozen, L.: Review. In: People Weekly, 54, 17, Oct 2000, p. 46.

Kenny, G.: Review. In: Premiere, 14, 3, Nov 2000, p. 25.

Travers, P.: Review. In: Rolling Stone, 852, Oct 2000, pp. 121-122.

Kerr, S.: Review. In Vogue, 190, 10, Oct 2000, p. 310.


#Fool for Love

Callens, Johan: Through the windows of perception. Shapard‘s „Fool for Love“ on the screen. In: American Literature and the Arts. Bruxelles: Vubpress 1991, pp. 83-112.

Canby, Vincent: "Fool for love." (movie reviews) In: The New York Times Dec 6,135, 1985, p. 20(N) pC12(L) col 1 (19 col in).

Denby, David: "Fool for love." (movie reviews) In: New York Dec,18,9, 1985, p. 90(2).

Freedman, Samuel G.: "Fool for love." (movie reviews) In: The New York Times Dec, 134,1, 1985, s2 pH1(N) pH1(L) col 1 (48 col in).

Kael, Pauline: "Fool for love." (movie reviews) In: The New Yorker Jan ,61,27, 1986, p. 84(4).

Mars-Jones, Adam: "Fool for love." (movie reviews) In: New Statesman July,112,4, 1986, p. 24(2).

O'Toole, Lawrence: "Fool for love." (movie reviews) In: Maclean's Jan ,99,13, 1986 , p. 46(1).

Kauffmann, Stanley: "Fool for love." (movie reviews) In: The New Republic Dec 193,23, 1985, p. 24(2) (1294 words).

Kopkind, Andrew: "Fool for love." (movie reviews) In: The Nation Jan 242,11, 1986, p. 25(2) (1092 words).

Zetlin, Monica: "Video Fool for Love." In: Cinema Papers, 109, Apr 1996, pp. 44-45.

De Bernardinis, Flavio: "Fool for Love," ovvero "Spostamenti progressivi del mestiere." In: Il Castoro Cinema,39, 2nd ed., Apr 1995, pp. 106-115.

Stratton, David: "Video Fool for Love." In: Variety 359 Jul 10/16 (1995), p. 37.

Xiao, Hema: "Fool in Love." In: China Screen,2, (1994), pp. 16-17.

Ramos, J. Ignacio: Fellini's fool for love. In: Focus Magazine 8 Spring (1988), pp. 20-21.

Lundgren, H.: Sindets logne. In: Kosmorama 33,179, Spring 1987, pp. 28-29.

Ahlund, J.: If you're not a cowboy... In: Chaplin 29,n1, (n208) (1987), pp. 10-11.

Bjorkman, S.: Fran ord till levande materia. In: Chaplin 29, n1, (n208) (1987), pp. 6-9+ [5p].

Natali, Maurizia: I luoghi e i corpi. Filmcritica: Rivista mensile di Studi sul Cinema 37,368, Oct 1986, pp. 474-476.

Tourigny, M.: "Fool for Love": entre la tendresse et l'incertitude. In: 24 Images,27, Spring 1986, pp. 37-38.

Simon, J.: Film: love's fools. National Review 38 Jan 31 (1986), pp. 61-3+ [4p].

Rabourdin, D.: "Fool for love". Cinema 86,354, May 14/20, (1986), p. 5.

Mevensen, J.: "Fool for Love". Film en Televisie + Video,350/351, Jul/Aug 1986, pp. 22-23.

Baxter, B.: "Fool for Love". Films and Filming,383, Aug 1986, pp. 36-37.

Bertoni, A. / Zimmer, J.: Robert Altman: "Fool for love". In: Revue du Cinema,416, May 1986, pp. 9-11.

Combs, Richard: "Fool for Love". In: Monthly Film Bulletin 53 Jul (1986), pp. 195-196.

Giguere, A.: "Fool for Love". In: Sequences: la Revue de Cinema,125, Jul 1986, pp. 34-36.

Gray, M.: "Fool for Love". In: Photoplay Movies & Video 37 Aug (1986), p. 22.

Kael, P.: The current cinema: lasso and peashooter. In: The New Yorker 61 Jan 27 (1986), pp. 84-89.

Kopkind, A.: Films: "Fool for Love". In: The Nation 242 Jan 11 (1986), pp. 25-26.

Lelorain, P.: "Fool for love". In: Cinématographe,120, Jun 1986, p. 68.

Matthews, T.: "Fool for Love". In: Boxoffice 122 Feb (1986), pp. bet p34 and 59 [pR18].

White, Armond: Play time. In: Film Comment 22 Jan/Feb (1986), pp. 7-12+ [7p].

Karp, Alan: Robert Altman's "A Fool for Love": making it play on the screen. In: Boxoffice 122, Mar 1986, pp. 90+ [2p].

Bodmer, M.: Ueberdrehte Liebesdramen. In: Filmbulletin (Switzerland) 28,3, (1986), pp. 16-18.

Ciment, Michel: Entretien avec Robert Altman. In: Positif,299, Jan 1986, pp. 10-15.

Crawley, Tony: Altman's playground. In: Photoplay, Movies & Video 37, Aug. 1986, pp. 40-43.

Bonitzer, P: Quelques jours, quelques films. In: Cahiers du Cinema,385, Jun 1986, pp. 28-32.

Chevrie, M.: "Fool for Love". In: Cahiers du Cinema,383/384, May 1986, p. 55.

Hey, K.R.: Films. In: USA Today 114 Mar (1986), pp. 92-97.

Dewasse, Guy: "Fool for Love". In: Cine-Fiches de Grand Angle 13,85, Jul 1986, pp. [11-12].

Dhont, F. / Mactrevor, Joan: "Fool for Love". In: Cine-Tele-Revue,19, May 8 (1986), pp. 20-23.

Domecq, Jean-Philippe: Motel revisite sur "Fool for Love". In: Positif,303, May 1986, pp. 13-14.

Mars-Jones, A.: Cinema: show some emotion. In: New Statesman 112 Jul 4 (1986), pp. 24-25.

Felix, C.H.: "Fool for Love": le theatre de passions. In: Visions,40, Summer 1986, pp. 14+ [2p].

Astrup, C.B.: "Fool for Love". In: Film & Kino,4, (1986), pp. 7-8.

Bail, K.: Sufferin' souls. In:Cinema Papers,59, Sep 1986, pp. 47.

Nave, B.: "Fool for Love". In: Jeune Cinema,175, Jul 1986, pp. 39-40.

Salza, G.: "Piramide di paura". In: Segnocinema: Rivista Cinematografica Bimestrale,23, May 1986, pp. 92-93.

Sodahl, M.: "Fool for Love". In: Film & Kino,8, (1986), p. 26.

Zimmer, J.: "Fool for love". In: Revue du Cinema Hors serie XXXIII (1986), p. 56.
Lughi, P.: "Follia d'amore". In: Cinema Nuovo 35,304, Nov/Dec 1986, pp. 46-48.

Holthof, M.: "Fool for Love". In: Andere Sinema,74, Summer 1986, pp. 16-17.

Canova, G.: "Follia d'amore". In: Segnocinema: Rivista Cinematografica Bimestrale,25, Nov 1986, p. 71.

Toumarkine, D.: "Fool for Love". In: The Film Journal 88 Dec (1985), p. 13.

Sarris, A.: Films in focus: the selling of Sam Shepard. In: The Village Voice 30 Dec 10 (1985), p. 59.

Kauffmann, Stanley: Stanley Kauffmann on films: fooling around with love. In: The New Republic 193 Dec 23 (1985), pp. 24-25.

Freedman, S.G.: Sam Shepard's mythic vision of the family. In: The New York Times 135 Dec 1 (1985), pp. 1+ [2p] sec 2.

Denby, D.: Movies: cartoon god, fallen idol. In: New York Magazine 18 Dec 9 (1985), pp. 90-91.

Corliss, R.: Cinema: desert dust. In: Time 126 Dec 2 (1985), p. 101.

McCarthy, T.: "Fool for Love". In: Variety 321 Nov 27 (1985), p. 16.

Canby, Victor: Screen: Shepard's "Fool for Love". In: The New York Times 135 Dec 6 (1985), p. C12.

Canby, Victor: Film view: small screens breed small movies. In: The New York Times 135 Dec 15 (1985), pp. 23-24, sect. 2.

Susan Wengraf wins Grierson Award for Malvina Reynolds film. In: Media Report to Women 6 Jul 1 (1978), p. 1.

Dick, Esme J.: "Love It Like a Fool." In: Film News 35 (1978), pp. 17+.

Bickley, Daniel: Who's who in filmmaking: Susan Wengraf: 1978 Grierson Award winner. In: Sightlines 11,4, (1978), pp. 29-33.

Denby, D.: Review. In: New York, 18, Dec 1985, pp. 90-91.

Kauffmann, Stanley: Review. In: The New Republic, 193, Dec 1995, pp. 24-25.

Travers, P.: Review. In: People Weekly, 24, Dec 1995, p. 12.

Corliss, R.: Review. In: Time, , 2. Dezember 1985, p. 101.

Boyum, J.G.: Review. In: Glamour, 84, Febraur 1986, p. 151.

Toole, L.O.: Review. In: Maclean`s, 99, Januar 1986, p. 46.

Kopkind, A.: Review. In: The Nation, 242, Januar 1986, pp. 25-26.

Kael, Pauline: Review. In: The New Yorker, 61, Januar 1986, pp. 84-87.

Hey, K.R.: Review. In: USA Today, 114, März 1986, pp. 94-95.

P. Bosworth in: Work Woman, 11, März 1986, p. 165.


The #Gingerbread Man (1998)

Self, Robert T. / Robinson Terry F.: Troubled masculinity and abusive fathers: duality and duplicity in "The Gingerbread Man. In: Journal of Film and Video 52,2, 2000, pp. 41-55.

Ascher-Walsh, Rebecca: Tough Cookie: Robert Altman raged, John Grisham jumped, and „The Gingeerbread Man“ nearly crumbled. In: Entertainment Weekly, 30.1.1998, pp. 16-17.

Pohar, Nejc: "Medeni moz." Ekran: Revija za Film. In Televizijo 24,7/8, (1999), pp. 52-53.

Comuzio, Ermanno: Le colonne sonore. In: Rivista del Cinematografo 69 Sep (1999), p. 78.

Avondola, Carlo: "Conflitto di interessi." In: Segnocinema: Rivista Cinematografica Bimestrale,96, Mar/Apr 1999, pp. 37-38.

Forestier, François: Un polar en pain d'épices The gingerbread Man de Robert Altman. In: Le nouvel observateur, 1752(1998), p. 130-131.

Kilb, Andreas: Robert Altman und sein neuer Film "The Gingerbread Man". In: Die Zeit, (14 05. 1998), p. 49.

Giraldi, Massimo: "Conflitto di interessi." In: Filmcronache,71, Jan/Feb 1999, p. 66.

Garbaczewski, Antoni: Tajfun nie wystarczy.In: Kino (Poland) 33 Jun (1999), pp. 40.

Martini, Emanuela: L'occhio di Geraldo su Savannah. In: Cineforum 39, 381, Jan/Feb 1999, pp. 23-25.

Girolamo, Fabio de: "Conflitto d'interessi." In: Film: tutti i film della stagione 6,37, (1999), pp. 35-36.

Garcia, Santiago: "Hasta que la muerte nos separe." In: El Cine Amante 8,83, Feb 1999, p. 5.

Kavcic, Bojan: "The Gingerbread Man." In: Ekran: Revija za Film in Televizijo 23,3/4, (1998), p. 49.

Oybo, Mattis: "The Gingerbread Man." In: Film & Kino,2, Apr/May 1998, p. 37.

Macnab, Geoffrey: "The Gingerbread Man." In: Sight & Sound 8 Aug (1998), pp. 41-42.

Clinckart, Olivier: "The Gingerbread Man." In: Cine-Fiches de Grand Angle,216, Jun 1998, pp. [27-28].

Boisclair, David: "The Gingerbread Man." In: Sequences: la Revue de Cinema,196, May/Jun 1998, pp. 47-48.

Henne, Peter: "The Gingerbread Man." In: The Film Journal 101 Feb (1998), pp. 38-39.

Williamson, Kim: "The Gingerbread Man." In: Boxoffice 134 Feb (1998), p. 52.

Gilodi, Renzo: "Conflitto di interessi." In: Cinema Sessanta 39,2, (1998), p. 62.

Merkin, Daphne: Secret dreams. In: The New Yorker 73 Feb 2 (1998), pp. 81-82.

Smith, Sean M.: "The Gingerbread Man." In: Premiere 11 Feb (1998), p. 24.

McCarthy, Todd: "Man" finds Altman doing it by the book. In: Variety 369 Jan 19/25 (1998), pp. 88+ [2p].

Hoberman, J.: Farewell my lovelies. In: The Village Voice 43 Jan 27 (1998), p. 63.

Lachat, Pierre: "Bei jedem gewoehnlichen Zweistuender muss ich auswalzen und wiederholen." In: Filmbulletin 40,2, (=216), 1998, pp. 37-38.

Kinser, Jerry: Extrana fusion. In: Dirigido Por,268, May 1998, pp. 40-41.

Distelmeyer, Jan: "Gingerbread Man."In: EPD Film 15 Jun (1998), pp. 45-46.

La Rochelle, Real: "The Gingerbread Man." In: 24 Images,91, Spring 1998, p. 57.

Olsen, Mark: Grishamovies. In: Film Comment 34 Mar/Apr (1998), pp. 76-78+ [4p].

Lachat, Pierre: Seltsame Bettgenossen. In: Filmbulletin (Switzerland) 40, n2, (n216) (1998), pp. 36-37.

Vasse, David: "The Gingerbread Man." In: Cahiers du Cinema,525, Jun 1998, p. 80.

Masson, Alain: "The Gingerbread Man." In: Positif,448, Jun 1998, pp. 24-25.

Petrikin, Chris: Island CEO frosted by "Gingerbread" move. In: Variety 368 Sep 1/7 (1997), pp. 4+ [2p].

Legg, L.: "The Gingerbread Man". In: Young Viewers 4,3/4, (1981), p. 22.

Shapiro, M.: Review. In: Glamour, 96, 3, März 1998, p. 128.

Kauffmann, S.: Review. In: The New Republic, 128, Febraur 1998, pp. 24-25.

Denby, D.: Review. In: New York, 31, Februar 1998, p. 114.

Merkin, D.: Review. In: The New Yorker, 73, 2. Februar 1998, pp. 81-82.

Rozen, L.: Review. In: People Weekly, 49, 2. Februar 1998, pp. 19-20.

Travers, P.: Review. In: Rolling Stone, 19, Februar 1998, p. 64.


#Gosford Park

Walsh, David: Class analysis and feeling mean a great deal. Gosford Park, directed by Robert Altman In:World Socialist Web Site ( 28.12.2001.

Fellowes, Julian: Gosford Park: The shooting script. Introduction by Robert Altman. Riverside, NJ: Newmarket Press, 2002, 192 p. (The Newmarket Shooting Script Series).

Fellowes, Julian / Altman, Robert: Gosford Park. Screenplay and afterword by Julian Fellowes. Introduction by Robert Altman. London: Hern 2002, IX, 180 S.

Bruyn, Olivier De: Robert Altman: Gosford Park - Sale temps pour ceux qui ont des secrets. In: Positif : revue mensuelle de cinéma, No. 493 (2002), p. 18-20.

Berkmann, Marcus: "Gosford Park." In: Spectator, Feb. ,288,2, 2002 , i9052, p. 43..

Carson, Tom: "McCabe and Mrs. Kael: Robert Altman's New Gosford Park sends our reviewer on a trek through the 1970s "Golden Age." But how golden was it?" In: Esquire 137, Jan .2002, pp. 38-41.

Cooper, Rand Richards: "Class Action: Altman's 'Gosford Park'." In: Commonweal 129, Feb. 8, 2002, pp. 14-17.

Denby, David: "Classville." In: The New Yorker 77, 14.1.2002, pp. 92-93.

Duguid, Lindsay: "Spot of bother in the library." In: TLS. Times Literary Supplement, 8.2.2002, p. 20.

Fuller, Graham: "Gosford Park." In: Film Comment 37,6, Nov-Dec 2001, pp. 10-11.

Gilbert, W. Stephen: "Class act: Robert Altman dissects British gentry in 'Gosford Park'." In: Film Journal International 105, Jan 2002, pp. 20-21.

Hohenadel, Kristen: "Altman on the loose in Merchant Ivory territory." In: The New York Times, 9.9.2001.

Holden, Stephen: "Full of baronial splendor and spite." In: The New York Times, 26.12.2001, p. E1.

James, Nick: "Gosford Park." In: Sight & Sound 12,1, Jan 2002, pp. 14-17.
Robert Altman's heritage film "Gosford Park" has an array of prestige British actors, but overall the British film industry has failed to put established and talented British actors to good use.

Macnab, Geoffrey: "Gosford Park." In: Sight & Sound 12,2, Feb 2002, pp. 45-46.

Rainer, Peter: "Magical mystery: Robert Altman's 'Gosford Park' is a high-minded whodunit with heart; Michael Mann's 'Ali' hits hard but loses the man behind the myth." In: New York 34, Dec 24, 2001, i49, p. 104(3).

Rafael, George: "Gosford Park." In: Cineaste 27,3, Summer 2002, pp. 30-31.

Steinhart, Daniel: ‘Robert Altman on Gosford Park’. In: Director’s World, 14th Jan 2002.
ULR: http://www.directorsworld.com/article/mainv/0,7220,32608,00.html.

Thompson, D.: "Gosford Park." In: Sight & Sound 11,11, November 2001 p. 17.

Travers, Peter: "Gosford Park." In: Rolling Stone Jan 17, 2002. i887. p. 56(1).

Vanneman, Alan: ‘Gosford Park: Not Renoir, But Not Bad’. In: Bright Lights Film Journal 36, April 2002.

Farber, Stephen: Drama amidst trauma. In: Movieline 13, Dec/Jan 2002, pp. 46+ [2p].

Reed, Jordan: A walk in the "Park." In: Boxoffice 137, Nov 2001, p. 36.

Rainer, Peter: Magical mystery. In: New York Magazine 34 Dec 24/31 (2001), pp. 104+ [3p].

Kenny, Glenn: Reviews. In: Premiere 15 Dec (2001), pp. 90-91.

Kalogerakis, George: A seat at Bob's table. In: New York Magazine 34 Dec 17 (2001), pp. 40-43.

Thompson, David: "Gosford Park." In: Sight & Sound 11 Nov (2001), pp. 17.

Hogan, David J.: "Cat Women of the Moon." In: Filmfax: the Magazine of Unusual Film & Television, 73, Jun/Jul 1999, pp. 20-21.

FILM - Robert Altman über seine Gesellschaftssatire "Gosford Park", Hollywood und Happy Ends. In: Stern : das deutsche Magazin, 55,25, 2002, pp. 158-160.

Film: "Gosford Park" von Robert Altman. In: Der Spiegel ,56,24, 2002, pp. 216-217.

Interview: Regie-Eminenz Robert Altman über seine Krimi-Farce "Gosford Park". In: Focus, 24, (2002), pp. 80-81.

La vie de château Dans << Gosford Park >>, Robert Altman a délaissé l'Amérique pour railler l'aristocratie anglaise des années 30 et sa domesticité. Un grand album de famille, caustique et démocratique. In: Le point / Edition internationale, 1540, 2002, pp. 78-79.

Mérigeau, Pascal: Meurtre dans un château anglais - Le nouveau film de Robert Altman. In: Le nouvel Observateur, 1949 (2002), pp. 130-133.

Long a Hollywood rebel, Oscar-nominated director Robert Altman wins over the Establishment with Gosford Park. In: People Weekly, (18 03. 2002), pp. 109-116.

Walsh, John: Iconic American director Robert Altman's latest film is a devastating satire on the English class system. In: The Bulletin : incorporating the Australian Financial Times, 6313, (2002), pp. 70-72.

Altman, Robert: Gosford Park. In: Film Comment, 37,6, (2001), pp. 10-11.


#Health (1980)

De Bernardinis, Flavio: "Popeye," ovvero "L'utopia andata in fumetto." In: Il Castoro Cinema,39, 2nd ed. Apr (1995), pp. 84-94.

Muscio, G.: "Health". In: Segnocinema: Rivista Cinematografica Bimestrale,6, Jan 1983, p. 44.

Ansen, D.: Movies: the politics of "Health". In: Newsweek 99 Apr 26 (1982), p. 75.

Canby, Vincent: Film view: Robert Altman - an endangered species. In: The New York Times 131 Apr 18 1982 sec 2, p. 17.

Hoberman, J.: Review. In: The Village Voice 27 Apr 13 (1982), p. 51.

Sege (F. Segers): "Health". In: Variety 306 Apr 7 (1982), p. 14.

Codelli, L.: "Come Back to the 'Five and Dime', Jimmy Dean, Jimmy Dean"; "Health". In: Positif, 261, Nov 1982, p. 35.

Canby V.: Robert Altman's satire "Health". In: The New York Times 131 Apr 7 (1982), p. C19.

Sragow, M.: Movies: bad health. In: Rolling Stone,371, Jun 10 (1982), p. 38.

Milne, Tom / Combs, Richard: Robert Altman: backgammon and spinach. In: Sight & Sound 50,3, (1981), pp. 182-187.

Robbins, Jim: Altman's "Health" via Films Inc. In: Variety 303 Jul 29 (1981), p. 17.

Kolke, R.P.: Robert Altman: an interview, part I. In: Post Script: Essays in Film and the Humanities 1,1, (1981), pp. 2-7.

Eyquem, Olivier: Rencontre avec Robert Altman. In: Positif,226, Jan 1980, pp. 7-12.
Segers F.: "Health". In: Variety 300 Aug 27 (1980), p. 21.

Wolf, William: The filmmaker as Houdini. In: New York Magazine 13 Nov 17 (1980), pp. 83-85.

Buckley, T.: At the movies: Bacall combines age and beauty in Altman's "Health." In: The New York Times 128 Mar 9 (1979), p. C8.

Cottom, J. Von: Dans "Health," son nouveau film, Robert Altman denonce les combines politiques! In: Cine-Tele-Revue 59 Jul 26 (1979), pp. 24-27.

(Twentieth) 20th-Fox pulls "Health" from Christmas release. Boxoffice 115 Sep 10 (1979), p. 2.

Ansen, D.: Review. In: Newsweek, 99, 26. April 1982, p. 75.

Sragow, M.: Review. In: Rolling Stone, 10. Januar 1982, p. 38.


#Images (1972)

Robert Altman's Spiegelbilder. Stuttgart: Wiedleroither 1986, [12] S. (Filmprogramm. 130.).

Brown, Royal S.: Film music: the good, the bad, and the ugly. In: Cineaste 21,1/2, (1995), pp. 62-67.

De Bernardinis, Flavio: "Images," ovvero "Sdoppiamenti progressivi del piacere." In: Il Castoro Cinema,39, 2nd ed. Apr (1995), pp. 35-37.

Cumbow, R.C.: It's time to come inside now: an appreciation of A 3 Women. In: Movietone News,58/59, Aug 14 (1978), pp. 2-10.


#Jazz '34 (1996)

Niogret, Hubert: "Jazz '34." In: Positif,448, Jun 1998, pp. 26-27.

Jousse, Thierry: "Jazz 34." In: Cahiers du Cinema,524, May 1998, pp. 111.

Vos, Jean Marc de: "Jazz '34." In: Film en Televisie + Video,475, Oct 1997, p. 35.

Magnee, Vincent: "Jazz '34." In: Cine-Fiches de Grand Angle,206, Jul 1997, pp. [33-34].

Nesselson, Lisa: "Robert Altman's Jazz '34." In: Variety 364 Sep 23/29 (1996), p. 126.

Gariazzo, Giuseppe: "Jazz." In: Cineforum, 357, 36 Sep (1996), p. 50


#Kansas City

Bourne, Michael: Goin' to 'Kansas City': and Robert Altman takes you there! (New 1930s gangster film featuring portrayals of jazz greats.) In: Down Beat 63,3, 1996, pp. 22-27.
Interview. Altman is proud of his latest film, which stars Gina Belafonte, Harry Belafonte, and host of jazz stars. Saxophonists Craig Handy and Joshua Redman portray and convincingly emulate Coleman Hawkins and Lester Young. The film revolves around a nightclub, and jazz is prominently featured.

Bourne, Michael: Altman stages Kansas City Jam Session. In: Down Beat 62,8, Aug. 1995, p. 12.

Boyd, Todd: "Kansas City." In: Sight & Sound,VI,12, Dec 1996, pp. 49-50.

Gabbard, Krin: Kansas City Dreamin': Robert Altman's Jazz History Lesson. In: Buhler, James / Flinn, Caryl / Neumeyer, David (eds.): Music and cinema. Hanover, NH: University Press of New England 2000, pp. 142-160.

Combs, Richard: "Kansas City, Kansas City." In: Film Comment,XXXIII,2, Mar-Apr 1997, pp. 68-71.
Altman included a number of personal narratives in 'Kansas City,' such as politician Henry Stilton, who reflects Altman's father B.C. Altman. The element of doubleness in the movie is shown in the location of Kansas City in both Kansas and Missouri and the relationships of female protagonists." [Expanded Academic Index]

Holden, Stephen: "Kansas City." (movie reviews) In: The New York Times August 145,16, 1996, pB3(N) pC3(L) col 1 (22 col in).

Martin, Adrian: "Screwy Squirrels: Robert Altman's Kansas City." In: Film Journal 1,3, pp. (no pagination). 2002.
ULR: http://www.thefilmjournal.com/kansascity.html.

McGilligan, Patrick: "Altman in Kansas City." (includes related article on Robert Altman at Calvin Company) In: Sight and Sound, 59,2, Spring 1990, pp. 110-116.

Rudolph, E.: Jazzed up [filming Kansas City]. In: American Cinematographer 77, September 1996, pp. 34-38+.

Thompson, Rick: "Kansas City." In: Senses of Cinema: An Online Film Journal Devoted to the Serious and Eclectic Discussion of Cinema. 28, Sept.-Oct. 2003.
Online.

Watrous, Peter: "The movies miss another opportunity; Robert Altman's 'Kansas City' uses jazz the way Hollywood has always used the music: as a servant of the plot." In: The New York Times August ,145,11, 1996, s2 pH26(N) pH26(L) col 1 (17 col in).

Matyas, Peter: Solitude. In: Filmvilag 40,1, (1997), pp. 53-55.

Fay, Miklos: A koszivu ember szaxofonja. In: Filmvilag 40,1, (1997), p. 54.

Pezzotta, Alberto: "Kansas City." In: Segnocinema: Rivista Cinematografica Bimestrale,84, Mar/Apr 1997, pp. 48-49.

Combs, Richard: "Kansas City," Kansas City. In: Film Comment 33, Mar/Apr 1997, pp. 68-71.

Guadagnino, Luca: "Kansas City." Close-up. In: Storie della Visione 1,1, (1997), pp. 163-164.

Gabbard, Krin: "Kansas City": Altman's jazz history lesson. In: The Psychoanalytic Review 84,4, ,1997), pp. 635-639.

Moresco, Fabrizio: "Kansas City." In: Film: tutti i film della stagione 5,25, (1997), pp. 59-60.

Rimondi, Francesca: "Kansas City." In: Cabiria,1, Mar 1997, p. 25.

Gabbard, Krin: "Kansas City." In: The American Historical Review 102,4, (1997), pp. 1274-1275.

Descamps, Sigrid: "Kansas City." In: Cine-Fiches de Grand Angle,193, May 1996, pp. [29-30].

Loewenstein, Lael: "Kansas City." In: Boxoffice 132, Jul 1996, p. 83.

Rouyer, Philippe: "Kansas City." In: Positif,423, May 1996, pp. 6-7.

Henry, Michael: Entretien avec Robert Altman. In: Positif,423, May 1996, pp. 8-11.

McCarthy, Todd: American dream unravels in Altman's "Kansas City." In: Variety 363 May 13/19 (1996), pp. 66+ [2p].

Rudolph, Eric: Jazzed up. In: American Cinematographer 77 Sep (1996), pp. 34-38+ [7p].

Elhem, Philippe: "Kansas City." In: 24 Images,83/84, Autumn 1996, p. 91.

Kelleher, Ed: All that Altman jazz. In: The Film Journal 99, Aug 1996, pp. 10+ [2p].

Bartholomew, David: "Kansas City." In: The Film Journal 99, Sep 1996, pp. 42-43.

Dumas, Danielle: "Kansas City." In: L'Avant-Scene Cinema,454, Jul 1996, pp. 80-81.

Brennan, Simon: The sounds of the city. In: Premiere 9, Aug 1996, p. 46.

Yaffe, David M.: He am what he am. In: The Village Voice 41 Aug 20 (1996), p. 8.

Taubin, Amy: Swingers. In: The Village Voice 41 Aug 20 (1996), p. 48.

Lismoen, Kjetil: "Kansas City." In: Film & Kino,4, (1996), p. 28.

Frans, Peter: "Kansas City." In: Film en Televisie + Video,463, Jul 1996, p. 21.

Pede, Ronnie: ABCD. In: Film en Televisie + Video,463, Jul 1996, p. 43.

Dean, Joan: "Kansas City." In: Film West,26, Autumn 1996, pp. 24-25.

Popek, Simon: "Kansas City." In: Ekran: Revija za Film in Televizijo 21,3/4, (1996), pp. bet p28 and 29 [pXXII].

Zygmunt, Slawomir: Mekka jazzu. In: Kino (Poland) 30 Dec (1996), p. 35.

Kauffmann, Stanley: On films: twisted tales. In: The New Republic 215 Sep 9 (1996), pp. 36-38.

Porterfield, Christopher: Finding a common grove. In: Time 147 Jun 24 (1996), p. 79.

Gilodi, Renzo: "Kansas City." In: Cinema Sessanta 37,1, (1996), pp. 60-61.

Blake, Richard A.: Muddle, America. In: America 175 Sep 14 (1996), pp. 24-25.

Wingstedt, Johnny: Smaktande tongangar. In: Chaplin 38,n4, (n265) (1996), pp. 55-56.

Kroll, Jack: Altman and all that jazz. In: Newsweek 128 Aug 19 (1996), p. 66.

La Polla, Franco: "Kansas City." In: Cineforum 36,360, Dec 1996, pp. 58-61.

Tuominen, Sami: "Kansas City." In: Filmihullu,6, 1996, pp. 40-42.

Reinecke, Stefan: "Kansas City." In: EPD Film 13 Oct (1996), pp. 33-34.

Fadda, Michele: "Kansas City." In: Cineforum 36, 355, Jun 1996, p. 18.

Eriksen, Fredrik: "Kansas City." In: Z Filmtidsskrift,n4 (n58) (1996), pp. 44-45.

Jousse, Thierry: Le cinema in vitro. In: Cahiers du Cinema,502, May 1996, pp. 66-67.

Boyd, Todd: "Kansas City." In: Sight & Sound 6 Dec (1996), pp. 49-50.

Denby, David: Beautiful loser. In: New York Magazine 29 Sep 2 (1996), pp. 44+ [2p].

Lane, Anthony: All that jazz. In: The New Yorker 72 Aug 19 (1996), pp. 78-79

Blake, R.A.: Review. In: America, 175, 14. September 1996, pp. 24-25.

Bourne, M.: Review. In: Down Beat, 63, März 1996, pp. 22-27.

Macintosh, R.S.: Review. In: Down Beat, 63, November 1996, p. 10.

Chidley, J.: Review. In: Maclean`s, 109, 26. August 1996, p. 54.

Kauffmann, S.: Review. In: The New Republic, 215, 9. September 1996, pp. 36-37.

Denby, D.: Review. In: New York, 29, 2. September 1996, p. 44+.

Lane,A.: Review. In: The New Yorker, 72, 19. August 1996, p. 78.

Kroll, J.: Review. In: Newsweek, 128, 19. August 1996, p. 66.

Novak, R.: Review. In: People Weekly, 46, 26. August 1996, pp. 17-18.

Travers, P.: Review. In: Rolling Stone, 22. August 1996, pp. 104-105.

Powers, J.: Review. In: Vogue, 186, August 1996, p.132.

Combs, R.: Review. In: Film Comment, 33, März/April 1997, pp. 68-71.

Bourne, M.: Review. In: Down Beat, 62, August 1995, p.12.

Durell, L.: Review. In: Video, 20, Februar/März 1997, p. 80.(videotape review)


#The Long Goodbye (1973)

Currie, Gregory: „The Long Goodbye“. The imaginary language of film. In: British Journal of Aesthetics 33,3, 1993, pp. 207-219.

Dawson, Jan: "Robert Altman speaking." Film Comment,X,2, Mar-Apr 1974, p 40-41
R.A. discusses his version of Philip Marlowe in "The long goodbye".

Peter Putschert: "I even lost my cat". Tiere als Nebenfiguren in The Long Goodbye von Robert Altman. In: Cinema 42, 1997, pp. 49-59.

Farber, Stephen: "L.A. journal."Film Comment,IX,5, Sept-Oct 1973, pp. 66-67
Discusses the difficulty some films have in finding an audience in the contemporary market with particular reference to "The long goodbye" and "Kid Blue".

Ferncase, Richard K.: Robert Altman's „The Long Goodbye“: Marlowe in the Me Decade. In: Journal of Popular Culture 25,2, Fall 1991, pp. 87-90.

Gregory, C.: "The long goodbye." Film Quarterly,XXVI,4, Summer 1973, pp. 46-48.

Gross, L.: "Film après noir." Film Comment, XII,4, July-Aug 1976, pp. 44-49.
Analysis of four 'film après noir' which, 'by turning the thematic materials of film noir into forms,... force the attentive viewer into a contemplation of his own expectations, demands, assumptions...' The films are "Alphaville", "Point blank", "Performance" and "The long goodbye".

Jameson, Richard T.: "Film noir: today; Son of noir." In: Film Comment,X,6, Nov-Dec 1974, pp. 30-33.
Recent trends in 'film noir', emphasizing 'Gumshoe', 'The long goodbye' and 'Chinatown'.

Lyons, Donald: "Flaws in the iris." In: Film Comment, XXIX,4, July-Aug 1993, pp. 44-45,47-49,51-53.
Claims that "Chinatown" and "The long goodbye" are the lone masterworks of 'neo-noir'.

Oliver, B.: "'The long goodbye' and 'Chinatown': debunking the private eye tradition." In: Literature/Film Quarterly,III,3, Summer 1975, pp. 240-248.
Describes how the values of positive action in the old private eye tradition are denied or satirized in two recent detective films.

Phillips, G.: "Top Brackett." (Leigh Brackett's screenplay for Robert Altman's The 'Long Goodbye') In: Sight & Sound 9,10, Oct 199, pp. 64-64.

Stewart, G.: "'The long goodbye' from 'Chinatown'." In: Film Quarterly,XXVIII,2, Winter 1974-75, pp. 25-32.
A comparison of 'The long goodbye' and 'Chinatown' in terms of the detective genre as a whole.

Van Wert, William F.: "Marlowe. The long goodbye. Phillip Marlowe: hardboiled to softboiled to poached." In: Jump Cut,3, Sept-Oct 1974, pp. 10-13.
The evolution of the detective in films written by or adapted from Raymond Chandler, with particular reference to "Marlowe" and "The long goodbye".

Ward, Elizabeth: ‘The Post-Noir P.I.: The Long Goodbye and Hickey and Boggs’. In: Film Noir Reader 3, edited by Portfirio, Silver & Ursini.

Purtschert, Peter: "I even lost my cat." In: Cinema (Switzerland) 42 (1997), pp. 49-59.

De Bernardinis, Flavio: "The Long Goodbye," ovvero "Raymond Chandler: operazione gatto." In: Il Castoro Cinema, 39, 2nd ed. Apr (1995), pp. 37-42.

McElhaney, Joe: Neo-noir on laser. In: Bright Lights Film Journal,12, Spring 1994, pp. 44-45+ [3p].

Lyons, Donald: Laws in the iris: the private eye in the seventies. In: Film Comment 29 Jul/Aug (1993), pp. 44-45+ [8p].

Ferncase, Richard K.: Robert Altman's "The Long Goodbye": Marlowe in the me decade. In: Journal of Popular Culture 25,2, (1991), pp. 87-90.

Games, Marcelo: Robert Altman's "The Long Goodbye": Marlowe's last stand. In: Filament,5, (1986), pp. 23-24.

Avola, Periti: Sielunmessu Philip Marlowelle. In: Filmihullu,4, (1976), pp. 18-19.

Gross, Larry: Film apres noir. In: Film Comment 12 Jul/Aug (1976), pp. 44-49.

Swires, Steve: "Grab what you can get:the screenwriter as journeyma plumber"; a conversation with Leigh Brackett. In: Films in Review 27 Aug/Sep (1976), pp. 413-421.

Lyons, D.: Review. In: Film Comment, 29, Juli/August 1993, pp. 44-45.


#M*A*S*H (1970)

Baker, C.A.: "The theme of structure in the films of Robert Altman." In: Journal of Popular Film and Television, II,3, Summer 1973, pp. 243-261.
Discusses R.A.'s view on structure vs. freedom in life, as shown in his films "That cold day in the park", "MASH", "Brewster McCloud" and "McCabe and Mrs. Miller".

Bernardoni, James: "The Hawksian fallacy." In: The new Hollywood: what the movies did with the new freedoms of the seventies / by James Bernardoni. pp. 117-42 Jefferson, N.C.: McFarland, c1991.

"Musing on M*A*S*H* / An Interview with Robert Altman." In: New Orleans Review 2,2 (1970), p. 119.

Neumann, Kerstin-Luise: M.A.S.H. In: Filmklassiker. Beschreibungen und Kommentare. 1-4. Hrsg. v. Thomas Koebner unter Mitarb. v. Kerstin-Luise Neumann. Stuttgart: Reclam 1995.

Self, Robert T.: The Sounds of MASH. In: Close viewings: an anthology of new film criticism / edited by Peter Lehman. pp. 141-57 Tallahassee: Florida State University Press 1990.

Wander, P.: "The aesthetics of fascism." In: Journal of Communication, XXXIII,2, Spring 1983, pp. 70-78.
Explores the question of how art handles the implication that slaughter is attractive, necessary or somehow glorious in four films: "The deer hunter", "Patton", "MASH" and "Apocalypse now".

Weis, Elisabeth: "MASH Notes." In: Play it again, Sam: retakes on remakes / edited by Andrew Horton and Stuart Y. McDougal ; with an afterword by Leo Braudy. pp: 310-26 Berkeley: University of California Press, c1998.

Chaput, Luc: "M*A*S*H*" de Robert Altman. In: Sequences: la Revue de Cinema,211, Jan/Feb 2001, p. 15.

Buchsbaum, Tony: "M*A*S*H." In: Film Score Monthly,58, Jun 1995, p. 21.

De Bernardinis, Flavio: "M.A.S.H." ovvero "Per favore non incidermi sul collo." In: Il Castoro Cinema,39, 2nd ed., Apr 1995, pp. 23-27.

Slodowski, Jan: "M.A.S.H." In: Filmowy Serwis Prasowy 36,n3/4, (n685/686) (1990), pp. 7-9.

Freedman, Carl: History, fiction, film, television, myth: the ideology of "M*A*S*H." In: The Southern Review 26,1, (1990), pp. 89-106.

Freedman, Carl: "M*A*S*H" och anti-antikommunismen. In: Filmhaftet: Tidskrift om Film och TV,71/72, Dec 1990, pp. 113-122.

Wander, Philip: The aesthetics of fascism. Journal of Communication 33,2, )1983), pp. 70-78.

Allezaud, R.: "M.A.S.H." In: Telecine,221, Oct 1977, pp. 14-15.


#McCabe & Mrs. Miller (1971)

Arthur, Paul: "How the West Was Spun: McCabe & Mrs. Miller and Genre Revisionism." In: Cineaste: America's Leading Magazine on the Art and Politics of the Cinema,28,3, Summer 2003, pp. 18-20.

Reappraisal of Robert Altman's western "McCabe and Mrs. Miller", emphasizing its 'productive ambivalence' towards genre revisionism.
ULR:

Bachmann; Gregg: McCabe & Mrs. Miller. Altman‘s showdown with the western. In: Creative Screenwriting 4, Fall 1997, pp. 97-111.

Baker, Charles A.: The theme of structure in the films of Robert Altman. In: Journal of Popular Film and Television 2,3, Summer 1973, pp. 243-261.
Discusses R.A.'s view on structure vs. freedom in life, as shown in his films 'That cold day in the park', 'MASH', 'Brewster McCloud' and 'McCabe and Mrs. Miller'.

Bernardoni, James: "Redeemers of the lost art." In: The new Hollywood: what the movies did with the new freedoms of the seventies / by James Bernardoni. pp. 143-216. Jefferson, N.C.: McFarland 1991.

Burgess, J.: "McCabe and Mrs. Miller." In: Film Quarterly 25,2, Winter 1971-72, pp. 49-53.

Cohen, Hubert: "Men have tears in them": the other cowboy hero. In: Journal of American Culture 21,4, (1998), pp. 57-78.

Danks, Adrian: "Just Some Jesus Looking for a Manger: McCabe & Mrs. Miller." In: Senses of Cinema, 9, Sept-Oct 2000.
ULR: http://www.sensesofcinema.com/contents/00/9/cteq/mccabe.html.

De Bernardinis, Flavio: "McCabe and Mrs Miller," ovvero "L'inquadratura Y." In: Il Castoro Cinema,39, 2nd ed., Apr 1995, pp. 30-35.

Engle, Gary: "McCabe and Mrs. Miller“: Robert Altman's anti-western. In: Journal of Popular Film and Television 1,4, Fall 1972, pp. 268-287.
Discusses "McCabe and Mrs. Miller" with reference to the traditions of the western genre.

Gustafson, J.: "The whore with the heart of gold: a second look at Klute and McCae and Mrs. Miller." In: Cineaste,XI,2, (1981), pp. 14-17.
Untraditional treatment of heroines in A. Pakula's "Klute" and R. Altman's "McCabe and Mrs. Miller".

James, Caryn: "McCabe and Mrs. Miller." (movie review) In: The New York Times Jan 143,21, 1994, pC16(L) col 5 (10 col in).

Man, Glenn: Marginality and centrality: the myth of Asia in 1970s Hollywood. In: East-West Film Journal 8,1, (1994), pp. 52-67.

Merrill, Robert: Altman's "McCabe and Mrs. Miller" as a classic western. In: New Orleans Review 17,2 (1990), pp. 79-86.

Meyers, R.B.: "Theory number one: dissecting an interpretation."In: Journal of Popular Film and Television, II,3, Summer 1973, pp. 300-315.

Abstract: Criticizes Gary Engle's article on 'McCabe and Mrs. Miller' for its over intellectualization of the film. Engle's article appeared in 'J Popular F' I/4, 1972.

Pechter, W.S.: Altman, Chabrol, and Ray. In: Commentary 62 Oct (1976), pp. 75-78.

Yovanovich, Ivan: "From Clementine to Mrs. Miller: in the name of progress." In: CineAction,46, June 1998, pp. 40-47.
A comparative analysis of "McCabe and Mrs. Miller" and "My darling Clementine", emphasizing the former, and treating the historical shift in the two westerns' thematics of civilization and progress.

Poague, Leland: Interpretative models and ethical choices: the example of film studies. In: Journal of Aesthetic Education 19,4, (1985), pp. 21-36.

Self, Robert: Robert Altman and the theory of authorship. In: Cinema Journal 25,1, (1985), pp. 3-11.

Peary, Gerald: Collector's choice: westerns. In: American Film: a Journal of the Film and Television Arts 8 Sep (1983), pp. 72-4+ [4p].

Braudy, Leo / Kolker, Robert P.: Robert Altman: An Interview. In: Post Script: Essays in Film and the Humanities 1,2, 1982, pp. 2-14.

Self, Robert: The art cinema and Robert Altman. In: Velvet Light Trap: a Critical Journal of Film and Television,19, (1982), pp. 30-34.

Gustafson, Judith: The whore with the heart of gold: a second look at "Klute" and "McCabe and Mrs. Miller". In: Cineaste 11,2, (1981), pp. 14-17+ [5p].

Kolke, R.P.: Robert Altman: an interview, part I. In: Post Script: Essays in Film and the Humanities 1,1, (1981), pp. 2-7.


#Mrs. Parker and the Vicious Circle
(Directed by Alan Rudolph; Robert Altman, Producer)

Carpenter, Teresa: "Back to the round table with Dorothy Parker and pals...." ('Mrs. Parker and the Round Table' film produced by Robert Altman, directed by Alan Rudolph) In: The New York Times August 142,29, 1993, s2 pH11(N) ppH11(L) col 1 (40 col in).

Combs, Richard: "Mrs Parker and the Vicious Circle." (movie reviews) In: TLS. Times Literary Supplement March 4797,10, 1995, pp. 22(1).

Denby, David: "Mrs Parker and the Vicious Circle." (movie reviews) In: New York 27,49, Dec 12, 1994, p. 66(2).

Francke, Lizzie: "All about Leigh." In: Sight & Sound,V,2, Feb 1995, pp. 8-9.
An analysis of Jennifer Jason Leigh's style of acting, with particular reference to "Mrs. Parker and the Vicious Circle".

Johnson, Brian D.: "Mrs Parker and the Vicious Circle." (movie reviews) In: Maclean's 108,1, Jan 2, 1995, p. 50(2) (933 words).

Lane, Anthony: "Mrs Parker and the Vicious Circle." (movie reviews) In: The New Yorker 70,41, Dec 12, 1994, p. 128(3).

Lucia, Cynthia: "Mrs. Parker and the Vicious Circle." In: Cineaste, XXI,4, (1995), pp. 50-51.UC users only

Maslin, Janet.: "Mrs Parker and the Vicious Circle." (movie reviews) In: The New York Times 144, Nov 23, 1994 pB3(N) pC9(L) col 3 (25 col in).

Porter, Ed: "Mrs. Parker and the Vicious Circle." In: Modern Review I,19, Feb-Mar 1995, p. 18.

Rudolph, Alan: "The producer as gambler." (Robert Altman) In: Film Comment, 30,2, March-April 1994, p. 21(2) (1487 words).
Robert Altman gambles on the artist vision of himself and the director every time he produces a film. Unlike most American producers, he weighs the artistic merit more than potential profits. His most recent production in 'Mrs. Parker and the Vicious Circle."

Schickel, Richard: "Mrs. Parker and the Vicious Circle." In: Time 144,24, Dec 12, 1994, p. 90(1) (273 words).

Strick, Philip: "Mrs Parker and the Vicious Circle." (movie reviews) In: Sight & Sound,V,3, Mar 1995, pp. 43-44.

Steyn, Mark: "Mrs Parker and the Vicious Circle." (movie reviews) In: Spectator 274,8697, March 18, 1995, p. 41(2).

Ward, Geoffrey C.: "Small-screen lives." (historical films) In: American Heritage, 46,8, Dec 1995 p. 16(2).
Three motion pictures available on video cast a negative light on their historical subjects. These motion pictures are 'Mrs. Parker and the Vicious Circle,''Jefferson in Paris,' and 'Cobb,' which chronicle the lives of Dorothy Parker, Thomas Jefferson and Ty Cobb, respectively.


#Nashville

Stuart, Jan: The Nashville chronicles: the making of Robert Altman's masterpiece. New York [u.a.]: Simon & Schuster 2000, 366 S.

Byrne, Connie / Lopez, William: Nashville. An interview ‚documentary‘. In: Film Quarterly 29, Winter 175-76, pp. 13-25.

Abrahams, S.: "Nashville: buying Nashville." In: Jump Cut,9, Oct-Dec 1975, pp. 7-8.

Altman, Rick: Eine Narration der 24 Ton-Spuren? Robert Altmans Nashville (21-43). In: Müller, Jürgen E. / Vorauer, Markus (Hrsg., pp. Blick-Wechsel. Tendenzen im Spielfilm der 70er und 80er Jahre. Münster: Nodus-Publikationen 1993, 308 S. (Film und Medien in der Diskussion. 3.).
Orig.: ’24-Track Narrative? Robert Altman’s Nashville’. Cinemas: Journal of Film Studies 1,3, 24.11.2000. Online journal based in Montreal, mainly in French. Altman’s article on the use of sound in the film is a major analysis. ULR: http://www.revue-cinemas.umontreal.ca/vol001no03/08-altman.htm.

Baker, Charles A.: Illusion and Reality in Nashville. In: Studies in the Humanities 10,2, Dec. 1983, pp. 93-98.

Byrne, C. / Lopez, W.O.: "Nashville." In: Film Quarterly,XXIX,2, Winter 1975-76, pp. 13-25.
Interviews with various creators connected with 'Nashville': Robert Altman, director; Joan Tewkesbury, writer; and Richard Baskin, musical director. All discuss their approach to the subject of the film.

Cardullo, Bert: "The space in the distance: A study of Altman's 'Nashville'. In: Literature/Film Quarterly 4,4, Fall 1976, pp. 313-324.
Analyses Robert Altman's intentions and visual style (esp. his use of space) in "Nashville".

Elsaesser, Thomas: Où finit le spectacle? (À propos de Nashville). In: Positif, 197, 1977, pp. 21-27.

Farber, S.: "Altman in music city." In: Artforum 14, November 1975, pp. 66-70.

Feuer, Jane: "Nashville“, Altman's open surface. In: Jump Cut, 10-11, Summer 1976, pp. 31-32.

Cole, Michael: Keyssar, Helen.: "The Concept of Literacy in Print and Film." In: Literacy, language, and learning: the nature and consequences of pp: 50-72 reading and writing / edited by David R. Olson, Nancy Torrance, and Angela Hildyard. Cambridge [Cambridgeshire]; New York: Cambridge University Press, 1985.

"From the heartland." In: Time 105, June 1975, pp. 67-68.

James, Caryn: "Nashville." (review) In: The New York Times 142, Nov 8, 1992, s2 pH13(N) pH13(L) col 5 (13 col in).

Kael, Pauline: "Coming: Nashville." In: The New Yorker 51, March 1975, pp. 79-83.

Klein, M.: "Nashville: Nashville and the American dream." In: Jump Cut,9, Oct-Dec 1975, pp. 6-7.

Lauter, Paul: "'Versions of Nashville, Visions of American Studies': presidential address to the American Studies Association, October 27, 1994." (Transcript) In: American Quarterly,47,2, June 1995, p. 185(19).
American studies has evolved from its exclusively historical focus to an effort at interpreting and reconstructing history and current phenomena into a coherent view of the American culture. An example of the shift in focus in American studies is the Agrarian movement originating in Nashville, TN, that advocated a return to pre-industrial society as a reaction to the supposed emptiness of modern industrial culture. Nashville also becomes a subject of studies on student activists in the 1960s who worked towards equal educational opportunities for blacks, a movement that became the subject of a film by Robert Altman.

Leder, Dietrich: Nashville. In: Filmklassiker. Beschreibungen und Kommentare. 1-4. Hrsg. v. Thomas Koebner unter Mitarb. v. Kerstin-Luise Neumann. Stuttgart: Reclam 1995.

Lelchuk, A.: "Mashville." In: The Atlantic Monthly 238, October 1976, p. 102+.

Levin, Sid: The Art of the Editor: Nashville. In: Filmmakers Newsletter 10, Heft 8, 1975.

Marcus, Greil: The dustbin of history / Greil Marcus.p. 88-96 \ Cambridge, Mass.: Harvard University Press, 1995.

McCorwick, R.: "In defense of Nashville." In: Cineaste,VII,1, Fall 1975, pp. 22-25, 51.

Plecki, Gerard: "The South in the films of Robert Altman." In: The South and film / Warren French, editor Jackson: University Press of Mississippi, 1981.

Michener, C., et. al.: "Altman's opryland epic." In: Newsweek 85, June 1975, pp. 46-50.

Rosenbaum, Jonathan: "Improvisations and interactions in Altmanville." In: Sight & Sound 44,2, Spring 1975, pp. 90-95.

Rosenbaum, Jonathan: An Altman. In: Film Comment 14, Heft 4, 1978.

Rosenbaum, Jonathan: "London journal." In: Film Comment,XI,5, Sept-Oct 1975, pp. 4-70
Comments on 'Nashville' and an interview with Geraldine Chaplin.

Rush, Jeffrey S.: "Who's in on the joke: parody as hybridized narrative discourse." (Film Parody) In: Quarterly Review of Film and Video, 12,1-2, May 1990, p. 5(8).
Robert Altman's movie 'Nashville' and Wim Wenders' movie 'The American Friend' illustrate the differences between hybrid and simple parody. Hybridized parody goes beyond simple parody in that the very discourse itself is also a subject of parody. 'Nashville' is an example of simple parody, whereas 'The American Friend' is an example of hybrid parody." [Expanded Academic Index]

Self, Robert T.: "Invention and death: The commodities of media in Robert Altman's 'Nashville'." In: Journal of Popular Film and Television,V,3-4, (1976), pp. 273-288.
A look at 'Nashville' and some of its more ominous social implications.

Self, Robert T.: Resisting Reality: Acting by Design in Robert Altman's Nashville. In: Cynthia
Baron, Diane Carson, Frank Tomasulo (eds), More than a Method: Trends and Traditions in Contemporary Film Performance. Detroit: Wayne State University Press 2004, pp. 126–150.

Stuart, Jan: The Nashville chronicles: the making of Robert Altman's masterpiece. New York: Simon & Schuster, c2000.

Wenders, Wim: Nashville. Ein Film, bei dem man Hören und Sehen lernen kann. In: Die Zeit. 21.5.1976. [Dazu: Leserbrief von Hellmuth Karasek. In: Die Zeit. 28.5.1976.]

Yates, John: Smart man's burden: 'Nashville', 'A face in the crowd' and popular culture. In: Journal of Popular Film and Television 5,1, 1976, pp 19-28.
A look at two films, made 20 years apart, which deal with US political/moral consciousness.

La Rochelle, Real: Scandales politico-culturels. In: 24 Images,105, Winter 2001, pp. 34-35.

Pevere, Geoff: Going "Nashville" [Book Review]. In: Cinema Scope,6, Winter 2001, pp. 76-77.

Lewin, Alex: It happened in Nashville. In: Premiere,13, Jul (2000), pp. 88-95+ [10p].

Pizzello, Chris: "Nashville." In: American Cinematographer,81, Nov (2000), p. 20.

Galvin, Peter: "Nashville." In: IF Magazine: Australia’s Independent Film Magazine,28, Oct 2000, p. 17.

Roos, Barbara: Neither plot nor hero: the script of "Nashville." In: Michigan Academician 29,3, (1997), pp. 276-277.

Tewkesbury, Joan: "Nashville." In: Scenario: the Magazine of Screenwriting Art 1,1, (1995), pp. 52-104.

De Bernardinis, Flavio: "Nashville," ovvero "La finestra sul porcile," ovvero "Prima tentazione di posare la penna." In: Il Castoro Cinema,39, 2nd ed., Apr 1995, pp. 47-56.

Lippy, Tod: Writing "Nashville." In: Scenario: the Magazine of Screenwriting Art 1,1, (1995), pp. 105-109+ [6p].

James, Caryn: Film view: "Nashville" political prescience. In: The New York Times Nov,8, (1992), pp. 13 sec 2.

Comuzio, Ermanno: Una canzone-azione in "Nashville" di Robert Altman. In: Cineforum 30,291, Jan/Feb 1990, pp. 66-72.

Rush, Jeffrey S.: Who's in on the joke: parody as hybridized narrative discourse. In: Quarterly Review of Film and Video 12,1/2, (1990), pp. 5-12.

Elsaesser, T.: "Nashville": putting on the show. In: Persistence of Vision: the Journal of the Film Faculty of the City University of New York,1, Summer 1984, pp. 35-43.

Baker, Charles A.: Illusion and reality in "Nashville". In: Studies in the Humanities 10,2, (1983), pp. 93-98.

Braudy, Leo / Kolker, Robert P.: Robert Altman: An Interview. In: Post Script: Essays in Film and the Humanities 1,2, 1982, pp. 2-14.

Gilodi, Renzo: L'effetto Altman. In: Rivista del Cinematografo 54, Jun 1981, pp. 270-273.

Bendtsen, Tove: Kvinnans plats (Trans. by L. Ahlander). In: Chaplin 22,2, (1980), pp. 68-71.

Pede, Ronnie: USA today: Joan Tewkesbury: "Nashville & "Old Boyfriends." In: Film en Televisie + Video,272, Jan 1980, pp. 16-18.

Wexman, Virginia Wright: The rhetoric of cinematic improvisation. In: Cinema Journal 20,1, (1980), pp. 29-41.

Pevere, Geoff: Going "Nashville" [Book Review]. In: Cinema Scope,6, Winter 2001, pp. 76-77.

La Rochelle, Real: Scandales politico-culturels. In: 24 Images,105, Winter 2001, pp. 34-35.

Lewin, Alex: It happened in Nashville. In: Premiere 13, Jul 2000, pp. 88-95+ [10p]

Galvin, Peter: "Nashville." In: IF Magazine: Australia’s Independent Film Magazine,28, Oct 2000, p. 17.

Bernstein, Paula / Dempsey, John: Hicks pick wide mix. In: Variety 380, Sep 25/Oct 1 (2000), pp. 41+ [2p].

Pizzello, Chris: "Nashville." In: American Cinematographer 81, Nov 2000, p. 20.

Marangi, Michele: Da Sidney a Nashville tra realta e sogno. In: Cineforum 38,377, Sep 1998, pp. 34-36.

Roos, Barbara: Neither plot nor hero: the script of "Nashville." In: Michigan Academician 29,3, (1997), pp. 276-277.

Lynch, John: Vanderbilt Television News Archive. In: Historical Journal of Film, Radio and Television 16,1 (1996), pp. 81-83.

Lippy, Tod: Writing "Nashville." In: Scenario: the Magazine of Screenwriting Art,1,1 (1995), pp. 105-109+ [6p].

Tewkesbury, Joan: "Nashville." In: Scenario: the Magazine of Screenwriting Art,1,1 (1995), pp. 52-104.

Sumner, David E.: Nashville, nonviolence, and the newspapers: the convergence of social goals with news values. In: The Howard Journal of Communications 6,1/2, (1995), pp. 102-113.

De Bernardinis, Flavio: "Nashville," ovvero "La finestra sul porcile," ovvero "Prima tentazione di posare la penna." In: Il Castoro Cinema,39, 2nd ed. Apr (1995), pp. 47-56.

Carr, Jeff: Letters: Vanderbilt's archive. In: Columbia Journalism Review 33, Jul/Aug 1994, pp. 5.

Owen, Beth: Who owns old news? In: Columbia Journalism Review 33, May/Jun 1994, pp. 18+ [2p].

Counts, Edward: Sinking Creek Film/Video Festival, no. 23, June 7-13, 1992. In: Independent Spirit 14,1, (1993), p. 5.

O'Connor, John J.: Gwen Welles, actress in film "Nashville," 42. In: The New York Times 143, Oct 16, (1993), p. 11.

Samuels, Rich: (Nineteen ninety-three) 1993 IDA individual honors. In: International Documentary 12 Nov (1993), pp. 20-21.

Franklin, Grady: Knoxville Western Festival comes through once again. In: Classic Images,205, Jul 1992, p. 5.

James, Caryn: Film view: "Nashville" political prescience. In: The New York Times, Nov 8 (1992), pp. 13 sec 2.

Applebome, Peter: When Hollywood revisits Nashville. In: The New York Times 142, Dec 20, (1992), pp. 10+ [2p] sec 2.

Horak, Jan-Christopher: No news is bad news. In: The Independent: Film & Video Monthly 15 Oct (1992), pp. 6-7.

Huff, Richard: Live race boosts TNN. In: Variety 342,11, Mar (1991), p. 22.

Rush, Jeffrey S.: Who's in on the joke: parody as hybridized narrative discourse. In: Quarterly Review of Film and Video 12,1/2, (1990), pp. 5-12.

Thompson, Jeff: Ken Bramming: Nashville's Transylvanian horror host. In: Filmfax: the Magazine of Unusual Film & Television,20, May 1990, pp. 9-11.

Comuzio, Ermanno: Una canzone-azione in "Nashville" di Robert Altman. In: Cineforum 30,291, Jan/Feb 1990, pp. 66-72.

Huff, Richard: School bus crash, recycled coffins cited in Nashville & Louisville. In: Variety 336, Sep 6/12 (1989), pp. 71.

Cohn, Lawrence L.: Film, TV orgs sue Tenn. over law on ratings. In: Variety 334, Apr 19/25 (1989), pp. 39.

(Twenty-second) 22nd Annual SMPTE Television Conference. In: SMPTE Journal 97, Apr Part I (1988), pp. 326-328.

The 22nd Annual SMPTE Television Conference. IN: SMPTE Journal 97, Jan 1988, pp. 25-26.

Schubin, Mark: Research & developments: semper SMPTE. In: Videography 13, Apr 1988, pp. 101-103.

La zare, Howard T.: Opening address. In: SMPTE Journal 97, Apr Part I (1988), pp. 329-330.

Epple, Ron: Indies showcased at Sinking Creek. In: Variety 331, Jul 13 (1988), p. 24.

Harris, P.: Cable coin is funding USO tours. In: Variety 329, Nov 11 (1987), pp. 1+ [2p].

The 22nd annual SMPTE Television Conference. In: SMPTE Journal 96, Dec 1987, pp. 1196-1198.

(Twenty-second) 22nd annual SMPTE television conference. In: SMPTE Journal 96, Jul 1987, pp. 704.

Lang, Georges: Nashville: le verdict des recompenses "Country". In: Cine-Tele-Revue,45, Nov 6, (1986), pp. 18-19.

Schneider, S.: Cable TV notes: Australia comes up with its own answer to "Dallas". In: The New York Times 135, Apr 6, (1986), pp. 28 sec 2.

The Vanderbilt University Television News Archive. In: Historical Journal of Film, Radio and Television 5,2, (1985), pp. 216-217.

Nashville web's 2d anniv: sales & Opry just grand. In: Variety 318, Feb 27, (1985), pp. 50+ [2p].

Schneider, S.: Cable TV notes: Nashville will be coming back to Manhatten, briefly. In: The New York Times 134, May 31, (1985), pp. 26 sec 2.

Millard, B.: Location for "Marie" wraps in Nashville sans location fees. In: Variety 317, Jan 9, (1985), p. 15.

Nashville eyeing multiple purpose film-TV studios. In: Variety 319, May 1, (1985), pp. 291+ [2p].

Goldman, K.: Satellite news gathering alters traditional web-affil roles. In: Variety 320, Sep 18, (1985), pp. 46+ [2p].

Robertson, N.: At the movies: the question i still asked in Nashville. In: The New York Times 134, Sep 27, (1985), pp. C6.

Robertson, N.: At the movies: the question is still asked in Nashville. In: The New York Times 134, Sep 27, (1985), pp. C6.

Goldman, K.: RTNDA meets in Nashville; high-tech & better writers topline a crowded agenda. In: Variety 320, Sep 11, (1985), pp. 46+ [2p].

Korda, S.: Sinking Creek: laid back in Nashville. In: The Independent: Film & Video Monthly 8, Mar 1985, pp. 25.

Bierbaum, T.: Nashville network ratings climb 40%; HBO's swinging up.In: Variety 320, Sep 25, (1985), pp. 2+ [2p]

McCullaugh, J.: Sound system installations - II: Nashville's Belle Meade Theatre. In: Boxoffice 121, Jan 1985, pp. 16-18.

Elsaesser, T.: "Nashville": putting on the show. In: Persistence of Vision: the Journal of the Film Faculty of the City University of New York,1, Summer 1984, pp. 35-43.

Magris, Claudio: Vienna come Nashville [Book Review]. In: Bianco e Nero 45, Jul/Sep 1984, pp. 126-128.

Dougherty, Philip H.: Advertising: selling country to cable. In: The New York Times 133, Jan 24, (1984), pp. D21.

Millard, Bob: Reed serving as actor-director on Nashville prod. "What does". In: Variety 317, Nov 28, (1984), p. 30.

Stengel, Richard: Video: country comes to cable. In: Time 121, Mar 21, (1983), p. 68.

Schwartz, B.: Grand oie NATPE. In: Millimeter 15, Jun 1987, pp. 195-196.

Dougherty, Philip H.: Advertising: Nashville, U.S.F.L. on cable. In: The New York Times 132, Mar 7, (1983), pp. D7.

Baker, Charles A.: Illusion and reality in "Nashville". In: Studies in the Humanities 10,2, (1983), pp. 93-98.

Lenzini, Marc: Sinking Creek is Nashville's biggest hit. In: The Independent: Film & Video Monthly 6, Apr 1983, pp. 23-24.

Edgerton, Gary: Capra and Altman: mythmaker and mythologist. In: Literature/Film Quarterly 11,1, (1983), pp. 28-35.

Zavada, Roland J.: Press release on SMPTE's engineering working and study groups. In: SMPTE Journal 91, Apr 1982, pp. 404+ [2p].

Tomorrow's television: the 16th Annual SMPTE Television Conference. In: SMPTE Journal 91, Apr 1982, pp. 389-390.

Braudy, Leo / Kolker, Robert P.: Robert Altman: An Interview. In: Post Script: Essays in Film and the Humanities 1,2, 1982, pp. 2-14.

Tomorrow's television: synopses of papers presented at the 16thAnnual Television Conference. In: SMPTE Journal 91, Apr 1982, pp. 391-403.

Plaskitt, Piers / Meigs; James: Nashville studio gears up for videomusic. In: Videography 7, Nov 1982, pp. 51-2+ [3p].

(Sixteenth) 16th Annual SMPTE Television Conference. In: SMPTE Journal 90, Dec 1981, pp. 1194-1195.

Sarlat, P.: "Nashville lady". In: Cine-Tele-Revue 61, Apr 2, (1981), p. 27.

Rawls, W. Jr.: Review. In: The New York Times 130, May 8, (1981), pp. A16.

Gilodi, Renzo: L'effetto Altman. In: Rivista del Cinematografo 54, Jun 1981, pp. 270-273.

Blaedel, Michael: Fra Nashville til Hollywood. In: Kosmorama 27,152, Apr 1981, pp. 68-72.

Roth, M.: "Nashville Palace". In: Variety 304, Oct 28 (1981), p. 52.

Pede, Ronnie: USA today: Joan Tewkesbury: "Nashville & "Old Boyfriends." In: Film en Televisie + Video,272, Jan 1980, pp. 16-18.

Knight B.: "George Burns in Nashville???" In: Variety 301, Nov 19, (1980), p. 64.

Wexman, Virginia Wright: The rhetoric of cinematic improvisation. In: Cinema Journal 20,1, (1980), pp. 29-41.

Bendtsen, Tove: Kvinnans plats (Trans. by L. Ahlander). In: Chaplin 22,2, (1980), pp. 68-71.

Methodists differ on films on sex made by pastors. In: The New York Times 129, Dec 31, (1979), pp. A10.

Knight, B.: "Dolly & Carol in Nashville." In: Variety 294, Feb 21, (1979), pp. 75+[2p].

Roden, Paul W.: Notes from Sinking Creek 1978. In: Film Library Quarterly 12,1 (1979), pp. 34-5+[3p].

Sinking Creek Film Celebration, June 5. In: Variety 294, Apr 11, (1979), p. 38.

Nelson, Abigail: Profile: Vanderbilt Television News Archive; Television News Study Center. In: AFI Education Newsletter 2, Jan/Feb 1979, p. [6].

Beermann, F.: Viacom wins Nashville franchise after spirited cable competition. In: Variety 294, Feb 7, (1979), pp. 71+[2p].

Lenzini, Marc: Festivals: 10th Annual Sinking Creek Film Celebration. In: Filmmakers Film & Video Monthly 12, Oct 1979, pp. 49-52+[5p].

XXX, X. AFTRA tackles major issues at convention; Hillman new prez. In: Variety 295, Jul 18 (1979), pp. 31+[2p].

Smith, Julian: Pale horse, pale rider; pale car, pale driver on the road to Nashville with "Payday." In: Journal of Popular Film and Television 7,2, (1979), pp. 190-201.

Swerdlow, Joel: Point of view: is all the news fit to save? In: American Film: a Journal of the Film and Television Arts 4, May 1979, pp. 8-9.

Bowles, Stephen E.: "Cabaret" and "Nashville": the musical as social comment. In: Journal of Popular Culture 12,3, 1978, pp. 550-556.

Maccabe, Colin: The discursive and the ideological in film: notes on the conditions of political intervention. In: Screen (Great Britain) 19,4 (1978), pp. 29-43.

Hasbany, Richard: "Saturday Night Fever" and "Nashville": exploring the comic mythos. In: Journal of Popular Culture 12,3, (1978), pp. 557-571.

Epple, Ron: Sinking Creek film celebration: "personal" themes, recall yester-year social struggles, siblings as producers. In: Variety 291, Jul 26 (1978), p. 41.

Ciaramitaro, Bridget: News from the southeast: Center for Southern Folklore activities. In: Newsletter (Society for the Anthropology of Visual Communication) 7,1 (1978), p. 11.

Crawley, Tony: Interview with Michael Murphy; from M*A*S*Hville to Nashville - now a new phase in Murphy's war. In: Films Illustrated 7 (1978), pp. 228-9+.

Elsaesser, Thomas: Ou finit le spectacle?... (a propos de "Nashville") (Trans. by J. Ciment). In: Positif,197, Sep 1977, pp. 21-27.

CTI to build seven theatres in Nashvill. In: Variety 287, May 25 (1977), p. 34.

Rector, Lee: TV providing Nashville with another special sound: product for USA, paced by syndication. In: Variety 285, Jan 5 (1977), p. 100.

Knight, B.: "Nashville 99." In: Variety 286, Apr 6 (1977), p. 94.

Plazewski, Jerzy: Koncert trwa nadal. In: Kino (Poland) 12, Mar 1977, pp. 46-51.

Gussow, Mel: "Nashville" author tries stage. In: The New York Times 127, Dec 9 (1977), p. C3.

Epple, Ron: Festivals: 8th annual Sinking Creek Film Celebration. In: Filmmakers Newsletter 10, Aug 1977, pp. 57-58+.

Alley, R.S.: Television: ethics for hire? (Nashville, Abingdon, 1977. 192p illus $4.95) In: Georgia Review 31,3, (1977), pp. 775-778.

Mcmurtry, Larry: McMurtry on the movies: Woody Allen, Keith Carradine, Lily Tomlin, and the disappearance of grace. In: American Film: a Journal of the Film and Television Arts 2, Jul/Aug 1977, pp. 8-9+.

Yates, John: Smart man's burden: "Nashville," "A Face in the Crowd popular culture. In: Journal of Popular Film and Television 5,1, (1976), pp. 19-28.

Werner, Andrzej: Implozja prozni. In: Kino (Poland) 11, Apr 1976, pp. 56-57.

Verstappen, Wim: Waarom is het rood-wit-blauw. In: Amerika intenser Skoop 12, Mar 1976, pp. 14-15.

Pitiot, P. / Talvat, Henri: Robert Altman de "MASH" a "Nashville. In: Jeune Cinema,98, Sep/Oct 1976, pp. 29-34.

Peterson, Richard A.: "Nashville" and America in one dimension. In: Society 13, Jan/Feb 1976, pp. 90-95.

Pede, R.: "Nashville." In: Film en Televisie + Video,224, Jan 1976, pp. 16-17.

"Nashville" in 4-way race for a French Oscar. In: Variety 282, Mar 3, (1976), p. 44.

"Lyndon," "Nashville" tie for NBR honor. In: Boxoffice 108, Jan 5, (1976), p. 4.

Sherman, Bill. "Nashville". In: Take One: Film & Television in Canada 5,1, (1976), p. 28.

Belmans, J.: Pour bientot de Robert Altman. In: Amis du Film et de la Television,236, Jan 1976, pp. 18-19.

Byron, Stuart: First annual "Grosses gloss." In: Film Comment 12, Mar/Apr 1976, pp. 30-31.

Cardullo, Robert J.: The space in the distance: a study of Altman's „Nashville" In: Literature/Film Quarterly 4,4, 1976, pp. 313-324.

Byron, Stuart: The industry: encyclotedium. In: Film Comment 12, Sep/Oct 1976, pp. 38-39.

Critics' laurels vs. public support. "Nashville" into 300 situat. In: Variety 281, Jan 14, (1976), p. 30.

Frezzato. A.: Robert Altman: "Nashville." credits stills. In: Cineforum,158, Oct 1976, pp. 602-638.

Giuricini, G.: "Nashville." In: Cinema Nuovo 25, Jul/Aug 1976, pp. 298-299.

Henry, Michael: Altmanscope (sur le plateau de "Nashville"). In: Positif,177, Jan 1976, pp. 10-26.

Magrelli, Enrico: "Nashville": il sonoro e il genere. In: Filmcritica: Rivista mensile di Studi sul Cinema 27, Apr 1976, pp. 91-93.

Self, Robert T.: Invention and death: the commodities of media in Rob "Nashville." In: Journal of Popular Film and Television 5,3/4, (1976), pp. 273-288.

Self, Robert T.: Resisting Reality: Acting by Design in Robert Altman's Nashville. In: More Than a Method. Ed. by C. Baron, D. Carson u. F.P. Tomasulo. Detroit 2004, pp.126-150.

Col. and "Nashville" top contenders for '76 Golden Globes. In: Independent Film Journal 77, Jan 21, (1976), p. 15.

Colpart, G.: "Nashville." In: Telecine,210, Jul/Aug 1976, pp. 26-27.
Epple, Ron: Festivals: 7th annual Filmmakers Newsletter 9 (1976), pp. 65-6+ Sep.

Feuer, Jane: "Nashville": Altman's open surface. In: Jump Cut: a Review of Contemporary Media,10/11, Summer 1976, pp. 31-32.

Fieschi, J.: "Nashville." In: Cinématographe,16, Dec 1975/Jan 1976, pp. 34-35.

Knorr, Wolfram: "Buffalo Bill und die Indianer"; "Nashville." In: Medien + Erziehung 20,4, (1976), p. 2.

Leirens, J.: "Nashville." In: Amis du Film et de la Television,238, Mar 1976, pp. 8-9.

Blaedel, M.: "Nashville." In: Kosmorama 22,131, (1976), pp. 207-209.

Byrne, C. / Lopez, W.O.: "Nashville.". In: Film Quarterly 29,2, (1976), pp. 13-25.

Sauvaget, D.: "Nashville." In: Revue du Cinema,309/310, Oct 1976, pp. 253-254.

Ratschewa, M.: "Nashville." In: Medium 6, May 1976, pp. 31-32.

Oliva, Ljubomir: Altmanuv Nashville. In: Film a Doba 22, Jan 1976, p. 48.

O'connell, Neil J.: On seeing "Nashville" in Nashville. In: Commonweal 103, Feb 13, (1976), pp. 115-118.

N.Y. group's "Bests": "Nashville," Nicholson,Dunaway,Meredith. In: Variety 282, Feb 25, (1976), p. 36.

Morris. C.: Moral laziness in "Nashville". In: Dissent 23,1, (1976), pp. 93-4+.

Urban, Andrew L.: The view over Nashville - Robert Altman's landmark film stands the test of time 25 years after its first release. In: The Bulletin : incorporating the Australian Financial Times, 6245, (2000), p. 99.


#O.C. and Stiggs

Gehr, R.: Review. In: Video 11, Februar 1988, p. 67.


#A Perfect Couple (1979)

De Bernardinis, Flavio: "A Perfect Couple," ovvero "Amore a prima (tele)vista." In: Il Castoro Cinema,39, 2nd ed., Apr 1995, pp. 79-84.

Self, Robert: The perfect couple: "two are halves of one" in the films of Robert Altman. In: Wide Angle,5,4, (1983), pp. 30-37.

Gelman, Eric: Television: a perfect couple. In: Newsweek 98, Sep 28, (1981), p. 63.

Kavcic, B.: "Idealen par" ("A Perfect Couple"). In: Ekran: Revija za Film in Televizijo 6,1/2, (1981), p. 65.

Ledgard, R.: "Una pareja perfecta". In: Hablemos de Cine,72, Nov 1980, pp. 89-90.

Viana, N. / Duarte, F.J.: Critica de filmes. In: Celuloide 25,298/299, Sep 1980, pp. 17-18.

Wertenstein, W.: Komedia o samotnosci. In: Kino (Poland) 15, Jun 1980, pp. 56-57.

Turroni, G.: I film: "Una coppia perfetta." In: Filmcritica: Rivista mensile di Studi sul Cinema 31,302, Feb 1980, pp. 87-89.

Sartor, F.: "A Perfect Couple." In: Film en Televisie + Video,276/277, May/Jun 1980, p. 36.

Hosman, H.: "A Perfect Couple." In: Skoop 16, Oct 1980, p. 36.

Carrere, Emmanuel: Un mariage. In: Positif,226, Jan 1980, pp. 2-6.

Cuel, Francois: Robert Allen et Woody Altman. In: Cinématographe,54, Jan 1980, pp. 17-18.

Eyquem, Olivier: Rencontre avec Robert Altman. In: Positif,226, Jan 1980, pp. 7-12.

Campet, D. / Dahan, L.: "Un couple parfait." In: Cinématographe,54, Jan 1980, pp. 8-9.

Carcassonne, Philippe: La symphonie du nouveau monde. In: Cinématographe,54, Jan 1980, pp. 14-16.

Colley, Iain: "Un couple parfait". In: Revue du Cinema 426, Hors serie 24 (1980).

Amiel, M.: "Un couple parfait." In: Cinema 80, 253 C80, Jan 1980, pp. 106.

Assayas, O.: "A Perfect Couple." In: Cahiers du Cinema,307, Jan 1980, p. 54.

Surmani, C.: "Un couple parfait." In: Revue du Cinema,346, Jan 1980, pp. 30-32.

Rich, F. Doodles: "A Perfect Couple." In: Time 113, Apr 9, (1979), p. 53.

Pollock, D.: "A Perfect Couple." In: Variety 294, Apr 4, (1979), pp. 20+[2p].

Perchaluk, E.: "A Perfect Couple." In: Independent Film Journal 82, Apr/May 1979, p. 18.

Milne, T.: "Perfect Couple, A." In: Monthly Film Bulletin 46, Nov 1979, p. 231.

Maslin, J.: Screen: "Perfect Couple," Altman's musical. In: The New York Times 128, Apr 6, (1979), pp. C13.

Kroll, J.: In Lovers' Lane with Altman. In: Newsweek 93, Apr 9, (1979), pp. 87-88.

Elia, M.: "A Perfect Couple." In: Sequences: la Revue de Cinema,97, Jul 1979, pp. 40-41.

Chase, D.: "A Perfect Couple.": a lame, puny thing. In: Take One: Film & Television in Canada,7,6, (1979), pp. 15-16.

Castell, D.: "A Perfect Couple." In: Films Illustrated 9, Nov 1979, p. 110.

Anderson, P.: "A Perfect Couple." In: Films in Review 30, Jun/Jul 1979, pp. 376-377.

Alakine, K.: "Quintet"; "A Perfect Couple." In: Cinemonkey: a serious film journal 5,n2 (n17) (1979), pp. 54-55.

"A Perfect Couple." In: Films Illustrated 9, Nov 1979, p. 99.

Altman doing "Romance" on sites in Hollywood. In: The New York Times 127, Jul 12, (1978), p. C19.


#The Player

Ernst Karpf: Ende gut, alles gut. Zu The Player von Robert Altman (127-135). In: Karpf, Ernst / Kiesel, Doron / Visarius, Karsten (Hrsg.): Im Spiegelkabinett der Illusionen. Filme über sich selbst. Marburg: Schüren 1996.

"Robert Altman's Anatomy of Hollywood." In: Entertainment Weekly, May 1,116, 1992.
Review of The Player

Andersen, Kurt: "A player once again." (movie director Robert Altman) In: Time,139,16, April 20, 1992, p. 78(3) (2166 words).
Altman's new movie, 'The Player,' may spark a comeback for the 67-year-old director, who has had a career marked by success and failure. 'The Player' is a dark comedy about the movie business, and it has been well-received at private screenings.

Ansen, David.: "The player." (review) In: Newsweek,119,15, April 13, 1992, p. 68(1).

Ansen, David: "'The Player.'" (director Robert Altman's new film) (Hollywood Is Talking)(motion picture industry) In: Newsweek, 119,9, March 2, 1992, p. 61(2).
"The hottest movie making the rounds in Hollywood is a satire on the motion picture industry itself, 'The Player.' The film is the work of Robert Altman, who has been ignored by the industry for years because of his reputation for being difficult and because his films were deemed too uncommercial.

Blake, Richard A.: "The player." (review) In: America,166,19, May 30, 1992, p. 490(2).

Canby, Vincent: "The player." (review) (Living Arts Pages) In: The New York Times 141, April 10, 1992, p. B1(N) pC16(L) col 1 (20 col in).

Corliss, Richard: "The player." (review) In: Time, 139,15, April 13, 1992, p. 70(1) (594 words).

Danziger, Marie: "Basic Instinct: Grappling for Post-Modern Mind Control." In: Literature/Film Quarterly, 22,1, (1994), pp. 7-10.
The post-modern distrust of the narrator has resulted in a series of films depicting unreliable and/or dangerous writers engaged in a struggle with their readers; focuses on "The player" and "Basic instinct."

Gaggi, Silvio: "The moving subject." In: From text to hypertext: decentering the subject in fiction, film, the visual arts, and electronic media / Silvio Gaggi.pp. 67-97 Philadelphia: University of Pennsylvania Press, c1997. Penn studies in contemporary American fiction.

Jameson, Richard T. / Smith, Gavin: "Robert Altman on The player." In: Film Comment 28,2, May-June 1992, pp. 20-30.
R.A. discusses the production of "The player" in the context of his earlier work, the adaptation from Michael Tolkin's novel, and the portrayal of Hollywood in the film.

Johnson, Brian D.: "The player." (review) In: Maclean's 105,17, April 27, 1992, pp. 67-68.

Kauffmann, Stanley: "The player." (review) In: The New Republic, 206,19, May 11, 1992, pp. 30-31.

Kasindorf, Jeanie: "Home movie." (interview with film director Robert Altman) (Interview) In: New York,25,11, March 16, 1992, p. 50(6).
Film director Robert Altman is making a Hollywood comeback with his film 'The Player.' Altman, a master of black comedy, has included cameos of 65 celebrities who appear as themselves in his film about corruption and murder in the film industry.

Klawans, Stuart: "The player." (review) In: The Nation, 254,16, April 27, 1992, p. 568(3) (1093 words).

Krusche, Dieter / Labenski, Jürgen: The Player. In: Filmklassiker. Beschreibungen und Kommentare. 1-4. Hrsg. v. Thomas Koebner unter Mitarb. v. Kerstin-Luise Neumann. Stuttgart: Reclam 1995.

Maslin, Janet: "Cannes loves Altman's mockery of filmdom." (Robert Altman's new film 'The Player') (Living Arts Pages ). In: The New York Times, 141, May 11, 1992, p. B1(N) pC9(L) col 3 (25 col in).

Picardie, Ruth: "Trashville." In: Modern Review,I,4, Summer 1992, p. 29.

Rafferty, Terrence: "The Player." (movie reviews) In: The New Yorker, 68,9, April 20, 1992, p. 81(2).

Raymond, Robert: "The Player." (movie reviews) In: Films in Review, 43,5-6, May-June 1992, p. 179(2).

Richolson, Janice: "The Player: An Interview with Robert Altman." In: Cineaste: America's Leading Magazine on the Art and Politics of the Cinema,19,2-3, 1992, pp. 61.

Quart, Leonard / Quart, Alissa / Richolson, J.: "The player. An interview with Robert Altman." In: Cineaste,XIX,2-3, (1992), pp. 60-62.
Director R.A. discusses themes in his film "The player" concerning commercialism and Hollywood.

Sawhill, Ray: "The player." (review) In: Film Quarterly,XLVI,2, Winter 1992-93, pp. 47-50.

Sheehan, H.: "The player." (review) In: Sight & Sound,II,3, July 1992, pp. 52-53.

Simon, John: "The player." (review) In: National Review,44,9, May 11, 1992, p. 53(2) (1181 words).

Smith, G. et. al.: "Robert Altman on The player." [interview]. In: Film Comment 28, May/June 1992, pp. 20-30.

Sugg, Richard P.: "The Role of the Writer in The Player: Novel and Film." Literature/Film Quarterly,22,1, 1994, pp. 11-15.
"The movie version of the 'The Player' portrays a different role for the writer than that portrayed in the novel. The story concerns a movie executive's conflict with screenwriters he rejects, his killing one of them and remaining threatened by another. Robert Altman's movie portrays the writer as an active agent who is surpassed by the power of the moviemaker. The novel portrayed writers as passive victims who could surpass the moviemaker in the long run." [Expanded Academic Index]

Weinraub, Bernard: "Hollywood is captivated by movie on its awfulness." (Robert Altman's 'The Player') (Living Arts Pages) In: The New York Times 141, Feb 18, 1992, p. B1(N) pC13(L) col 1 (31 col in).

Weinraub, Bernard: "The player." (review) In: The New York Times 141, April 5, 1992, p. H17(N) pH17(L) col 1 (33 col in).

Wilmington, Michael / Keogh, Peter: "Laughing and killing./ Death and Hollywood." In: Sight & Sound,II,2, June 1992, pp. 10-15 .
On Robert Altman's depiction of Hollywood in "The player" plus an interview with the director.

Simmons, Gary: "The Player." In:Australian Screen Education,26/27, Winter 2001, pp. 196-204.

Decker, Christof: Hollywoods Spiel mit den Zuschauern. In: Augen-Blick,31, Oct 2000, pp. 55-69.

O'Hehir, Andrew: "Def Jam's How to Be a Player." In: Sight & Sound 8, Jan 1998, p. 37.

Anzalone, John: Heroes and villains, or Truffaut and the literary pre/text. In: French Review,72,1, (1998), pp. 48-57.

Spines, Christine: "The Player." In: Premiere 11, Oct 1998, p. 124.

Elia, Maurice: "The Player." In: Sequences: la Revue de Cinema,189/190, Mar/Jun 1997, p. 61.

Noh, David: "Def Jam's How to Be a Player." In: The Film Journal 100, Sep 1997, p. 53.

McCarthy, Todd: "Def Jam's How to Be a Player." In: Variety 368, Aug 11/17, (1997), p. 58.

Camhi, Leslie: "How to Be a Player." In: The Village Voice 42, Aug 19, (1997), p. 86.

Rush, Jeff / Baughman, Cynthia: Language as narrative voice: the poetics of the highly inflected screenplay. In: Journal of Film and Video,49,3, (1997), pp. 28-37.

Leslie, Dwayne E.: "Def Jam's How to be a Player." In: Boxoffice 133, Sep 1997, pp. 117-118.

Sellier, Genevieve: La Nouvelle Vague: un cinema a la premiere personne du masculin singulier. In: Iris,24, Autumn 1997, pp. 77-89.

Adams, Doug: Thomas Newman's "The Player." In: Film Score Monthly,72, Aug 1996, pp. 16-18.

Everett, Anna: The other pleasures: the narrative function of race in the cinema. In: Film Criticism, 20,1/2, (1995), pp. 26-38.

De Bernardinis, Flavio: "The Player" e "Short Cuts," ovvero i protagonisti dell'America oggi. In: Il Castoro Cinema,39, 2nd ed., Apr 1995, pp. 128-136.

La Rochelle, Real: Non pas la realite, mais celle du cinema. In: 24 Images,71, Feb/Mar 1994, pp. 10-11.

Danziger, Marie: "Basic Instinct": grappling for post-modern mind control. In: Literature/Film Quarterly,22,1, (1994), pp. 7-10.

Sugg, Richard P.: The role of the writer in "The Player": novel and film. In: Literature/Film Quarterly,22,1, (1994), pp. 11-15.

Kolodynski, Andrzej: Patrz Kosciuszko... In: Kino (Poland) 28, Jul/Aug 1994, p. 44.

Kannik Haastrup, Helle: Den intertekstuelle terrorist vender tilbage. In: Kosmorama 40,209, Fall 1994, pp. 34-39.

Anzalone, John / Brunette, Peter, ed.: Francois Truffaut: "Shoot the Piano Player" [Book Review]. In: French Review 68,2, (1994), pp. 363-364.

Veronneau, Pierre: "My Night at Maud's"/Eric Rohmer, director. English Showalter (ed.) [Book Reviews]. In: Historical Journal of Film, Radio and Television,4,3, (1994), pp. 340-342.

Weinstein, Wendy: Veteran player David Brown busier than ever. In: The Film Journal 96, Jan/Feb 1993, pp. 8+ [3p].

Borger, Lenny: La decade prodigieuse. In: Positif,384, Feb 1993, pp. 79-82.

Martini, Emanuela: "I protagonisti." In: Cineforum 33,321, Jan/Feb 1993, pp. 64-69.

De Bernardinis, Flavio: "I protagonisti." In: Segnocinema: Rivista Cinematografica Bimestrale,59, Jan/Feb 1993, pp. 37-38.

Davis, Helene Laroche: Reminiscing about "Shoot the Piano Player." In: Cineaste 19,4, (1993), pp. 30-33.

Russo, Francine: "The Tango Player." In: The Village Voice 38, Nov 9, (1993), p. 64.

Lentano, Francesco: Appunti per un articolo su "The Player." In: Cinema Sud 33,111, Jun/Jul/Aug 1993, pp. 21-22.

Taggi, Paolo: Vacanze italiane. In: Segnocinema: Rivista Cinematografica Bimestrale,64, Nov/Dec 1993, pp. 17-19.

Medina de la Serna, Rafael: Altman vs. Hollywood. In: Dicine: Revista de Diffusion e Investigacion Cinematograficas a.c., 52, Jul 1993, pp. 2-4.

Holden, Stephen: Reviews/film: East Germany revisited by the non-thriller route. In: The New York Times 143, Nov 3, (1993), pp. C23.

Pedulla, Gabriele: La dimensione dell'immagine. In: Filmcritica: Rivista mensile di Studi sul Cinema 44,431, Jan/Feb 1993, pp. 66-68.

Novelli, Isabella: "I protagonisti." In: Film: tutti i film della stagione 1,2, (1993), pp. 53-55.

Fanara, Giulia: "I protagonisti." In: Cinema Nuovo 42,341, Jan/Feb1993, pp. 65-66.

Pugliese, Roberto: Segnodischi. In: Segnocinema: Rivista Cinematografica Bimestrale,60, Mar/Apr 1993, p. 69.

Bart, Peter: Altman's revenge. In: Variety 346, Feb 10, (1992), pp. 5+ [2p].

Frook, John Evan: Altman's "Player" to be released via Fine Line. In: Variety 346, Feb 17, (1992), p. 28.

McCarthy, Todd: "The Player." In: Variety 346, Mar 16, (1992), p. 58.

Weinraub, Bernard: Hollywood captivated by an Altman film about how awful it is. In: The New York Times 141, Feb 18, (1992), pp. C13+ [2p].

Kasindorf, Jeanie: Home movie. In: New York Magazine 25, Mar 16, (1992), pp. 50-55.

Raymond, Robert: "The Player." In: Films in Review 43, May/Jun 1992, pp. 179-180.

Blois, Marco de: Ce que je vois de ma tour d'ivoire. In: 24 Images,61, Summer 1992, p. 76.

Pond, Steve: Flushing the locusts. In: Premiere 5, May 1992, pp. 32+ [2p].

Weinraub, Bernard: When Hollywood is a killer. In: The New York Times 141, Apr 5, (1992), pp. 17+ [2p] sec 2.

Smith, Gavin / T. Jameson, Richard: "The movie you saw is the movie we're going to make." In: Film Comment 28, May/Jun 1992, pp. 22-30.

Jameson, Richard T.: Robert Altman on "The Player." In: Film Comment 28, May/Jun 1992, pp. 20-21.

Hoberman, J.: Star struck. In: The Village Voice 37, Apr 14, (1992), p. 53.

Schwager, Jeff: "The Player." In: Boxoffice 128, Jun 1992, pp. bet p53 and 62 [pR45-R46].

Cohn, Lawrence L.: Sticks don't nix Altman's pic. In: Variety 347, May 11, (1992), pp. 1+ [2p].

Alleva, Richard: Robert Altman is back. In: Commonweal 119, Jun 5 (1992), pp. 19-20.

Canby, Vincent: Review/film: inside Hollywood: an impious tale. In: The New York Times 141, Apr 10, (1992), pp. C16.

Weinraub, Bernard: "The Player": what's so funny? In: The New York Times 141, Apr 19, (1992), pp. 11 sec 2.

Van Gelder, Lawrence: At the movies. In: The New York Times 141, Apr 17, (1992), pp. C8.

Blake, Richard A.: Cut! In: America 167, May 30, (1992), pp. 490-491.

Jessel, Ian: Letter: "Player" bought and sold. In: Variety 347, Jun 8, (1992), p. 82.

Sauvaget, Daniel: "The Player." In: Revue du Cinema,482, May 1992, pp. 26-27.

Schiff, Stephen: Auteur! Auteur! In: Vanity Fair 55, Apr 1992, pp. 136+ [4p].

Denby, David: Hooray for Hollywood. In: New York Magazine 25, Apr 20, (1992), pp. 89-90.

Weinraub, Bernard: A writer's view from the edge of the playground. In: The New York Times 141, May 13, (1992), pp. C1+ [2p].

Groves, Don: Are sellers playing games with "Player"? In: Variety 347, May 25, (1992), pp. 5+ [2p].

Ansen, David: Bad blood in the Badlands. In: Newsweek 119, Apr 13, (1992), p. 68.

Ansen, David: Abigail Kuflik and Ray Sawhill. Hollywood is talking: "The Player." In: Newsweek 119, Mar 2, (1992), pp. 61-62.

Andersen, Kurt: A player once again. In: Time 139, Apr 20, (1992), pp. 78-80.

Corliss, Richard: Critic picks slick flick pic. In: Time 139, Apr 13, (1992), pp. 70.

Magny, Joel: Hollywood au miroir. In: Cahiers du Cinema,457, Jun 1992, pp. 38-39.

Kroll, Jack: Robert Altman gives something back. In: Esquire 117, May 1992, pp. 86-90+ [6p].

Rafferty, Terrence: Killer. In: The New Yorker 68, Apr 20, (1992), pp. 81-82.

Travers, Peter: Setting up Hollywood for the kill. In: Rolling Stone,629, Apr 30, (1992), pp. 63-64.

Breskin, David: Robert Altman: the "Rolling Stone" interview. In: Rolling Stone,628, Apr 16, (1992), pp. 72-77+ [9p].

Rondi, Gian Luigi: "Il giocatore." In: Rivista del Cinematografo 62, Jul/Aug 1992) p. 10.

Mariani, Paola: Che "attore"! In: Rivista del Cinematografo 62, May 1992, p. 27.

Comuzio, Ermanno: "The Player." In: Cineforum 32,315, Jun 1992, pp. 21-22.

Nientied, Andre: Valsspelen volgens de regels. In: Skoop 28, Sep 1992, pp. 12-15.

Temmerman, Jan: "Ik blijf in het individu geloven." In: Skoop 28, Sep 1992, pp. 8-11.

Koetsenruijter, Bart: Satire om de hoek. In: Skrien,187, Dec/Jan 1992, p. 40.

Schupp, Patrick: "The Player." In: Sequences: la Revue de Cinema,159/160, Sep 1992, pp. 71+ [2p].

Wells, Janet Mattingly: Correspondence: a different movie. In: Commonweal 119, Jul 17, (1992), pp. 30.

Almasi, Miklos: Hollywoodi kovuletek. In: Filmvilag 35,11, (1992), pp. 51-53.

Meyers, Ric: The crime screen. In: The Armchair Detective 25,4, (1992), pp. 446-447.

Thal, Ortwin: Das Meisterwerk. In: Medien + Erziehung 36,4, (1992), pp. 228-229.

Suriano, Francesco: Catapultati in un mondo a parte. In: Filmcritica: Rivista mensile di Studi sul Cinema 43,430, Dec 1992, pp. 545-547.

Jerslev, Anne: "The Player" - et vittigt manipulerende mestervaerk. In: Kosmorama 38,202, Winter 1992, pp. 22-23.

Sheehan, Henry: "The Player." In: Sight & Sound 2, Jul 1992, pp. 52-53.

Wilmington, Michael: Laughing and killing. In: Sight & Sound 2, Jun 1992, pp. 10-15.

Plazewski, Jerzy: Bulwar zachodzacego happy endu. In: Kino (Poland) 26, Dec 1992, pp. 39-40.

Camy, Gerard: Conference de presse de Bob Altman. In: Jeune Cinema,215, May/Jun 1992, pp. 44-47.

Tournes, Andree: "The Player." In: Jeune Cinema,215, May/Jun 1992, pp. 41-44.

Richolson, Janice Mosier: "The Player." In: Cineaste 19,2/3, (1992), pp. 61.

Quart, Leonard / Quart, Alissa: "The Player." In: Cineaste 19, n2/3, (1992), pp. 60+ [2p].

Sawhill, Ray: "The Player." In: Film Quarterly 46,2, (1992), pp. 47-50.

Delval, Daniel: "The Player." In: Cine-Fiches de Grand Angle,152, Sep 1992, pp. [61-62].

Smith, Gavin / Jameson, Richard T.: Robert Altman. In: Film en Televisie + Video,424, Sep 1992, pp. 16-19.

Mertens, Peter: Altmans home run. In: Film en Televisie + Video,424, Sep 1992, p. 15.

Stefancic, Marcel Jr.: "The Player." In: Ekran: Revija za Film in Televizijo 17,6/7, (1992), pp. 8-9.

Lochen, Kalle: Satire fra innsiden av Hollywood. In: Film & Kino,4, (1992), pp. 8-9.

Fischer, Robert: "The Player." In: EPD Film 9, Jul 1992, p. 31.

Alvarez, Gabriel: "The Player." In: Film Threat,5, Aug 1992, p. 56.

Koskinen, Maaret: Hollywood - Babylon tur och retur. In: Chaplin 34,n4, (n241) (1992), pp. 63-64.

Billson, Anne: Heaven can't wait. In: New Statesman & Society 5, Jun 26, (1992), p. 35.

Gray, Marianne: "The Player." In: Film Monthly 4, Aug 1992, p. 30.

Stevenson, William: Dealing "Player" a winning hand. In: Variety 348, Aug 10, (1992), p. 44.

Henry, Michael: "Hollywood n'est qu'une metaphore." In: Positif,377, Jun 1992, pp. 8-12.

Coursodon, Jean-Pierre: "The Player." In: Positif,377, Jun 1992, pp. 6-7.

Simon, John: Exaltation in Alaska, degradation in Hollywood. In: National Review 44, May 11, (1992), pp. 52-54.

Kauffmann, Stanley: Assumptions. In: The New Republic 206, May 11, (1992), pp. 30-31.

Dumas, Danielle: "The Player." In: L'Avant-Scene Cinema,414, Jul 1992, p. 79.

Klawans, Stuart: "The Player." In: The Nation 254, Apr 27, (1992), pp. 568-572.

Clements, Marcelle: Altman's "The Player": more than smug revenge. In: Premiere, 5.6.1992, p. 128.

Fuller, Graham: Robert Altman. In: Interview 22, May 1992, pp. 30-31.

Kelleher, Ed: "The Player." In: The Film Journal 95, May 1992, pp. 11.

Max, Daniel: "Player" author a key to promo game. In: Variety 347, Apr 20, (1992), pp. 63.

Stratton, David: "Der Tangospieler" ("The Tango Player"). In: Variety 342, Feb 25, (1991), pp. 246.

Roth, Wilhelm: "Der Tangospieler." In: EPD Film 8, Apr 1991, pp. 42.

Gehler, Fred: ... Nur ein Tangospieler. In: Film und Fernsehen 19,2, (1991), pp. 6-7.

Holloway, Ronald: "Der Tangospieler"/"The Tango Player." In: Kino: German Film,42, May 1991, pp. 11-12.

Schell, Fred: Noch einmal: DDR. Medien + Erziehung 35,2, (1991), pp. 106-108.

Hansen, Eric: "Der Tangospieler." In: Kino: Filme der Bundesrepublik Deutschland,2, (1991), pp. after p18 [pXXXV-XXXVI].

Van Gelder, Lawrence: At the movies. In: The New York Times 140, Aug 23, (1991), pp. C8.

Crowdus, Gary: "Shoot the Piano Player." In: Cineaste 18,1, (1990), pp. 60.

Besas, Peter: "Der Tangospieler." In: Film und Fernsehen 18,9, (1990), pp. 11.

Brownlow, Kevin: Thames silents. In: Sight & Sound 60,1, (1990), pp. 2.

Drek [author]: "Le joueur d'echecs" ("The Chess Player"). In: Variety 341, Dec 31, (1990), pp. 37.

Barteneva, Evgeniia: Personalities and events: Nikita Mikhalkov's Italian premiere. In: Soviet Film,n3, (n370) (1988), pp. 11.

Gillain, Anne: La scene de l'audition. In: L'Avant-Scene Cinema,362/363, Jul/Aug 1987, pp. 69-75.

La presse: In: L'Avant-Scene Cinema,362/363, Jul/Aug 1987, pp. 160-161.

"Tirez sur le pianiste": decoupage plan a plan apres montage et texte du dialogue in extenso. In: L'Avant-Scene Cinema,362/363, Jul/Aug 1987, pp. 12-68.

Pedler, Garth: Raymond Bernard's "The Chess Player" (1927). In: Classic Images,133, Jul 1986, pp. 34-35.

Viaene, Stef: "Same Player." In: Plateau 6,2, (1985), pp. 4-5.

Stefanoni, L.: "Partitura incompiuta per pianola meccanica". In: Cineforum 25,248, Oct 1985, pp. 75-80.

Franchi, I.: "Partitura incompiuta per pianola meccanica". In: Cinema Nuovo 34,296/297, Aug/Oct 1985, pp. 63-4.

Murat, Pierre: Dichiarazioni del regista. In: Cineforum 25,248, Oct 1985, pp. 78-80.

Taggi, P.: "Partitura incompiuta per pianola meccanica". In: Segnocinema: Rivista Cinematografica Bimestrale,19, Sep 1985, pp. 101.

Cardullo, Bert: Style and meaning in "Shoot the Piano Player". In: New Orleans Review 12,3, (1985), pp. 75-80.

Harcourt, Peter: Mad love and a sense of play: "reading" the early films of Francois Truffaut. In: Mosaic 16,1/2, (1983), pp. 113-124.

Guid (E. Guide): "Gustavus III: Farewell to a Player King". In: Variety 312, Oct 19, (1983), pp. 52.

Ansen, D.: Movies: midsummer dream. In: Newsweek 99, Apr 26, (1982), pp. 76.

Chion, M.: Un film meteore. In: Cahiers du Cinema,333, Mar 1982, pp. 61-2.

Le Dantec, M.L.: "Tirez sur le pianiste". Cinématographe n76 Mar (1982), pp. 56-7.

Sarris, A.: Films in focus: the sweet music of melancholy. In: The Village Voice 27, Apr 20, (1982), pp. 43.

Greenspun, R.: Films: stage business. In: Penthouse 13, Jun 1982, pp. 46-8.

Maslin, J.: Screen: a Chekhovian idyll. In: The New York Times 131, 23.4.1982, p. C8.

Holloway, Holl R.: "An Unfinished Piece for Player Piano" ("Platonov"). In: Variety 306, 21.4.1982, p. 16.

Hatch, R. Films: "Smash Palace," "An Unfinished Piece for Player Piano". In: The Nation 234, May 29, 1982, pp. 664-6.

Denby, D.: Movies: duck and cover. In: New York Magazine 15, May 3, (1982), pp. 75-7.

"The Horse Player" (1961). In: Camera/Stylo,2, Nov 1981, pp. 77-8.
Russian cinema. In: Film: the British Federation of Film Societies Monthly Journal,83, Mar 1980, pp. 3.

Peliculas. In: Celuloide 25,303/304/305, Nov 1980, pp. 12-14+ [14p].

Stefanoni, Lodovico: Speciale Michalkov: una diversita radicale aperta alla ricerca. In: Cineforum,198, Oct 1980, pp. 647-665.

Cros, J.-L.: "Partition inachevée pour piano mécanique." In: Revue du Cinéma Hors serie 23, (1979), pp. 238-9.

Merigeau, P.: "Partition inachevée pour piano mécanique." In: Revue du Cinéma,340, Jun 1979, pp. 121.

Renaud, T.: "Partition inachevée pour piano mécanique." In: Cinema 79,246, Jun 1979, pp. 76.

Tournes, A.: "Partition inachevée..." In: Jeune Cinema,119, Jun 1979, pp. 53-54.

Davay, P.: Festival de Bruxelles 1978: "Piece inachevee pour piano mecanique." In: Amis du Film et de la Television,262, Mar 1978, pp. 15.

Tamas, Koltai: "Platonov faj": Mihalkov: "Etudok gepzongorara." In: Filmkultura 14, May/Jun 1978, pp. 27-9.

Narti, Ana Maria: "Ofullbordat stycke for mekaniskt piano." In: Chaplin 20,3, (1978), pp. 129-30.

Tuominen, T.: "Keskenerainen savelma mekaaniselle pianolle." In: Filmihullu,5, (1978), pp. 36.

Konjar, Viktor: Sesto srecanje; dnevi sovjetskega filma. In: Ekran: Revija za Film in Televizijo 2,9/10, (1977), pp. 9-13.

Amengual, B.: "Niezakontchennaia pieca dlia mekanitcheskovo pianino." In: Positif,195/196, Jul/Aug 1977, pp. 91-92.

Gastellier, F.: "Partition inachevee." In: Jeune Cinema,104, Jul/Aug 1977, p. 36.

Im Bild vorgestellt: "Das mechanische Klavier." In: Film und Fernsehen 5,5, (1977), pp. 24-25.

Svobodin, A.: Vol'nyi Chekhov. In: Iskusstvo Kino,10, (1977), pp. 121-36.

Leroux, A.: "Piece inachevee pour piano mechanique." In: Sequences: la Revue de Cinema,90, Oct 1977, pp. 17-18.

Holloway, R.: "Platanov." In: Variety 285, Jan 19, (1977), pp. 23.

Carcassonne, P.: "Partition inachevee pour piano mecanique." In: Cinématographe,28, Jun 1977, pp. 34.

Lipkow, A.: Mit Tschechows Augen die Welt gesehen (interview with Nikita Mikhalkov). In: Film und Fernsehen 5,7, (1977), pp. 42-4.

Mikhalkov, Nikita: Da priblizhim zreliia Chekhov do mladiia Antosha Chekhonte. In: Kinoizkustvo 32, Sep 1977, pp. 82-86.

Thiher, Allen: The existential play in Truffaut's early films. In: Literature/Film Quarterly 5,3, (1977), pp. 183-97.

Kvasnetskaya, Margarita: A matter of conscience. In: Soviet Film,240,5 (1977), pp. 13-15.

Koniczek, Ryszard: Inny Czechow. In: Kino (Poland) 12, Oct 1977, pp. 52-53.

Konjar, Viktor / Vrdlovec, Zdenko: "Nedokoncana pesem za mehanicni pianino" ("Neokoncennaja pjesma dlja mehaniceskogo pianino"). In: Ekran: Revija za Film in Televizijo 2,9/10, (1977), pp. 10-11.

Korman, K.: Review. In: Video, 21, 7, November 1997, p. 113. (DVD review)

Blake, R.A.: Review. In: America 166, 30. Mai 1992, pp. 490-491.

Bowman, J.: In: The American Spectator 25, Juli 1992, p. 52.

Alleva, R.: Review. In: Commonweal 119, 5. Juni 1992, pp. 19-20.

Hersey, B.: Review. In: Glamour 90, Mai 1992, p. 180.

Johnson, D.: Review. In: Maclean`s 105, 27. April 1992, p. 676+.

Klawans, S.: Review. In: The Nation 254, 27. April 1992, pp. 568-570.

Simon, J.: Review. In: National Review 44, 11. Mai 1992, pp. 53-54.

Kauffmann, S.: Review. In: The New Republic 206, 11. Mai 1992, pp. 30-31.

Denby, D.: Review. In: New York 25, 20. April 1992, pp. 89-90.

Denby, D.: Review. In: New York 25, 4. Mai 1992, p. 23.

Rafferty, T.: Review. In: The New Yorker 68, 20. April 1992, pp. 81-82.

Ansen, D.: Review. In: Newsweek 119, 13. April 1992, p. 68.

Ansen,D.: Review. In: Newsweek 119, 2. Mai 1992, p. 61-62.

Novak, R.: Review. In: People Weekly 37, 13. April 1992, p. 16.

Travers, P.: Review. In: Rolling Stone, 30. April 1992, pp. 63-64.

Corliss, R.: Review. In: Time 139, 13. April 1992, p. 70.

Buck,J.J.: Review. In: Vogue 182, Mai 1992, p. 138.

Sawhill, R.: Review. In: Film Quarterly 46, Winter 1992/1993, pp. 47-50.

Kornman, K.: Review. In: Video 17, April 1993, p. 8.

Siegel, S.L.: Review. In: Video 17, Juli 1993, p. 77. (videodisc review)

Callum, M.: Review. In: TV Guide 41, 3.-9. April 1993, p. 34. (videotape review)


#Popeye (1980)

Anobile, Richard (ed.): Popoeye. The movie novel. New York: Avon 1980.

Stewart, Geo: The man who made Popeye move. In: Filmfax: the Magazine of Unusual Film & Television,78, Apr/May 2000, pp. 60-64.

Dallmann, Shane M.: "(Seventy) 70 Years of Popeye"; "Popeye." In: Video Watchdog,64, (2000), pp. 58-60.

Aachen, George: "Popeye the Sailor Meets Sinbad the Sailor." In: Reid’s Film Index,53, (2000), pp. 147.

Grandinetti, Fred: The Popeye cartoons: leave well enough alone. In: Classic Images,297, Mar 2000, pp. 73-74.

Aachen, George: "Popeye Meets Rip Van Winkle." In: Reid’s Film Index,53, (2000), pp. 146.

Grandinetti, Fred: The Popeye cartoons: leave well enough alone. In: Classic Images,297, Mar 2000, pp. 73-74.

Brennan, Simon / Gopalan, Nisha / Karren, Howoard / Kenny, Glenn / Kobel, Peter / Okum, Chris / Roston, Tom / Webster, Andy: Noble failures. In: Premiere 11, Aug 1998, pp. 80-84+ [7p].

Reid, John Howard: "Shuteye Popeye." In: Reid’s Film Index,32, (1997), pp. 151.

Reid, John Howard: "Private Eye Popeye." In: Reid’s Film Index,32, (1997), pp. 143-144.

Lucas, Marie: Popeye de spinazievreter [Book Review]. In: Plateau 17,3, (1996), pp. 3.

De Bernardinis, Flavio: "Popeye," ovvero "L'utopia andata in fumetto." In: Il Castoro Cinema,39, 2nd ed., Apr 1995, pp. 84-94.

Slide, Anthony: The Slide area film book notes [Book Reviews]. In: Classic Images,230, Aug 1994, pp. 46-48.

Hogan, David J.: Popeye: an illustrated history. By Fred M. Grandinetti [Book Review]. In: Filmfax: the Magazine of Unusual Film & Television,47, Oct/Nov 1994, p. 12.

Slide, Anthony: The Slide area film book notes [Book Reviews]. In: Classic Images,230, Aug 1994, pp. 46-48.

Williams, Betsy: North to the future: "Northern Exposure" and quality television. In: USC Spectator 13,3, (1993), pp. 28-39.

Kohl, Leonard: Frame by frame. In: Classic Images,177, Mar 1990, pp. 36-37+ [4p].

Kohl, Leonard: Frame by frame. In: Classic Images,175, Jan 1990, pp. 40-43.

Grandinetti, Fred: Popeye. In: Hollywood Studio Magazine 23,7, (1990), pp. 16-19.

Grandinetti, Fred: Popeye. In: Filmfax: the Magazine of Unusual Film & Television,24, Dec/Jan 1990, pp. 87-88.

Kohl, Leonard: Frame by frame. In: Classic Images,175, Jan 1990, pp. 40-43.

Wassenaar, Michael: Strong to the finich: machines, metaphor, and Popeye the Sailor. In: Velvet Light Trap: a Critical Journal of Film and Television,24, Fall(1989, pp. 20-32.

Anderson, Laurie: Why Popeye mumbled and who modeled for Bambi [Book Review]. In: The New York Times 139, Dec 3. (1989), pp. 11+ [2p] sec 7.

Turner colorizing "Popeye" cartoons for WTBS, syndie. In: Variety 326, Feb 25, (1987), pp. 482.

Ciment, Michel. Az Altman-fele "Popeye". In: Filmkultura 22,10, (1986), pp. 71-5.

Knight, B.: "Popeye Doyle". In: Variety 324, Sep 10, (1986), pp. 80 + [2p].

Barna, I.: Popreal. Filmvilag 29 n7 (1986), pp. 11-13.

Kohl, Leonard: Frame by frame: Jack Mercer: the voice of "Popeye". In: Classic Images,118, Apr 1985, pp. bet p32 and 33 [pC9-11].

Jack Mercer, provided voice of Popeye in film cartoons. In: The New York Times 134, Dec 9, (1984), pp. 52.

Manduzio, M.: "Popeye braccio di ferro". In: Segnocinema: Rivista Cinematografica Bimestrale,3, Mar 1982, p. 59.

Rabourdin D.: "Popeye". In: Cinema 82,277, C82, Jan 1982, pp. 78-9.

Nuccio, Lodato: "Popeye braccio di ferro". In: Cineforum,212, Mar 1982, pp. 43-50.

Cuel, F.: "Popeye". In: Cinématographe,74, Jan 1982, pp. 39.

Happy Feet. In: Amis du Film et de la Television,309, Feb 1982, pp. 47.

Hoberman, J.: Video to go: all singing, some dancing. In: The Village Voice 27, Mar 9, (1982), pp. 57.

Hoeben, Ronald: De lat-relatie van Popeye en Olive. In: Skoop 17, Dec/Jan 1981/82, pp. 22-24.

Holthof, M.: "Popeye". In: Andere Sinema,35, Jan 1982, p. 43.

Franchi, I.: "Popeye, braccio di ferro". In: Cinema Nuovo 31,276, Apr 1982, pp. 52-53.

Kolker, Robert P. / Braudy, Leo: Robert Altman: an interview, part II. In: Post Script: Essays in Film and the Humanities 1,2, 1982, pp. 2-14.

Le Peron, S.: Altman et Disney sont dans un bateau. In: Cahiers du Cinema,332, Feb 1982, pp. 56-57.

Voi, Pierluigi: "Popeye" - "Braccio di ferro". In: Rivista del Cinematografo 55, (1982), pp. bet p160 and 161 [p- Apr.

Collins, Reba Neighbors: "Popeye". In: Revue du Cinema 263, Hors serie (1982).

Logette, L.: "Popeye". In: Jeune Cinema,140, Feb 1982, pp. 34-36.

Salmans, Sandra: Advertising: Popeye's short-form programs. In: The New York Times 131, Aug 23, (1982), pp. D10.

Ledgard, R.: "Popeye" (1980) de Robert Altman. In: Hablemos de Cine,75, May 1982, pp. 93-94.

Viana, N.: Da banda desenhada e dos desenhos animados as figuras reais. In: Celuloide 27,332, Feb 1982, pp. 19-20.

Pedde-Lay, G.A.: Filmmuziek. In: Film en Televisie + Video,297, Feb 1982, pp. 18-19.

Zimmer, Jacques: Les noces du papier et du cellulo. In: Revue du Cinema,367, Dec 1981, pp. 21.

Summers, J.: "Popeye". In: Boxoffice 117, Jan 1981, pp. 16-17.

Sammon, P.M.: "Popeye". In: Cinefantastique 11,1, (1981), pp. 44.

Kolke, R.P.: Robert Altman: an interview, part I. In: Post Script: Essays in Film and the Humanities 1,1, (1981), pp. 2-7.

Milne, Tom / Combs, Richard: Robert Altman: backgammon and spinach. In: Sight & Sound 50,3, (1981), pp. 182-7.

Norgaard, P.: "Skipper Skraek". In: Levende Billeder 7, Dec 1981, pp. 60-61.
Acher, C.: Noir et blanc...en bleu. In: Amis du Film et de la Television,307, Dec 1981, pp. 8.

Blackbeard, Bill: The spinach-eating zombie [Book Review]. In: Funnyworld,22, (1981), pp. 53-6.

Bourget, J.-L.: "Popeye". In: Revue du Cinema,367, Dec 1981, pp. 22-4.

Ciment, Michel: Entretien avec Robert Altman. In: Positif,249, Dec 1981, pp. 15-23.

Coleman, J.: Films: country matters. In: New Statesman 101, Apr 10, (1981), pp. 28.

Colpart, Gilles: Betty Boop, Popeye et cie, par Leslie Cabarga [Book Review]. In: Revue du Cinema,357, Jan 1981, pp. 132-133.

Combs, R.: "Popeye". In: Monthly Film Bulletin 48, Mar 1981, pp. 54-55.

Kael, P.: The current cinema: the funnies. In: The New Yorker 56, Jan 5, (1981), pp. 80-85.

Kauffmann, S.: Stanley Kauffmann on films: mixed blessings. In: The New Republic 184, Jan 3/10, (1981), pp. 20-21.

Kephart, E.: "Popeye". In: Films in Review 32, Feb 1981, pp. 122.

Lefanu, M.: L'enfance et le mythe. In: Positif,249, Dec 1981, pp. 12-14.

Mcgilligan, Pat: Feiffer and "Popeye". In: Focus on Film,37, Mar 1981, pp. 10-12.

Crist, J.: Film. In: Saturday Review 8, Feb 1981, pp. 80-81.

Dassonville, Richard: Propos de Richard Dassonville (Walt Disney Distributions France). In: Revue du Cinema,367, Dec 1981, pp. 27-28.

Dewson, L.: "Popeye". In: Films Illustrated 10, May 1981, pp. 286.

Forocki, H.: Current cinema. In: Christian Century 98, Feb 4/11, (1981), pp. 180.

Geduld, H.M.: Film review: the gospel according to "Popeye". In: Humanist 41, Mar/Apr 1981, pp. 55-6.

Quart, B.: "Popeye". In: Film Quarterly 34,3, (1981), pp. 42-45.

Reynaert, Philippe: "Popeye". In: Amis du Film et de la Television,307, Dec 1981, pp. 6-7.

Sammon, P.M.: "Popeye". In: Cinefantastique 10,4, (1981), pp. 48.

Sinyard, Neil: "I yain't wot I woz|" In: Films Illustrated 10, Jul 1981, pp. 374-377.

Tamulis, J.:"Popeye". In: The Film Journal 84, Jan 15, (1981), pp. 32-3.
Young, Jordan R.: The screenplay according to Jules Feiffer. In: Millimeter 9, Apr 1981, pp. 177-81.

Vanschoenwinkel, R.: "Popeye". In: Film en Televisie + Video,295, Dec 1981, pp. 10-13.

"Popeye". In: CineMag,55, Feb 2, (1981), pp. 15.

"Crazy" takes b.o. lead; "Popeye" fin; big "Flash" dropoff. In: Variety 301, Dec 17, (1980), pp. 3+ [2p].

Harwood, J.: "Popeye". In: Variety 301, Dec 10, (1980), pp. 30.

Denby, D.: Movies: private picture. In: New York Magazine 13, Dec 29, (1980), pp. 47-9.

Laet, Danny de: Leslie Cabarga: Betty Boop, Popeye et cie [Book Review]. In: Plateau 1,4, (1980), pp. [18].

Canby V.: Screen: a singing, dancing, Feifferish kind of "Popeye". In: The New York Times 130, Dec 12, (1980), pp. C5.

Harmetz, Aljean: At the movies: producer of "Popeye" to try "CottonClub". In: The New York Times 130, Dec 12, (1980), pp. C14.

Ansen, D.: "Popeye" without spinach. In: Newsweek 96, Dec 22, (1980), pp. 72.

The stormy saga of Popeye: or how an unlikely crew guided a musical to port. In: American Film: a Journal of the Film and Television Arts 6, Dec 1980, pp. 30-36+ [8p].

Schickel. R.: Comics into film: bam| pow| eek|: "Flash Gordon" and "Popeye". In: Time 116, Dec 22, (1980), pp. 72-73.

Sarris, A.: Films in focus: Alain Resnais: mon auteur francais. In: The Village Voice 25, Dec 17, (1980), pp. 65+ [2p].

Beckerman, H.: Animation kit: some call it "Popeye Street." In: Filmmakers Film & Video Monthly 12, Oct 1979, pp. 46-47.

Fernett, Gene: Even Popeye couldn't hold Fleischer's studio together. In: Classic Film Collector,61, Winter 1978, p. 39.


#Prêt-à-Porter

Bruzzi, Stella: Cinema and Haute Couture: „Sabrina“ to „Pretty Woman“, „Trop belle pour toi“, „Prêt-à-Porter“. In: Ders. Undressing cinema. Clothing and identity in the movies. New York: Routledge 1997.

Ansen, David: "Ready to Wear." (movie reviews) In: Newsweek,125,2, Jan 9, 1995, p. 58(1) (298 words).

Hilferty, R.: "Ready to wear." In: Film Quarterly,XLVIII,4, Summer 1995; pp. 35-38.

Isherwood, Charles:"House of style." In: The Advocate,671, (The national gay & lesbian newsmagazine) Dec 27, 1994, p. 50(2).

Jacobs, Laura: "Haute couture: the director's cut." In: Modern Review I, 18, Dec-Jan 1994-95, pp. 3-4.

Klawans, Stuart: "Ready to Wear." (movie reviews) In: The Nation,260,3, Jan 23, 1995, p. 106(2).

Kühn, Heike: Prêt-à-Porter. Ready to Wear. In: epd Film 12,4, 1995, p. 46.

Lane, Anthony: "Ready to Wear." (movie reviews) In: The New Yorker,70,43, Dec 26, 1994, p. 144(2).

Martin, Richard: "Paris 75001." (Robert Altman's film 'Ready to Wear') In: Artforum International,33,6, Feb 1995, p. 15(2).
Robert Altman's film presents a flawed portrayal of the Paris fashion industry. Altman placed too much emphasis on the personalities of models and designers and their effect on popular culture. The movie revolves around the lives of several fictional designers whose characters were based on real designers. The film has been criticized for its insistence on viewing the fashion world as having an influential role in society, a view that has been outmoded since the late 1950s." [Expanded Academic Index]

Maslin, Janet: "Ready to Wear." (movie reviews) In: The New York Times 144, Dec 23, 1994, p. B1(N) pC1(L) col 1 (20 col in).

Romain, Hippolyte: Prêt à porter : les dessins du cinéma. Paris : Grasset 1994, 120 S.

Altman, Robert: Prêt-à-porter. In: Études : revue de culture contemporaine ; revue mensuelle fondée par des pères de la Compagnie de Jésus,382,5, (1995), pp. 695-700.

Sheehan, Henry: "Pret-a-Porter." (movie reviews) In: Sight and Sound,5,3, March 1995, p. 47(2).

Shulgasser, Barbara / Leitch, Brian D. [...]:"Prêt-à-porter" : un film de Robert Altman / texte de Robert Altman, Barbara Shulgasser et Brian D. Leitch ; introd. et interview de Brian D. Leitch ; dir. artistique de Fabien Baron. Paris : Ed. du Collectionneur [1995], 187 pp.

Spindler, Amy: "Altman embraces fashion; does fashion embrace him?" (Robert Altman's new film 'Ready to Wear') In: The New York Times 144, Dec 18, 1994, s2 pH10(N) pH10(L) col 1 (37 col in).

Werrett, June: "Making the Old New Again: Robert Altman's Pret-a-Porter." In: Film Journal,1,7, pp. (no pagination). 2003.

Wollen, Peter / Medhurst, Andy / Sheehan, H.: "Strike a pose./ Inside the British wardrobe./ Pret-a-porter (Ready to wear)."In: Sight & Sound,V,3, Mar 1995, p 10-17, 47-48.
Taking the release of Robert Altman's "Ready to wear" as a starting point, the article looks at clothes fashion as part of film history, both in Hollywood and in independent films; plus notes on definitive items of clothing in British films.

Vail', Petr: Vykhod na iazyk. In: Iskusstvo Kino,3, 1996, pp. 52-54.

Gandee, Charles: Vogue Arts - Movies Fashion victim: After sharp shots at Nashville and Hollywood, in Prêt-à-Porter, director Robert Altman aims at the fashion industry--and misses. In: Vogue, 1, 1995, pp. 72-73.

Ardai, Zoltan: Lagerfeld megussza. In: Filmvilag 39,5, 1996, pp. 55-56.

Laufsteg brutal - Interview mit US- Altmeister Robert Altman über seinen umstrittenen Mode-Film Prêt-à-porter. In: Stern: das deutsche Magazin 48,14, 1995, pp. 258-261.

Tashman, Robert: Prêt-à-Porter, directed by Robert Altman. In: London Review of Books 17,5, 1995, p. 30.

Gonzalez Rubio, Javier: "Caprichos de la moda." In: Dicine: Revista de Diffusion e Investigacion Cinematograficas a.c. ,63, Jul/Aug (1995), pp. 29-30.

Picchi, Michele: "Pret-a-porter." In: Cinema Nuovo 44,355, May/Jun 1995, pp. 51-52.

KL [author]: "Pret-a-porter." In: Film Pro,3, (1995), pp. 22.

Emiliani, Simone: Voglia di generi per Robert Altman. In: Filmcronache,49/50, May/Aug 1995, pp. 37-41.

Minks, Patrick: Screwball-Europe. In: Skrien,202, Jun/Jul 1995, pp. 28-29.

Pust, Maren: Kejserens nye modeller. In: Kosmorama 41,211, Spring 1995, pp. 15.

Sartor, Freddy: "Pret-a-porter." In: Film en Televisie + Video,451, Apr 1995, p. 28.

Mazierska, Ewa: Do noszenia przez jeden sezon. In: Kino (Poland) 29, Jun 1995, p. 33.

Novelli, Mara: I quattro momenti di Robert Altman. In: Filmcronache,51, Sep/Oct 1995, pp. 63-65.

Viviani, Christian: "Pret-a-porter." In: Positif,410, Apr 1995, pp. 18-20.

Denby, David: Rez. In: New York, 2.1.1995, p. 67.

Ciment, Michel: "Pret-a-porter," un film de Robert Altman. Par Robert Altman, Barbara Shulgasser et Brian D. Leitch [Book Reviews]. In: Positif,410, Apr 1995, p. 22.

Miles, Margaret R.: Fashioning the self. In: Christian Century 112, Mar 8, (1995), pp. 273-275.

Collins, Amy Fine: Ready to wear. In: Harper‘s Bazaar, Dec. 1994, p. 50.

Fuller, Graham: Tracey Ullman: a comic chameleon who never acts the same way twice. In: Interview 25 Jan (1995), pp. 32-33.

Rousseau, Yves: Un Americain a Paris. In: 24 Images,76, Spring 1995, p. 58.

Denby, David: It's a mad mad mad George. In: New York Magazine 28, Jan 2, (1995), pp. 66-67.

Cloutier, Mario: "Pret-a-porter." In: Sequences: la Revue de Cinema,176, Jan/Feb 1995, p. 42.

Tobin, Yann: "Pret-a-porter" de Robert Altman. In: Positif,410, Apr 1995, pp. 16-17.

Bourget, Jean-Loup: "Pret-a-porter." In: Positif,410, Apr 1995, pp. 21-23.

Martin, Richard: Paris 75001. In: Artforum International 33, Feb 1995, pp. 15-16.

Repetto, Monica: "Pret-a-porter." In: Film: tutti i film della stagione 3,14, (1995), pp. 8-10.

Krohn, Bill: "Le systeme de la mode. In: Cahiers du Cinema,489, Mar 1995, pp. 69-70.

Hilferty, Robert: "Ready to Wear." In: Film Quarterly 48,4, (1995), pp. 35-38.

Cherchi Usai, Paolo: "Pret a porter." In: Segnocinema: Rivista Cinematografica Bimestrale,72, Mar/Apr 1995, pp. 35-37.

Ansen, David: Dressed up with nowhere to go. In: Newsweek 125, Jan 9, (1995), p. 58.

Noh, David: "Ready to Wear (Pret-a-porter)." In: The Film Journal 98, Jan/Feb 1995, p. 49.

Molner, David: Designer suit blocks pic bow. In: Variety 358, Mar 20/26, (1995), p. 5.

Logette, Lucien: "Pret-a-porter." In: Jeune Cinema,231, Apr 1995, pp. 43-44.

Kauffmann, Stanley: Questions of style. In: The New Republic 212, Feb 6, (1995), pp. 24-25.

Hansson-Dow, Sophie:Filmmusik. In: Chaplin 37,n2, (n257) (1995), p. 23.

Franco, Guillermo: La moda en la mira. In: Dicine: Revista de Diffusion e Investigacion Cinematograficas a.c.,62, May/Jun 1995, pp. 27-29.

Prayez, Benedicte: "Pret-a-porter." In: Cine-Fiches de Grand Angle,180, Mar 1995, pp. [33-34].

Simon, John: Natural Nellegance. In: National Review 47, Feb 6, (1995), pp. 72-74.

Martini, Emanuela: "Pret-a-porter." In: Cineforum 35,343, Apr 1995, pp. 68-72.

Terreehorst, Pauline: De kleren van de keizer. In: Skrien,202, Jun/Jul 1995, pp. 24-27.

De Bernardinis, Flavio: "Pret-a-porter." In: Il Castoro Cinema,39, 2nd ed., Apr 1995, pp. 136-141.

Balynina, N.: Gotovoe k noske. In: Iskusstvo Kino,6, (1995), pp. 148-149.

Aitio, Tommi: "Pret-a-Porter." In: Filmihullu,4, (1995), p. 40.

Kuehn, Detlef: "Pret-a-porter." In: EPD Film 12, Apr 1995, p. 46.

Giraldi, Massimo: "Pret-a-porter." In: Filmcronache,48, Mar/Apr 1995, p. 94.

Burdette, Nicole: Lili Taylor. In: Bomb,47, Spring 1994, pp. 20-21.

Lane, Anthony: Textbook case. In: The New Yorker 70, Dec 26/Jan 2, (1994), pp. 142-145.

Shulgasser, Barbara: House of Altman. In: Vanity Fair 57, Nov 1994, pp. 174-181+ [14p].

Corliss, Richard: Stiletto heel. In: Time 144, Dec 19, (1994), pp. 75-76.

Griffin, Nancy: French dressing. In: Premiere 8, Dec 1994, pp. 96-99+ [8p].

McCarthy, Todd: "Ready" hangs on a thread. In: Variety 357, Dec 12/18, (1994), pp. 75+ [2p].

Greene, Ray: Model citizen. In: Boxoffice 130, Dec 1994, pp. 10-12.

Hoberman, J.: Hemming and hawing. In: The Village Voice 39, Dec 27, (1994), pp. 61.

Major, Wade: Sophia's choice. In: Boxoffice 130, Dec 1994, p. 11.

Garneau, Michele: Du pays reve au Quebec pret-a-porter. In: 24 Images,52, Nov/Dec 1990, pp. 32-35.

G. Hirshey: Review. In: Gentlemen`s Quarterly 64, Dezember 1994, p. 89+.

Collins, A.F.: Review. In: Harper`s Bazaar, Dezmeber 1994, p. 50.

Johnson,B.D.: Review. In: Maclean`s 107, 26. Dezember 1994, p. 36+.

Lane, A.: Review. In: The New Yorke 70, 26. Dezember 1994 - 2. Januar 1995, pp. 144-145.

Podolsky, J.D.: Review. In: People Weekly 41, 28. März 1994, pp. 46-48.

Corliss, R.: Review. In: Time 144, 19. Dezember 1994, pp. 75-76.

Bowman, J.: Review. In: The American Spectator 28, Februar 1995, p. 63.

Miles, M.R.: Review. In: The Christian Century 112, 8. März 1995, pp. 273-275.

Hilferty, R.: Review. In: Film Quarterly 48, Sommer 1995, pp. 35-38.

Meyer, M.: Review. In: Glamour 93, Januar 1996, p. 116.

Klawans, S.: Review. In: The Nation 260, 23. Januar 1995, pp. 106-107.

Simon, J.: Review. In: National Review 47, 6. Februar 1995, p. 74.

Kauffmann, S.: Review. In: The New Republic 212, 6. Februar 1995, pp. 24-25.

Denby, D.: Review. In: New York 28, 2. Januar 1995, p. 67.

Ansen, D.: Review. In: Newsweek 125, 9. Januar 1995, p. 58.

Kaufman, J.: Review. In: People Weekly 42, 16. Januar 1995, p. 20.

Gandee, C.: Review. In: Vogue 185, Januar 1995, pp. 72-73.

#Quintet (1979)

Hageman, Joe / Butterworth, Brent: Klipsch Quintet Micro Theater System. Home Theater (United States) 6 n2 (1999), pp. 102+ [3p].

Richmond, Ray: HBO ups quintet of exex. Variety 370 Mar 23/29 (1998), pp. 32.

De Bernardinis, Flavio: "Quintet," ovvero "Il grado (sotto) zero dell'immagine," ovvero "Seconda tentazione di posare la penna." In: Il Castoro Cinema,39, 2nd ed., Apr (1995), pp. 72-79.

Garel, Sylvain: Image par image. In: Cinema 90,469, Sep 1990, p. 31.

Santiago filmgoers leap 16%. lured by quintet of smashes. In: Variety 330, Mar 23, (1988), pp. 69 + [2p].

Illinois to play host to quintet of picture productions by majors. In: Variety 326, Mar 11, (1987), pp. 23.

Stuart, J.: Holland siting delays progress of multi-lingo Europa TV quintet. In: Variety 322, 23.4.1986, pp. 65.

Catholics rate quintet of Christmas pictures offensive; two suitable. In: Variety 325, 17.12.1986, pp. 4-5.

Quintet of entries from America form backbone of the Berlinale; seven English-lingo pics compete. In: Variety 318, 13.2.1985, pp. 5758.

Roddick, Nick: United Artists. In: Stills,15, Dec/Jan 1984, pp. 30-33.

Devo (S. Devins): "Quintet: Visions of Five". In: Variety 317, 31.10.1984, p. 74.

Deal with U.S. co. being worked out by Quintet & Rank. In: Variety 317, Dec 5, (1984), pp. 5+ [2p].

Asahina, R.: On screen: summer quintet. In: New Leader 66, Jun 27, (1983), pp. 21-22.

Hoberman, J.: Film: quintet. In: The Village Voice 27, Jun 29 (1982), pp. 66.

Milne, Tom / Combs, Robert: Robert Altman: backgammon and spinach. In: Sight & Sound 50,3, (1981), pp. 182-187.

Carcassonne, P.: Dossier: Hollywood 79: Altman 79: "Quintet." In: Cinématographe,45, Mar 1979, pp. 36-7.

Viana, N.: Revisao da obra de Robert Altman. In: Celuloide 24,282, Oct 1979, pp. 246-48.

Coleman, J.: Films: Holly picking. In: New Statesman 97, Jun 15, (1979), pp. 885.

Martin, Lynsey: Le jeu des rapports et la palette des filtres a effets dans les images de Jean Boffety. In: Cinema Pratique,162, Fall 1979, pp. 218-21.

Combs, Richard: Playing the game: or Robert Altman and the Indians. In: Sight & Sound 48,3, 1979, pp. 136-142.

Ciment, Michel / Henry, M.: Entretien avec Robert Altman (de "A Wedding" a "Quintet"). In: Positif,216, Mar 1979, pp. 7-21.

Kael, P.: The current cinema: the Altman bunker. In: The New Yorker 55, Feb 26, (1979), pp. 100-103.

Stone, Judy: If a director tells me I follow him. In: The New York Times 128, Feb 4, (1979), pp. 17 sec 2.

Sauvaget, D.: "Quintet." In: Revue du Cinema,340, Jun 1979, pp. 120-21.

Rogers, T.: "Quintet." In: Films in Review 30, Apr 1979, pp. 242-3.

Masi, S.: "Quintet". In: Bianco e Nero 40, Sep/Dec 1979, pp. 178-80.

Rich, F.: Adrift in a winter wonderland: "Quintet." In: Time 113, Feb 12, (1979), pp. 74.

Quinlan, D.: "Quintet." In: Films Illustrated 8, Jul 1979, pp. 414.

Portal, M.: "Quintet." In: Jeune Cinema,119, Jun 1979, pp. 47-9.

Perchaluk, E.: "Quintet." In: Independent Film Journal 82, Feb 1979, pp. 12-13.

Munroe, D.: "Quintet." In: Filmbulletin (Switzerland) 48, Mar 1979, pp. R-F.

Milne, Tom: "Quintet." In: Monthly Film Bulletin 46, Jul 1979, pp. 152-3.

Michiels, D. "A quintet." In: Film en Televisie + Video,266/267, Jul/Aug 1979, p. 36.

Leirens, J.: "Quintet" ou le jeu de la mort. In: Amis du Film et de la Television,278/279, Jul/Aug 1979, pp. 37-38.

Kroll, J.: Altman's apocalypse. In: Newsweek 93, Feb 12, (1979), pp. 88.

Haustrate, G.: "Quintet." In: Cinema 79,245, May 1979, pp. 95-96.

Harwood, J.: "Quintet." In: Variety 294, Feb 7, (1979), pp. 20.

Grossini, G.: "Quintet." In: Cinema Nuovo 28,261, Oct 1979, pp. 54-5.

Godefroy, J.-C.: "Quintet." In: Cinématographe,47, May 1979, p. 53.

Fox, J.R.: "Quintet." In: Cinefantastique 8,4, (1979), p. 22.

Elley, D.: "Quintet." In: Films and Filming 25, Sep 1979, p. 40.

Cumbow, R.C.: "Quintet." In: Movietone News,62/63, Dec 1979, pp. 47+[3p]

Chevassu, F.: "Quintet." In: Revue du Cinema Hors serie 23, 1979, pp. 264.

Canby, V.: Film: Altman offers apocalyptic fantasy. In: The New York Times 128, Feb 9, (1979), pp. C13.

Camus, J.-M.: "Quintet." In: Cine-Tele-Revue 59, Apr 12, (1979), pp. 12-13.

Beylie, C.: "Quintet." In: Ecran,80, May 15, (1979), pp. 60-61.

Alakine, K.: "Quintet"; "A Perfect Couple."In: Cinemonkey: a serious film journal 5,n2, (n17) (1979), pp. 54-55.

Masson, A.: Regulier et impair ("Quintet"). In: Positif,216, Mar 1979, pp. 2-6.

Kroon, Oscar Van: Altman/"Quintet." In: Skoop 15, Oct 1979, pp. 12-14.

Sarris, A.: Films in focus: Altman at Armageddon. In: The Village Voice 24, Feb 19, (1979), pp. 45.

West End slides, but "Quintet" good $6,387; "Muppet" 28G, 2d. In: Variety 295, Jun 20, (1979), pp. 42.

Jackson, M.A.:Films. In: USA Today 107, May 1979, pp. 63-4.

Ciment, Michel / Henry, M.: Entretiens avec Robert Altman (de "A Wedding" a "Quintet"). In: Positif,216, Mar 1979, pp. 7-21.

Altman in quest of Canada's snow. In: Variety 289, Dec 7, (1977), pp. 3+.


#Secret Honor

Aufderheide, Patricia: Secret Honor: Interviews with Donald Freed and Robert Altman. In: Cineaste: America's Leading Magazine on the Art and Politics of the Cinema. 14,2, 1985, pp. 13-14.
Donald Freed, co-scriptwriter of "Secret honor", on the role of drama in illuminating political history. Robert Altman on his motivation for making the film and transforming a play into a movie.

Canby, Vincent: "Secret honor." (movie reviews) In: The New York Times June 7, 1985 v134 p22(N) pC8(L) col 1 (24 col in); June 30, 1985 v134 s2 pH15(N) pH15(L) col 1 (36 col in).

Coleman. John: "Secret honor." (movie reviews) In: New Statesman 109, Feb 8, 1985, p. 36(2).

Kael, Pauline: "Secret honor." (movie reviews) In: The New Yorker 61, July 15, 1985, p. 70(2).

Kauffmann, Stanley: "Secret honor." (movie reviews) In: The New Republic 193, July 15, 1985, p. 32(2) (719 words).

"Richard Nixon: A Soliloquy." In: Harper's 269,1611, Aug 1984.

Ward, Geoffrey C.: "Secret honor." (movie reviews) In: American Heritage 38, April 1987, p. 18(1).

De Bernardinis, Flavio: "Secret Honor," ovvero "Nixon e il professore." In: Il Castoro Cinema,39, 2nd ed., Apr 1995, pp. 101-104.

Hickethier, K.: "Secret Honor". In: EPD Film 5, Jan 1988, pp. 38-39.

Sauvaget, D.: "Secret Honor". In: Revue du Cinema,413, Feb 1986, pp. 36-7.

Mercier, C.: "Secret Honor". In: Cinématographe,115, Jan 1986, pp. 37-8.

Katsahnias, I.: Le capitaine Haddock. In: Cahiers du Cinema,381, Mar 1986, pp. 62-3.

Gervais, G.: "Secret honor". In: Jeune Cinema,173, Mar/Apr 1986, pp. 38-9.

Chevassu, F.: "Secret honor". In: Revue du Cinema Hors serie XXXIII (1986), pp. 109.

Ciment, Michel: Entretien avec Robert Altman. In: Positif,299, Jan 1986, pp. 10-15.

Allonnes, F.R. d'.: "Secret honor". In: Cinema 86,339, Jan 29/Feb 4, (1986), pp. 2.

Mesnil, Michel: Off limits. In: Esprit,n3, (n112), Mar 1986, pp. 87-9.

Masson, A.: Dispersion proliferation. In: Positif,299, Jan 1986, pp. 16-18.

Sauvaget, D.: Entretien avec Robert Altman. In: Revue du Cinema,413, Feb 1986, pp. 37-9.

Canby, V.: Film view: five movies that make demands on audiences. In: The New York Times 134, Jun 30, (1985), pp. 15 sec 2+ [2p].

Combs, R.: "Secret Honor". In: Monthly Film Bulletin 52, Jan 1985, pp. 3-4.

Kael, P.: The current cinema: arf. In: The New Yorker 61, Jul 15, (1985), pp. 70 + [4p].

Siegel, S.L.: Review In: Video 17, Mai 1993, pp. 57-58. (videodisc review)

Sloman, T.: "Secret Honor". In: Films and Filming,366, Mar 1985, p. 40.

Jaehne, K.: "Secret Honor". In: Cineaste 14,2, (1985), pp. 12 + [3p].

Harvey, S.: Film: sympathy for the devil? In: The Village Voice 30, Jun 11, (1985), pp. 60.

Canby, V.: Film: Nixon tale, "Secret Honor". In: The New York Times 134, Jun 7, (1985), pp. C8.

Dewson, L.: "Secret Honor". In: Photoplay Movies & Video 36, Mar 1985, pp. 20.

Herbers, J.: Screen: Watergate and Nixon. In: The New York Times 134, Jun 20, (1985), pp. C20.

Schaar, E.: Die politische Buehne. In: Medien + Erziehung 29,2, (1985), pp. 92-3.

Aufderheide, Patricia: "Secret Honor: interviews with Donald Freed and Robert Altman. In: Cineaste 14,2, (1985), pp. 13-14.

Kauffmann, S.: Stanley Kauffmann on films: Poor Richard's Almanack and others. In: The New Republic 193, Jul 15/22, (1985), pp. 32-3.

Coleman, J.: Films: tricky Dicky in the dock. In: New Statesman 109, Feb 8, (1985), pp. 36-7.

Man in a dressing gown. In: Stills,14, Nov 1984, p. 22.

Karp, A.: "Secret Honor". In: Boxoffice 120, Dec 1984, pp. R152-3.

Herb (H. Michelson): "Secret Honor". In: Variety 315, Jul 11, (1984), pp. 16+ [2p].

Altman aiming for June "Honor" bow in San Francisco. In: Variety 315, Jun 6, (1984), pp. 5+ [2p].

Meisel, M.: "Secret Honor". In: The Film Journal 87, Dec 1984, p. 20.

Gehr, R.: "Secret Honor". In: Film News International, Nov 1984, pp. 48-9.

Kauffmann, S.: Review. In: The New Republic 193, 15.-22. July 1985, p. 32.

Kael, P.: Review .In: The New Yorker 61, 15. July 1985, p. 70+.


#Short Cuts

Altman, Robert Short cuts: the screenplay / Robert Altman & Frank Barhydt; based on the stories of Raymond Carver; portraits by Don Bachardy. Santa Barbara: Capra Press 1993.

Altman, Robert: Introduction - Collaborating with Carver. In: Raymond Carver: Shot Cuts. Selected Stories. New York: Random House 1993 (Vintage Books.).

Dastugue, Gérard: La scénarisation musicale dans Short Cuts de Robert Altman. In: Anglophonia: French journal of English studies 11, pp. 219-226 (2002).

Boddy, Kasia: Short Cuts and Long Shots: Raymond Carver's Stories and Robert Altman's Film. In: Journal of American studies,34,1, (2000), pp. 1-22.

Biagiotti, Cinzia: "Prigionieri della vita": le scorciatoie di Robert Altman e di Raymond Carver. In: Acoma : rivista internazionale di studi nordamericani,6,17, (1999), pp. 70-86.

Bell, Millicent: Short Cuts. In: The London magazine,3, 1994.

Ansen, David: "Short Cuts." (review) In: Newsweek 122,15, Oct 11, 1993, p. 60(1).

Boddy, Kasia: "Short Cuts and Long Shots: Raymond Carver's Stories and Robert Altman's Film." In: Journal of American Studies,34,1, pp. 1-22. April 2000.
The translation of Raymond Carver's story 'Short Cuts' into a film is discussed. Director Robert Altman's ambivalent feelings about Carver are assessed.

Canby, Vincent: "Short Cuts." (review) In: The New York Times 143, Oct 1, 1993, p. B1(N) pC1(L) col 3 (21 col in).

Castlereagh, Robert Stewart: "Reimagining Raymond Carver on film: a talk with Robert Altman and Tess Gallagher." (Interview) In: The New York Times Book Review Sept 12, 1993, p. 3 col 1 (65 col in).
Altman has recently completed 'Short Cuts,' based on nine short stories and a poem by the late Ray Carver. Carver's widow Tess Gallagher believes Altman translated Carver's work very truthfully while injecting enough energy for the movies.

Clark, Oliver: Short cuts. Formen filmischen und literarischen Erzählens bei Robert Altman und Raymond Carver. Alfeld/Leine: Coppi-Verlag 2000, 168 S. (Aufsätze zu Film und Fernsehen. 74.).

Coles, Robert: Compassion from Carver, male swagger from Altman. In: The New York Times, 143, 17.10.1993, sect. 2, pp. H1, H25.
Raymond Carver's world view is much different than director Robert Altman's as seen in 'Short Cuts,' Altman's film of Carver's short stories.

Deemer, Charles: „Short Cuts“. The Los Angelisation of Raymond Carver. In: Creative Screenwriting 4, Fall 1997, pp. 11-17.

Demory, Pamela: "'It's about Seeing...': Representations of the Female Body in Robert Altman's Short Cuts and Raymond Carver's Stories." In: Pacific Coast Philology, 34,1, pp. 96-105, 1999.

Ebert, Roger: Short Cuts. In: Chicago Sun-Times, 22.10.1993.

Everschor, Franz: Short Cuts. In: Filmdienst 46,26, 21.12.1993.

Fischer, Robert: Robert Altman pber Raymond Carver und Short Cuts. In: epd Film 11,1, 1994.

Gallagher, Tess: "Not Translation, but Translatability: Carver to Altman/Story to Film." (Responding to Harold Schweizer's 'Phenomenology of Reading'). In: Q/W/E/R/T/Y: Arts, Litteratures & Civilisations du Monde Anglophone, 9, pp. 177-80. Oct 1999.

Geng, Veronica: "Between the devil and the deep blue sea." (Robert Altman's 'Short Cuts') In: The New York Review of Books 40,19, Nov 18, 1993, p. 66(3).
"Robert Altman's film 'Short Cuts' is based on Raymond Carver's writings. Without resorting to melodrama, Altman effectively captured the abstractions in little acts and objects in much the same way as Carver did. Altman and scriptwriter Frank Barhydt were also able to expand on Carver's meanings without resorting to ironies or comments.

Gentry, R.: "Negotiating new cinematic avenues via Short cuts." In: American Cinematographer 74, November 1993, pp. 32-6+.

Grant, E.: "Short Cuts." In: Films in Review 44, November/December 1993, pp. 410-1.

Henry, Buck: Back roads to Short cuts. In: Film Comment 29,5, Sept.-Oct. 1993, pp. 34-40.
Production report and discussion of improvisation in Altman's film "Short cuts" by writer-performer Buck Henry; an appreciation of the film; and notes on the difficulty of locating certain films by Robert Altman on video.

Horst, Sabine: Short Cuts. In: epd Film 11,1, 1994.

Horton, Robert: "Short Cuts." In: Film Comment 29,6, November/December 1993, p. 70.

Howew, Desson: Short Cuts. In: Washington Post, 22.10.1993.

Johnson, Brian D.: "Short Cuts." (movie reviews) In: Maclean's 106,41, Oct 11, 1993, p. 79(2) (900 words).

Kauffmann, Stanley: "Short Cuts." (movie reviews) In: The New Republic 209,17, Oct 25, 1993, p. 30(2).

Kempley, Rita: Short Cuts. In: Washington Post, 22.10.1993.

Klawans, Stuart: "Short Cuts." (movie reviews) In: The Nation 257,15, Nov 8, 1993, p. 541(4) (2488 words).

Koebner, Thomas: Short Cuts. In: Filmklassiker. Beschreibungen und Kommentare. 1-4. Hrsg. v. Thomas Koebner unter Mitarb. v. Kerstin-Luise Neumann. Stuttgart: Reclam 1995.

Macnab, Geoffrey: "Luck, trust & ketchup: Robert Altman in Carver country." In: Sight & Sound,IV,7, July 1994, p. 49.
Zu dem Film gleichen Titels, Regie: Mika Kaplan, Produktion: John Dorr.

Macnab, Geoffrey: "Short Cuts." (movie reviews) In: Sight and Sound 4,3, March 1994, p. 49(2).

Ott, Michaela: Man-Werden des Gesellschaftlichen. In: Ders. u.a.: Hollywood. Phantasma / symbolische Ordnung in Zeiten des Blockbuster-Films. München: Ed. Text + Kritik 2005, pp. 217-
221.

Quart, Leonard: "Short cuts." (review) In: Cineaste,XX,3, (1994); pp. 48-49.

Rafferty, Terrence: "Short cuts." (review) In: The New Yorker,69,31, Sept 27, 1993, p. 98(3).

Romney, Jonathan: "Short Cuts." (movie reviews) In: New Statesman & Society, 7,293, March 11, 1994, p. 33(2) (1181 words).

Romney, Jonathan: "In the Time of Earthquakes." In: Sight & Sound,IV,3, Mar 1994, pp. 8-11,49-50.
"Robert Altman's film 'Short Cuts' uses an operational password 'lemonade,' to form the film's theme and structural principle. The intermingling of the films's characters during an urban catastrophe unites them in an erratic sequence of events. The film focuses on the uncertainties of life, in part illustrated by Jack Lemmon's search for his missing son only to discover his grandson in a hospital casualty ward. Altman portrays the chance meetings of these people in a comic albeit sensitive manner.

Romney, Jonathan: "In the Time of Earthquakes." In: Film/literature/heritage / edited by Ginette Vincendeau, pp. 217-223 London: British Film Institute, 2001. Sight and sound reader.

Runyon, Randolph: "Altman's Short Cuts: Three Unacknowledged Sources." In: Q/W/E/R/T/Y: Arts, Litteratures & Civilisations du Monde Anglophone, 9, Ost 1999, pp. 163-67.

Sawyer, David: "'Yet Why Not Say What Happened?' Boundaries of the Self in Raymond Carver's Fiction and Robert Altman's Short Cuts." In: Blurred boundaries: critical essays on American literature, language, and culture. Ed. by Klaus H. Schmidt and David Sawyer. Frankfurt: Peter Lang 1996, pp. 195-219.

Schickel, Richard: "Short cuts." (review) In: Time,142,14, Oct 4, 1993, p. 80(2) (1255 words).

Schweizer, Harold: "Robert Altman's Short Cuts: A Phenomenology of Reading." In: Q/W/E/R/T/Y: Arts, Litteratures & Civilisations du Monde Anglophone, 9, Oct 1999, pp. 169-175.
Scofield, Martin: "Closer to Home: Carver versus Altman." In: Studies in Short Fiction. 33,3, Summer 1996, pp. 387-99.
The Raymond Carver short stories Robert Altman used as the basis for his film 'Short Cuts' pursue similar visions in different ways. Carver presented a quiet simplicity on the surface with strong undercurrents of emotion, while Altman preferred a faster pace that did not engage the audience deeply. Carver often ended the story before its narrative was resolved, but Altman recast the stories into overlapping conclusions.

Simon, John: "Short cuts." (review) In: National Review, 45,21, Nov 1, 1993, p. 70(3) (1312 words).

Smith, Gavin: "Short Cuts." (review) In: Film Comment,29,5, Sept-Oct 1993, p. 36(2).

Smith, Gavin: "Faultlines Of A Daydream Nation." In: Film Comment,29,5, Sep-Oct 1993, pp. 36-37.

Smith, Robert: "Short Cuts to Derrida." In: Oxford Literary Review, 18,1-2, 1996, pp. 135-144.

Stewart, Robert: Reimagining Raymond Carver on Film: A Talk with Robert Altman and Tess Gallagher. In: New York Times Book Review, 12.9.1993, pp. 3, 41-32.

Riambau, Esteve: Robert Altman. In: Dirigido Por,297, Jan 2001, p. 39.

Friend, Tad: Short cuts [Book Review]. In: The New Yorker 76, Mar 20, (2000), pp. 134-138.

Kaufman, Tina: Short cuts. In: Metro,120, (1999), pp. 3-4+ [3p].

Chauville, Christophe: Short cuts. In: Bref: le Magazine du Court Metrage,40, Spring 1999, p. 37.

Kaufman, Tina: Short cuts. In: Metro,117, (1998), pp. 3-5.

Griffin, Al: Short cuts. In: Home Theater (United States),4,11, (1997), p. 150.

Elder, Sean: Dark victory. Robert Altman‘s „Short Cuts“ and his leading ladies.). In: Vogue, Oct. 1993, pp. 218-219.

Kaufmann, Tina: Short cuts. In: Metro,106, (1996), pp. 100-102.

Eshpai, Valentin: Minimal'no korotkie istorii. In: Iskusstvo Kino,4, (1995), pp. 162-163.

Medina de la Serna, Rafael: "Vidas cruzadas." In: Dicine: Revista de Diffusion e Investigacion Cinematograficas a.c.,62, May/Jun 1995, pp. 30-31.

De Bernardinis, Flavio: "The Player" e "Short Cuts," ovvero i protagonisti dell'America oggi. In: Il Castoro Cinema,39, 2nd ed., Apr 1995, pp. 128-136.

Kaplan, Michael: Merkintoja tuotannosta. In: Filmihullu,2, (1995), pp. 43.

Gallagher, Tess: Taiteilija kuilun partaalla. In: Filmihullu,2, (1995), pp. 42-43.

Willner, Hal: Making music for "Short Cuts." In: Projections,3, (1994), pp. 81-100.

Majois, Isabelle: "Short Cuts." In: Cine-Fiches de Grand Angle,170, Apr 1994, pp. [51-52].

Bourguignon, Thomas: "Short Cuts: les Americains." In: Positif,395, Jan 1994, pp. 20-21.

Bourget, Jean-Loup: Entretien avec Robert Altman. In: Positif,395, Jan 1994, pp. 28-34.

Euvrard, Michel: Scenes de la vie banlieusarde. In: Cine-Bulles,13,2, (1994), pp. 47-48.

Vergerio, Flavio: "America oggi." In: Film: tutti i film della stagione,2,9, (1994), pp. 35-37.

Shimizu, Julia Robinson: No short cuts for L.A.'s Fellini Theater. In: The Independent: Film & Video Monthly 17, Mar 1994, pp. 8-9.

Coursodon, Jean-Pierre: "Short Cuts." In: Positif,395, Jan 1994, pp. 22-27.

Codelli, Lorenzo: "Short Cuts." The screenplay. Par Robert Altman & Frank Barhydt [Book Review]. In: Positif,395, Jan 1994, p. 33.

Loewe, Peter: Amerikansk minestrone. In: Chaplin 36,n1, (n250) (1994), pp. 40-44.

Bjorkman, Stig: Carver minus komplikationer. In: Chaplin 36,n1, (n250) (1994), pp. 79-80.

Quart, Leonard: "Short Cuts." In: Cineaste 20,3, (1994), pp. 48-49.

Nave, Bernard: "Short Cuts." In: Jeune Cinema,226, Feb/Mar 1994, pp. 39-41.

Nacache, Jacqueline: "Short Cuts" - "Les americains." In: Le Mensuel du Cinema,14, Jan 1994, pp. 28-29.

Alion, Yves: Un cinema plus europeen qu'americain. In: Le Mensuel du Cinema,14, Jan 1994, pp. 74-76.

Romney, Jonathan: In the time of earthquakes. In: Sight & Sound 4, Mar 1994, pp. 8-11.

Mandel, Howard: Cutting it. In: Sight & Sound 4, Mar 1994, pp. 11.

Macnab, Geoffrey: "Short Cuts." In: Sight & Sound 4, Mar 1994, pp. 49-50.

Sartor, Freddy / Goethals, Piet / Meeus, Marcel: "Short Cuts." In: Film en Televisie + Video,439, Feb 1994, pp. 12-14.

Meeus, Marcel / Pede; Ronnie: Robert Altman. In: Film en Televisie + Video,439, Feb 1994, pp.
15-17.

Joris, Luc: Raymond Carver. In: Film en Televisie + Video,439, Feb 1994, pp. 18-19.

Painter, Jamie: "Short Cuts." In: Film Threat,15, Apr 1994, p. 52.

Carels, Edwin: Scenes uit tien huwelijkslevens. In: Skrien,194, Feb/Mar 1994, p. 20.

Rousseau, Yves: La p'tite vie americaine. In: Images,71, Feb/Mar 1994, p. 73.

Plazewski, Jerzy: Poszukiwanie teczy. In: Kino (Poland) 28, Mar 1994, pp. 27-28.

Popek, Simon: "Kratke zgodbe." In: Ekran: Revija za Film in Televizijo 19,8/9, (1994), pp. 26-29.

Jousse, Thierry: Vue en coupe d'une ville malade. In: Cahiers du Cinema,475, Jan 1994, pp. 62-63.

Fabricius, Susanne: Genveje i villabyen. In: Kosmorama 40,208, Summer 1994, pp. 6-7.

Conley, Tom: "Short Cuts." In: The Psychoanalytic Review 81,2, (1994), pp. 331-336.

Baron, Gyorgy: A mi nagy varosunk. In: Filmvilag 37,6, (1994), pp. 28-30.

Urban, Maria: "Rovidre vagva." In: Filmkultura,7, Jun 1994, pp. 26+ [2p].

Mazierska, Ewa: "Na skroty." In: Filmowy Serwis Prasowy 40,n2, (n756) (1994), pp. 12-13.

McCarthy, Todd: Altman's "Short Cuts" stands tall. In: Variety 352, Sep 13, (1993), p. 31.

Bourgeois, David: Short cuts. In: The Village Voice 38, Jul 6, (1993), p. 56.

Denby, David: Unkindest cuts. In: New York Magazine 26, Oct 11, (1993), pp. 75-76.

Elia, Maurice: "Short Cuts." In: Sequences: la Revue de Cinema,167, Nov/Dec 1993, pp. 41-42.
Smith, Gavin: Faultlines of a daydream nation. In: Film Comment 29, Sep/Oct 1993, pp. 36-37.

Horton, Robert: Short cuts and snappers. In: Film Comment 29, Nov/Dec 1993, pp. 70-76.

Faulkner, Tony: D.P. Walt Lloyd and music producer Hal Willner on Robert Altman and "Short Cuts." In: Filmmaker: the Magazine of Independent Film 2,1, (1993), p. 33.

La Polla, Franco: "Short Cuts." In: Cineforum 33,327, Sep 1993, p. 13.

Fava, Claudio G.: "America oggi." In: Rivista del Cinematografo 63, Nov 1993, p. 11.

Ellero, Roberto: "American oggi." In: Segnocinema: Rivista Cinematografica Bimestrale,64, Nov/Dec 1993, pp. 25-26.

La Polla, Franco: "America oggi" schegge impazzite. In: Cineforum 33,328, Oct 1993, pp. 4-7.

Mazzotta, Walter: Frammenti (d'America). In: Filmcritica: Rivista mensile di Studi sul Cinema 44,439, Nov 1993, pp. 437-441.

Henry, Buck: Back road to "Short Cuts." In: Film Comment 29, Sep/Oct 1993, pp. 34-35+ [5p].

Henry, Buck: Talking the talk. In: Film Comment 29, Sep/Oct 1993, p. 39

Geng, Veronica: Between the devil and the deep blue sea. In: New York Review of Books 40, Nov 18, (1993), pp. 66-68.

Lloyd, Walt / Lloyd, Walt: Sound & vision. In: Filmmaker: the Magazine of Independent Film 2,1, (1993), pp. 32+ [3p].

Heller, Zoe: Hollywood's last angry man. In: Vanity Fair 56, Oct 1993, pp. 170+ [5p].

Grant, Edmond: "Short Cuts." In: Films in Review 44, Nov/Dec 1993, pp. 410-411.

Klawans, Stuart: "Short Cuts." In: The Nation 257, Nov 8, (1993), pp. 541-544.

Simon, John: Misadaptations. In: National Review 45, Nov 1, (1993), pp. 70-72.

Stewart, Robert: Raymond Carver al cine. Entrevista con Robert Altman y Tess Gallagher Altman y
la poeta T. Gallagher, viuda de R. Carver, conversan sobre la adaptación cinematográfica de la obra de éste último realizada para Short Cuts, última película del cineasta estadounidense. In: Quimera : revista de literatura, 122, (1993), p. 60.

Ansen, David: A diorama of dysfunction. In: Newsweek 122, Oct 11 (1993), pp. 60.

Kauffmann, Stanley: In the soup. In: The New Republic 209, Oct 25, (1993), pp. 30-31.

Brown, Georgia: Bob and not Ray. In: The Village Voice,38, Oct 5, (1993), pp. 54+ [2p].

Gavin, James: A free-spirited survivor lands on her feet. In: The New York Times 143, Oct 3, (1993), pp. 34+ [2p] sec 2.

Gentry, Ric: Negotiating new cinematic avenues via "Short Cuts." In: American Cinematographer 74, Nov 1993, pp. 32-36+ [6p].

Kelleher, Ed: "Short Cuts." In: The Film Journal 96, Oct/Nov 1993, pp. 61-62.

Kleber, Reinhard: Ein Meisterwerk der Erzaehlkunst. In: Medien + Erziehung 37,6, (1993), pp. 347-349.

Adagio, Carmelo: "America oggi." In: Cinema Nuovo 42,346, Nov/Dec 1993, pp. 49-50.

Jenks, Tom: "Short Cuts." In: Esquire 120, Sep 1993, pp. 102-109+ [9p].

Weinraub, Bernard: Robert Altman, very much a player again. In: The New York Times 142, Jul 29, (1993), pp. C11-C12.

Stewart, Robert: Reimagining Raymond Carver on film: a talk with Robert Altman and Tess Gallagher. In: The New York Times 142, Sep 12, (1993), pp. 3+ [3p] sec 7.

Hearty, Kitty Bowe: Bob and Ray. In: Premiere 7, Nov 1993, pp. 58+ [3p].

Travers, Peter: A Robert Altman S*M*A*S*H. In: Rolling Stone,667, Oct 14, (1993), pp. 125-126+ [3p].

Greene, Ray: "Short Cuts." In: Boxoffice 129, Nov 1993, pp. bet p114 and 123 [pR74].

Codelli, Lorenzo: "Short Cuts" de Robert Altman. In: Positif,393, Nov 1993, p. 57.

Schickel, Richard / Ressner, Jeffrey: The heart of American darkness. In: Time 142, Oct 4, (1993), pp. 80-81.

Coles, Robert: Compassion from Carver, male swagger from Altman. In: The New York Times 143, Oct 17 (1993), pp. 1+ [2p] sec 2.

Canby, Vincent: Review/film festival: Altman's tumultuous panorama. In: The New York Times 143, Oct 1 (1993), pp. C1+ [2p].

Elia, Maurice: Les jeunes heroines de "Short Cuts." In: Sequences: la Revue de Cinema,167, Nov/Dec 1993, pp. 38-39.

Sauvaget, Daniel: "Short Cuts," de Robert Altman. In: Le Mensuel du Cinema,11, Nov 1993, pp. 4-5.

Klady, Leonard: N.Y. fest takes "Short Cuts." In: Variety 351, Jun 14, (1993), pp. 5.

Rafferty, Terrence: Carverville. In: The New Yorker 69, Sep 27, (1993), pp. 98-100.

Kroll, Jack: The player returns. In: Newsweek 121, Apr 26, (1993), pp. 62-63.

Saban, Stephen: Bob & Ray. In: Movieline 5, Oct 1993, pp. 36-40+ [8p].

Porter, Evette: Short cuts. In: The Village Voice 38, Mar 30, (1993), pp. 61.

Groves, Don / Dawtrey, Adam: Happy surprises: new films by Altman, Konchalovsky, Savoca. In: Variety 347, May 18, (1992), pp. 8.

Marks, Laura U.: Short cuts. In: The Village Voice 37, Sep 15, (1992), pp. 70.

Smith, Ruth Bayard: In short: nonfiction: Read my clips: Media Person cuts up. By Lewis
Grossberger [Book Review]. In: The New York Times 140, Jul 21, (1991), pp. 18 sec 7.

Caddell, Ian: B.C. unionites taking cuts on short-duration shoots. In: Variety 336, Sep 27/Oct 3, (1989), pp. 23.

Telefilm Canada chief cuts short AFM stay; cites "difficult time". In: Variety 318, Mar 6, (1985), pp. 15+ [2p].

Wooster, Ann-Sargent: Reviews: Manhattan short cuts: Ardele Lister/Sugar Daddy. In: Afterimage (United States) 10, Mar 1983, pp. 17-18.

Woods, George A.: Manhattan short cuts. In: Afterimage (United States) 10, 17-18 May, (1983).

Wooster, Ann-Sargent: Reviews: Manhattan short cuts: Robert Wilson/Video 50. In: Afterimage (United States) 10, Feb (1983), pp. 15-16.

Wooster, Ann-Sargent: Manhattan short cuts. In: Afterimage (United States) 9, May (1982), pp. 15-16.

Wooster, Ann-Sargent: Manhattan short cuts. In: Afterimage (United States) 9, Feb (1982), pp. 18-19.

Watson, Ivan: The short-cuts to better picture quality. In: Movie Maker 16, Aug 1982, pp. 473-474.

Canby, Vincent: Screen: "Short Cuts" for cynics. In: The New York Times 130, Sep 20, (1981), pp. 78.

Asahina, R.: On screen: short cuts. In: New Leader 62, Jan 15, (1979), pp. 21-22.

Rich, F.: Quick cuts. In: Time 110, Oct 10, (1977), pp. 84.

Henry, B.: Review. In: Film Comment, 29, Sept/Oct 1993, pp. 34-35.

Johnson, B.D.: Review. In Maclean`s 106, 11. Oct 1993, pp. 79-80.

Klawans, S.: Review. In: The Nation 257, 8. Nov 1993, pp. 541-543.

Simon, J.: Review. In: National Review 45, 1. November 1993, pp. 70-72.

Kauffmann, S.: Review. In: The New Republic 209, 25. Oktober 1993, pp. 30-31.

Denby, D.: Review. In: New York 26, 11. Oktober 1993, pp. 75-76.

Geng, V.: Review. In: The New York Review of Books 40, 18. Nov 1993, pp.66-68.

Rafferty, T.: Review. In: The New Yorker 69, 27. September 1993, pp. 98-100.

Kroll, J.: Review. In: Newsweek 121, 26. April 1993, pp. 62-63.

Ansen, D.: Review. In: Newsweek 121, 26. April 1993, p. 60.

Gilatto, T.: Review. In: People Weekly 40, 18. Oktober 1993, pp. 21-22.

Coffey, M.: Review. In: Publishers Weekly 240, 26. Juli 1993, p. 28.

Travers, P.: Review. In: Rolling Stone, 14. Oktober 1993, pp. 125-126+.

Schinckel, R.: Review. In: Time 142, 4. Oktober 1993, p. 80.

Siegel, S.L.: Review. In: Video 17, Juli 1994, p. 54.


#Streamers (1983)

De Bernardinis, Flavio: "Streamers," ovvero "Sei personaggi in cerca d'amore." In: Il Castoro Cinema,39, 2nd ed., Apr 1995, pp. 97-101.

Altman sues for share of "Streamers" gross. In: Variety 330, Mar 9, (1988), p. 7.

Kock, I. de: "Streamers". In: Andere Sinema,63, Nov 1984, pp. 22-23.

Aureli, Enrico: Altman missione teatro. In: Filmcritica: Rivista mensile di Studi sul Cinema 35,350, Dec 1984, pp. 550-553.

Vallora, M.: "Streamers". In: Revue du Cinema 136, Hors serie 1984.

Pracontal, Mona De: Sur quelques inedits americains au New York Film Fesitval. In: Revue du Cinema,390, Jan 1984, pp. 80-84.

Morsiani, A.: "Streamers". In: Segnocinema: Rivista Cinematografica Bimestrale,13, May 1984, pp. 64-65.

Menil, A.: "Streamers". In: Cinématographe,99, Apr 1984, pp. 32-33.

Krohn, B.: "Streamers". In: Boxoffice 120, Jan 1984, pp. 47-48.

Hutchinson, T.: "Streamers". In: Photoplay Movies & Video 35, Jun 1984, p. 20.

Cumbow, R.C.: "Streamers". In: Informer May/Jun (1984), p. 9.

Dumont, P.: "Streamers". In: Cinema 84,305, C84, May 1984, p. 47.

Elhem, Philippe: Les nus et les morts (bis repetita). In: Visions,21/22, Oct 1984, p. 38.

Girard, M.: "Streamers". In: Sequences: la Revue de Cinema,117, Jul 1984, pp. 52-53.

Hey, K.R.: Films. In: USA Today 112, Jan 1984, pp. 95-97.

Hibbin, S.:"Streamers". In: Films and Filming,355, Apr 1984, p. 42.

Kerner, Francoise: Deux morts, le sang par terre, mais le pluie tombe encore. Un homme chante. In: Positif,280, Jun 1984, pp. 19-20.

Le Roux, H.: Bidasses en folie. In: Cahiers du Cinema,358, Apr 1984, pp. 50-51.

Michiels, D.: "Streamers:" claustrofobische microcosmos. In: Film en Televisie + Video,329, Oct 1984, p. 29.

Ales, B.: "Streamers". In: Cine-Tele-Revue 64, Apr 5, (1984), p. 9.

De santi, G.: "Streamers". In: Cineforum 24,234, May 1984, pp. 51-55.

Bareges, L.: "Streamers". In: Cine-Tele-Revue 64, Jan 19, (1984), p. 55.

Combs, Richard: "Streamers". In: Monthly Film Bulletin 51, Apr 1984, pp. 123-125.

Philbert, Bertrand: Robert Altman. In: Cinématographe,99, Apr 1984, pp. 29-31.

Thygesen, E.: "Sandhedens time". In: Levende Billeder 10, Nov 15, (1984), pp. 57.

Sauvaget, D.: "Streamers". In: Revue du Cinema,393, Apr 1984, pp. 25-6.

Morsiani, A.: "Streamers". In: Segnocinema: Rivista Cinematografica Bimestrale,10, Nov 1983, pp. 29.

Toubiana, Serge: Les "monstrables". In: Cahiers du Cinema,352, Oct 1983, pp. 8-13.

Stein, Elliott: The 21st New York film festival: forbidden revelations. In: Film Comment 19, Nov/Dec 1983, pp. 60-61+ [9p].

Loynd, Ray: Mileti ankles SLM to solo, buys "Streamers" for $3-mil. In: Variety 311, Jul 6, (1983), pp. 6+ [2p].

Lally, Kevin: Altman and Mileti on "Streamers". In: The Film Journal 86, Oct 28, (1983), pp. 16-17.

Weinstein, W.: "Streamers". In: The Film Journal 86, Oct 28, (1983), pp. 61-3.
Kroll, J.: Movies: citizen army. In: Newsweek 102, Nov 7, (1983), pp. 131.

Kell (J.R.K. Keller): Review. In: Variety 312, Sep 7, (1983), pp. 17.

Harvey, Stephen: The 21st New York film festival: the age of calligraphy. In: Film Comment 19, Nov/Dec 1983, pp. 60+ [4p].

Feingold, M.: Film: masterpiece theater. In: The Village Voice 28, Nov 22, (1983), pp. 62.

Crist, J.: Film: a fallen star. In: Saturday Review 9, Nov/Dec 1983, pp. 42-43.

Corliss, Richard / Schickel. R.: Cinema: raking up the autumn leavings. In: Time 122, Oct 17, (1983), pp. 89-90.

Corliss, Richard: Review. In: Time, 17.10.1983, p. 89.

Ciment, Michel: "Streamers". In: Positif,273, Nov 1983, pp. 48-50.

Canby, Victor: Film festival: play "Streamers" adapted by Altman. In: The New York Times 133, Oct 9 (1983), pp. 73.

Asahina, R.: On screen: flimsy fall lineup. In: New Leader 66, Oct 17 (1983), pp. 18-19.

Stein, E.: Review. In: Film Comment 19, Nov/Dec 1983, p. 74.

Toole, L.O.: Review. In: Maclean`s 96, 28. Nov 1983, p. 70.

Kroll, J.: Review. In: Newsweek 102, 7. Nov 1983, p. 131.

Corliss, R.: Review. In: Time 122, 17. Oktober 1983, p. 89.

Hey, K.R.: Review. In: USA Today 112, Januar 1984, p. 96.


#Tanner '88

Dowd, Maureen: "Tanner '88." (TV reviews) In: The New Republic, 199,5, August, 1988, p. 37(4).

Corry, John: "Tanner '88." (TV reviews) IN: The New York Times,137,17, Feb 15, 1988, p. 17(N) pC20(L) col 3 (18 col in).

Waters, Harry F.: "A presidential pretender; Garry Trudeau and Robert Altman parody politics." (Home Box Office special "Tanner '88: The Dark Horse") In: Newsweek,111,7, Feb 15, 1988, p. 82(1).

Zwonitzer, Mark: "Tanner '88." (TV reviews) In: Rolling Stone,525, May 5, 1988, p. 30(2).


#That Cold Day in the Park (1969)

De Bernardinis, Flavio: "That Cold Day in the Park," ovvero "Frances pazza (ma non disperata)." In: Il Castoro Cinema,39, 2nd ed., Apr 1995, pp. 21-23.

Cumbow, Robert C.: "It's time to come inside now": an appreciation of Altman's "3 Women." In: Movietone News,58/59, Aug 14, (1978), pp. 2-10.


#Thieves Like Us (1973)

Harvey, Stephen / Corliss, Richard: "Outlaws, auteurs and actors. Keith Carradine and Shelley Duvall of 'Thieves like us'." In: Film Comment,X,3, May-June 1974, pp. 14-15.
Comments by R. Corliss on 'Thieves like us', interspersed with comments by K.C. and S.D. on working with Robert

Kinder, Marsha: "The return of the outlaw couple." In: Film Quarterly 27,4, Summer 1974, pp. 2-10.
A discussion of a new wave of crime films dealing with outlaw couples and how they relate to other crime films and the political situation in the USA.

Krusche, Dieter / Labenski, Jürgen: Thieves Like Us. In: Filmklassiker. Beschreibungen und Kommentare. 1-4. Hrsg. v. Thomas Koebner unter Mitarb. v. Kerstin-Luise Neumann. Stuttgart: Reclam 1995.

Plumb, C.: "Thieves like us; Mississippi dreamin'."In: Jump Cut,2, July-Aug 1974, pp. 5-6.

Wexman, Virginia Wright: "Thieves like us; the love scene." In: Jump Cut,2, July-Aug 1974, p. 7.

Purtschert, Peter: "I even lost my cat." In: Cinema (Switzerland) 42, (1997), pp. 49-59.

De Bernardinis, Flavio: "The Long Goodbye," ovvero "Raymond Chandler: operazione gatto." In: Il Castoro Cinema,39, 2nd ed., Apr 1995, pp. 37-42.

McElhaney, Joe: Neo-noir on laser. In: Bright Lights Film Journal,12, Spring 1994, pp. 44-45+ [3p].

Lyons, Donald: Laws in the iris: the private eye in the seventies. In: Film Comment 29, Jul/Aug 1993, pp. 44-45+ [8p].

Ferncase, Richard K.: Robert Altman's "The Long Goodbye": Marlowe in the me decade. In: Journal of Popular Culture 25,2, (1991), pp. 87-90.

Games, Marcelo: Robert Altman's "The Long Goodbye": Marlowe's last stand. In: Filament,5, (1986), pp. 23-24.

Avola, Periti: Sielunmessu Philip Marlowelle. In: Filmihullu,4, (1976), pp. 18-19.

Gross, Larry: Film apres noir. In: Film Comment 12, Jul/Aug 1976, pp. 44-49.

Swires, Steve: "Grab what you can get:the screenwriter as journeyma plumber"; a conversation with Leigh Brackett. In: Films in Review 27, Aug/Sep 1976, pp. 413-421.

Corliss, Richard: Keith Carradine and Shelley Duvall in „Thieves Like Us“. In: Film Comment 10, May 1974, pp. 14-15.


#Vincent & Theo (1990)

Macklin, F. Anthony: Look at this. In: Film Comment 29 Sep/Oct (1993), pp. 42.

Feeney, F.X.: "Vincent & Theo." In: Movieline 3, Sep 1991, p. 70.

Toumarkine, Doris: "Vincent & Theo," agenda put Hemdale on a roll. In: The Film Journal 94, Feb 1991, pp. 14+ [3p].

Van Wert, William F.: "Vincent and Theo." Film Quarterly 45 n1 (1991), pp. 37-41.

Sauvaget, Daniel: "Vincent et Theo." In: Revue du Cinema,472, Jun 1991, pp. 36.

Horguelin, Thierry: "Vincent et Theo." In: 24 Images,54, Spring 1991, pp. 84.

Bourget, Jean-Loup: Le triomphe du docteur Gachet. In: Positif,364, Jun 1991, pp. 58-59.

Sauvaget, Daniel: "Vincent et Theo." In: Revue du Cinema Hors serie 39 (1991), pp. 115.

Kael, Pauline: Mother, husband, brother. In: The New Yorker 66, Nov 19, (1990), pp. 127-133.

Schmalbruch, Kai: "Vincent & Theo." In: Levende Billeder 6, Dec 1990, p. 45.

Maslin, Janet: Review/film: an artist's creativity and impotence. In: The New York Times 140, Nov 2, (1990), pp. C20.

Giddins, Gary: Altman's back. In: The Village Voice 35, Nov 6, (1990), pp. 65+ [2p].

Moore, Suzanne: Thoroughly modern painter. In: New Statesman & Society 3, Jun 29, (1990), pp. 40.

Michiels, Dirk: "Vincent & Theo." In: Film en Televisie + Video,396/397, May/Jun 1990, p. 37.

Kerkhof, Esther: Rood haar, wuivend koren. In: Skoop 26, May 1990, pp. 8-11+ [5p].

Seesslen, Georg: Welcome to Europe, Mr. Altman. In: EPD Film 7, May 1990, pp. 20-24.

Knop, Matthias: Die ungleichen Brueder. In: Film & Fakten,12, May 1990, pp. 33-34.

Arnold, Frank: Gespraech mit Tim Roth, Schauspieler. In: Filmbulletin (Switzerland) 32,n3, (n171)
(1990), pp. 34.

Milne, Tom: "Vincent et Theo" ("Vincent & Theo"). In: Monthly Film Bulletin 57, Jul 1990, pp.
183-184+ [3p].

Combs, Richard: "The world is a bad painting." In: Monthly Film Bulletin 57, Jul 1990, pp. 186.

McBride, Joseph: "Vincent and Theo." In: Variety 339, May 2, (1990), pp. 285.

Kremski, Peter: Die Kunst und ihr Preis. In: Filmbulletin (Switzerland) 32,n3, (n171) (1990), pp. 19-25.

Arnold, Frank: "Wir haben die Kunst nich sehr ehrerbietig behandelt." In: Filmbulletin (Switzerland) 32,n3, (n171) (1990), pp. 29-35.

Billson, Anne: Actor with the X factor. In: Interview 20, Oct 1990, p. 48.

Moss, Marilyn: "Vincent and Theo." In: Boxoffice 126, Nov 1990, pp. bet p22 and 31 [pR86].

Kelleher, Ed: "Vincent & Theo." In: The Film Journal 93, Nov/Dec 1990, pp. 38-39.

Seidenberg, Robert: "Vincent & Theo." In: American Film: a Journal of the Film and Television Arts 15, Nov 1990, pp. 62-63.

Klawans, Stuart: Films. In: The Nation 251, Dec 10, (1990), pp. 742-744.

Cremonini, Giorgio: "Vincent e Theo." In: Cineforum 30,298, Oct 1990, pp. 94-95.

Fisher, William: Vincent and Theo and Bob. In: Millimeter 18, Sep 1990, p. 174.

Travers, Peter: "Vincent & Theo." In: Rolling Stone,591, Nov 15, (1990), pp. 162-163.

Sawhill, Ray: A passionate brotherhood. In: Newsweek 116, Nov 26, (1990), p. 78.

Baron, Linda and others: "It's a Knockout". In: Metro,67, (1985), pp. 49-51.

Faust, M.: Review. In: Video 15, 1991, p. 74.

Seidenberg, R.: Review. In: American Film 15, Nov 1990, pp. 62-63.

Johnson, B.D.: Review. In: Maclean`s 103, 26. Nov 1990, p. 74.

Klawans, S.: Review. In: The Nation 251, 10. Dec 1990, p. 743.

Sawhill, R.: Review. In: Newsweek 116, 26. Nov 1990, p. 78.

Novak, R.: Review. In: People Weekly 34, 19. Nov 1990, p. 21+.

Travers, P.: Rewiev. In: Rolling Stone, 15. Nov 1990, pp.162-163.

Denby, D.: Review. In: New York 24, 28. Jan 1991, p. 52.

Faust, M.: Review. In: Video 15, Nov 1991, p. 74.

Macklin, F.A.: Review. In: Film Comment 29, Sep/Oct 1993, p. 42. (videotape review)

William F.Van Wert: "Vincent and Theo." In: Film Quarterly 45,1, (1991), pp. 37-40.


#3 Women (1977)

Florin, Bo: Europaeer in Hollywood. In: Montage/AV: Zeitschrift fuer Theorie & Geschichte Audiovisueller Kommunikation 9,1, (2000), pp. 8-28.

Aachen, George: "Captive Women." In: Reid’s Film Index,41, (1999), pp. 38-40.

Fink, Guido: Il significato del significato: "Matrimonio in quattro" e le commedie americane del periodo muto. In: Il Castoro Cinema,41, 2nd ed., Jun 1997, pp. 48-53.

De Bernardinis, Flavio: "Three Women," ovvero Donne sull'orlo di una crisi di simboli. In: Il Castoro Cinema,39, 2nd ed., Apr 1995, pp. 62-64.

Nash, Mark: "Der Philosoph." In: Monthly Film Bulletin 57, Feb 1990, pp. 46-47.

Preziosi, Adelina: "Tre donne, il sesso e Platone." In: Segnocinema: Rivista Cinematografica
Bimestrale,44, Jul 1990, pp. 41-42.

Stratton, David: "Der Philosoph" ("The Philosopher"). In: Variety 334, Mar 15/21, (1989), pp. 17.

Aurich, Rolf: Liebe, Rotwein, Blut. In: Filmwaerts,13, Spring 1989, pp. 35-36.

Le Roux, Herve: Le paradis sur terre. In: Cahiers du Cinema,419/420, May 1989, pp. 74-75.

Strauss, Frederic: Entretien avec Rudolf Thome. In: Cahiers du Cinema,421, Jun 1989, pp. Journal n93:VI-VII.

Sauvaget, Daniel: "Le philosophe." In: Revue du Cinema,449, May 1989, pp. 28-29.

Holloway, Ronald: "Der Philosoph." In: Kino: German Film,33, May 1989, pp.

Bellet, Alain: "Le philosophe." In: Cinema 89,458, Jun 1989, p. 31.

Rousseau, Yves: "Le philosophe." In: Cine-Bulles 9,2, (1989), pp.

Michiels, Dirk: "Der Philosoph." In: Film en Televisie + Video,391, Dec 1989, p. 37.

Sauvaget, Daniel: "Le philosophe." In: Revue du Cinema Hors serie 36 (1989), p. 84.

Ingram, Bruce: "Der Philosoph." In: Kino: Filme der Bundesrepublik Deutschland,2, (1989), pp. XIV+ [2p].

Derobert, Eric: Parenthese. In: Positif,341/342, Jul/Aug 1989, pp. 116-117.

Spagnoletti, Giovanni: "Der Philosoph." In: Cineforum 29,285, Jun 1989, pp. 40-42.

Haggqvist, Soren: Eskapistisk novellett. In: Chaplin 31,n5, (n224) (1989), pp. 267-268.

Marsolais, Gilles: "Le philosophe." In: 24 Images,44/45, Autumn 1989, p. 33.

Lequeux, Michel: "Le philosophe." In: Cine-Fiches de Grand Angle 16,122, Dec 1989, pp. 23-24.

Elia, Maurice: "The Philosopher." In: Sequences: la Revue de Cinema,143, Nov 1989, p. 39.

Reich, A.: "We Dig Coal: a Portrait of Three Women". In: American Anthropologist 88,3, (1986), pp. 784-785.

"Three Women". In: China Screen,2, (1983), pp. 8-9.

Braudy, Leo / Kolker, Robert P.: Robert Altman: An Interview. In: Post Script: Essays in Film and the Humanities 1,2, 1982, pp. 2-14.

O'Connor, J. J.: TV weekend: tennis, 3 women miners. In: The New York Times 131, Jul 2, (1982), pp. C21.

Gabbard, Krin: Altman's "3 Women": sanctuary in a dream world. In: Literature/Film Quarterly 8,4, (1980), pp. 258-64.

Self, Robert: Systems of ambiguity in the art cinema. In: Film Criticism 4,1, (1979), pp. 74-80.

Viana, N.: Revisao da obra de Robert Altman. In: Celuloide 24,282, Oct 1979, pp. 246-48.

Machado, G.: "Tres mujeres." In: Cine al dia,23, Apr 1979, pp. 44-5.

Cumbow, Robert C.: "It's time to come inside now": an appreciation of Altman's "3 Women." In: Movietone News,58/59, Aug 14, (1978), pp. 2-10.

Kauffmann, S.: Stanley Kauffmann on films: no engagement. In: The New Republic 179, Sep 23, (1978), pp. 26-7.

Monaco, James: Welcome to Palm Springs and "Welcome to L.A." In: Literature/Film Quarterly 6,2, (1978), pp. 171-4.

Stewart, Robert: "(Three) 3 Women." In: Cinefantastique 7,1, 1978(includes 6:n4) (1978), pp. 42-3.

Kolsek, Peter: "Tri zenske" ("Three Women"). In: Ekran: Revija za Film in Televizijo 3,3, (1978), pp. 18.

Blake, R.A.: Ridiculous mountains, amiable mice. In: America 136, May 7, (1977), pp. 431-2.

Fieschi, J.: Robert Altman. In: Cinématographe,28, Jun 1977, pp. 2-4.

Arecco, Sergio: "Three Women." In: Filmcritica: Rivista mensile di Studi sul Cinema 28, Apr/May 1977, pp. 153-5.

Canby, V.: (Three) "3 Women" lights up a dark movie season. In: The New York Times 126, Apr 17, (1977), pp. 13 sec 2.

Kinder, Marsha: The art of dreaming in "Three Women" and "Providence": structures of the self. In: Film Quarterly 31,1, 1977, pp. 10-18.

Murphy, A.D.: "Three Women." In: Variety 286, Apr 13, (1977), pp. 20.

Merigeau, P.: "Trois femmes." In: Revue du Cinema,319, Sep 1977, pp. 119-20.

Leirens, J.: "3 femmes." In: Amis du Film et de la Television,254/255, Jul/Aug 1977, p. 34.

Kroll, J.: Altman's desert song. In: Newsweek 89, Apr 18, (1977), p. 64.

Kauffmann, S.: Stanley Kauffmann on films: bad dream. In: The New Republic 176, Apr 30, (1977), pp. 26-27.

Hatch, R.: Films: The Nation 224, May 7, (1977), pp. 572-573.

Grob, N.: "Drei Frauen." In: Medium 7, Nov 1977, pp. 29-30.

Gilliatt, P.: The current cinema: no other English speaking "Uncle Vanya" will burn so fiercely. In: The New Yorker 53, Apr 18, (1977), pp. 132-135.

Die Ausweglosigkeit eine Frau zu sein. In: Film & Ton-Magazin 23, Sep 1977, p. 72.

Daumen, Anatole / Sarre, Jean-Paul: Pinky Rose, c'est moi. In: Positif,197, Sep 1977, pp. 9-11.

Bourget, J.-L.: Pinky sauvee des hommes. In: Positif,197, Sep 1977, pp. 2-8.

Ciment, Michel / Henry, M.: Entretien avec Robert Altman. In: Positif,197, Sep 1977, pp. 12-20.

Robert Altman's "3 Women." In: Films and Filming 23, Jun 1977, pp. 26-29.

Westerbeck, C.L. Jr.: Born again. In: Commonweal 104, Jun 10, (1977), pp. 369-370.

Toumarkine "Three Women." In: Filmbulletin (Switzerland) 46, Apr/May 1977, pp. 24-25.

Tarratt, M.: "3 Women." In: Films and Filming 23, Sep 1977, pp. 32-33.

Simon, J.: Of dimwits, nitwits, halfwits. In: New York Magazine 10, Apr 25, (1977), pp. 95-96.

Schickel, R.: Dreamscape. In: Time 109, May 2, (1977), pp. 78+.

Sauvaget, D.: "Trois femmes." In: Revue du Cinema,320/321, Oct 1977, pp. 274-275.

Portal, M.: "Trois femmes." In: Jeune Cinema,104, Jul/Aug 1977, pp. 12-14.

Perchaluk, E.: "3 Women." In: Independent Film Journal 79, Apr 15, (1977), pp. 8.

Dahan, L.: "Trois femmes." In: Cinématographe,28, Jun 1977, p. 5.

Corliss, R.: Mirror images. In: New Times 8, Apr 15, (1977), pp. 67-70.

Combs, Richard: "3 Women." In: Monthly Film Bulletin 44, Sep 1977, pp. 198-199.

Castell, D.: "Three Women." In: Films Illustrated 6, Aug 1977, p. 448.

Canby, V.: Altman's "3 Women" a moving film; Shelley Duvall in memorable role The New York In: Times 126, Apr 11, (1977), pp. 40.

Bassan, R.: "Trois femmes." In: Ekran: Revija za Film in Televizijo,60, Jul 15, (1977), pp. 54-55.

Amiel, M.: "Trois femmes." In: Cinema 77,223, Jul 1977, pp. 94-95.

Leroux, A.: "Three Women." In: Sequences: la Revue de Cinema,89, Jul 1977, pp. 32-36.

Jonet, Michel: "(Three) 3 Women." In: Revue Belge du Cinema (A.P.E.C.),7/8, Oct 1977, pp. 61-63.

Jebb, Julian: "(Three) 3 Women." In: Sight & Sound 46,4, (1977), pp. 253-254.

Greenspun, R.: Floating: "3 Women." In: Film Comment 13, Jul/Aug 1977, pp. 55-57.

Ghezzi, Enrico: Tre pezzi su una donna. In: Filmcritica: Rivista mensile di Studi sul Cinema 28, Nov 1977, pp. 327-329.

Fuksiewicz, Jacek: Kobiety same. In: Kino (Poland) 12, Aug 1977, pp. 52-53.

Greenspun, R.: Luminous ladies. In: Penthouse 8, Jul 1977, pp. 37-39.

Duynslaegher, P.: Robert Altman: "Three Women." In: Film en Televisie + Video,242/243, Jul/Aug 1977, pp. 15-16.

Klemesrud, Judy: Shelley Duvall is unlikely star. In: The New York Times 126, Mar 23, (1977), pp. C19.

Allezaud, R.: "Trois femmes." In: Telecine,220, Jul/Aug 1977, pp. 44-45.

Sternman, William: "(Three) 3 Women." In: Audience 9, Aug 1977, pp. 9-10.

Reilly, Charles Phillips / Reilly, C.: "(Three) 3 Women." In: Films in Review 28, May 1977, pp. 311-312.

Quart, Leonard: Robert Altman: master of images. In: Intellect 106, Oct 1977, p. 159.

Quart, Leonard / Quart, Barabara: "(Three) 3 Women." In: Cineaste 8,1, (1977), pp. 42+.

Peruzzi, Giuseppe: "Tre donne." In: Cinema Nuovo 26, Nov/Dec 1977, pp. 460-463.

Ozick, Cynthia: (Three) "3 Women": the real thing is somewhere off camera. In: Ms. 5 Jun (1977), pp. 22+.

Coleman, J.: Hi, Tom. In: New Statesman 94, Jul 22, (1977), pp. 127.

Dunning, Jennifer: The man who painted Robert Altman's "3 Women." In: The New York Times 126, 26.4.1977, sect. 2, p. 19.

Asahina, R.: Altman lost in a dream. In: New Leader 60, May 9, (1977), pp. 23-24.

Sarris, Andrew: Robert Altman dreams a movie... In: The Village Voice 22, Apr 11, (1977), pp. 40+.

Crist, Judith: Altman returns to the labyrinth. In: Saturday Review 4, 16.4.1977, pp. 51-52.

Cromwell: 88, actor. In: Variety 284, Oct 13, (1976), p. 7.

Joyeux, F.: "Superman contre les amazones." In: Revue du Cinema,309/310, Oct 1976, pp. 349-350.

Tim Lucas on Robert Altman's 3 Women; Ben Walters remembers TV spoof The Day Today; Neil LaBute talks to Geoffrey Macnab about reshaping The Shape of Things. In: Sight & sound : the monthly film magazine, 14, 7, (2004), pp. 74-79.


#A Wedding

Wulff, Hans J.: A Wedding. In: Filmklassiker. Beschreibungen und Kommentare. 3. Hrsg. v. Thomas Koebner unter Mitarb. v. Kerstin-Luise Neumann. Stuttgart: Reclam 1995, S. 461-464.
2. Aufl. 1998. 3., durchges. u. erw. Aufl. 2000.

Clouzot, Claire: Portrait de groupe avec hargne. In: L'Avant-Scene Cinema,223, Mar 1 (1979), pp. 6-7.

Robert Altman (Trans. by B. Kovic from "Positif" n216 Mar 1979). In: Ekran: Revija za Film in Televizijo 4,3/4, (1979), pp. 16-17.

Rood, J.: Robert Altman: cen bruiloft als doofpot. In: Skoop 15, Feb 1979, pp. 6-9.

Benayoun, Robert: Vous vous croyez a Chi ou a L.A? In: Positif, 204, Mar 1978, pp. 37-43.

Bidaud, Anne-Marie: Anatomie des rituels dans quelques films de Robert Altman. In: Cinema 78,239 C78, Nov 1978, pp. 18-25.

Brookhouse, Christopher: Comment on media/arts: good director, bad film. In: Christian Century 95, 20.12.1978, pp. 1228-1229.

Clouzot, Claire: Avec Robert Altman: a propos de "A Wedding" et de quelques autres films. In: Ekran: Revija za Film in Televizijo,74, Nov 15, (1978), pp. 14-26.

Le Pavec, Jean-Pierre / Rabourdin, Dominique: Entretien avec Robert Altman. il interv port stills (Trans. by J.-P. Le Pavec and D. Rabourdin) In: Cinema 78,239, C78, (1978), pp. 7-17.

Rosenbaum, Jonathan / Michener, Charles: An Altman. In: Film Comment 14, Sep/Oct 1978, pp. 12-18.

Ciment, Michel / Henry, M.: Entretien avec Robert Altman. In: Positif,197, Sep 1977, pp. 12-20.

Westerbeck, C.L. Jr.: Screen: Altman's "A Wedding": a dearth in the family. In: Commonweal 106, Jan 1979, pp. 18-19.

Un mariage. In: L'Avant-Scene Cinema,223, Mar 1, (1979), pp. 2-5.

Turroni, G.: "Un matrimonio": il gioioso sorriso della morte. In: Filmcritica: Rivista mensile di Studi sul Cinema 30,291, Jan 1979, pp. 25-27.

Seesslen, G.: "Eine Hochzeit." In: Film & Ton-Magazin 25, Apr 1979, pp. 58-61.

Sartor, F.: "A Wedding." In: Film en Televisie + Video,260, Jan 1979, pp. 6-7.

Samsonowska, H.: Nie wpuszczajcie Altmana na wesele! In: Kino (Poland) 14, Mar 1979, pp. 59-60.

Leroux, A.: "A Wedding." In: Sequences: la Revue de Cinema,95, Jan 1979, pp. 48-49.

Lefevre, R.: "Un mariage." In: Revue du Cinema Hors serie 23, (1979), pp. 325-326.

La presse. In: L'Avant-Scene Cinema,223, Mar 1, (1979), p. 71.

Gow, G.: "A Wedding." In: Films and Filming 25, Jan 1979, p. 36.

Chalfen, Richard / Glander, Kenneth E.: Audiovisual notes. In: American Anthropologist 81,1, (1979), p. 210.

Viana, N.: Revisao da obra de Robert Altman. In: Celuloide 24,282, Oct 1979, pp. 246-248.

Asahina, Robert: On screen: embarrassing America. In: New Leader 61, Oct 9, (1978), pp. 21-22.

Benayoun, Robert: Vous vous croyez a Chi ou a L.A? In: Positif,204, Mar 1978, pp. 37-43.

Bidaud, Anne-Marie: Anatomie des rituels dans quelques films de Robert Altman. In: Cinema 78,239, C78, Nov 1978, pp. 18-25.

Bonnet, J.C.: "Un marriage." In: Cinématographe, 2, Dec 1978, pp. 63-64.

Camus, Jean-Marc: "Un marriage" ("A Wedding"). In: Cine-Tele-Revue 58, Nov 23, (1978), pp. 4-5.

Coleman, J. Arts and entertainment: leith of life. In: New Statesman 96, Dec 22/29, (1978), pp. 886-887.

Schlesinger, A.M., Jr.: Movies: Altman, le misanthrope. In: Saturday Review 5, Nov 25, (1978), pp. 52.

Schickel. R.: Cinema: subversives; good conduct. In: Time 112, Sep 25, (1978), pp. 92+.

Sauvaget, D.: "Un mariage" ("A Wedding"). In: Revue du Cinema,334, Dec 1978, pp. 116-117.

Sarris, Andrew: Films in focus: a filmfest with a cutting edge. In: The Village Voice 23, Sep 25 (1978), pp. 71.

Rosenbaum, Jonathan / Michener, Charles: An Altman. In: Film Comment 14, Sep/Oct 1978, pp. 12-18.

Munroe, D.: "A Wedding." In: Filmbulletin (Switzerland) 47, Aug/Sep 1978, pp.

Maraval, Pierre: Festival de New York. In: Cinématographe,41, Nov 1978, pp. 50-52.

Mack, Deirdre: "A Wedding." In: Films in Review 29, Nov 1978, p. 567.

Perchaluk, E.: "A Wedding." In: Independent Film Journal 81, Oct, pp. 40-41.

Seligson, Marcia: Marriage macabre. In: Ms. 7, Oct 1978, pp. 36-38.

Le Pavec, Jean-Pierre / Rabourdin, Dominique: Entretien avec Robert Altman. il interv port stills (Trans. by J.-P. Le Pavec and D. Rabourdin) In: Cinema 78,239, C78 ,Nov 1978, pp. 7-17.

Le Pavec, J.P.: "Un marriage." In: Cinema 78,239, C78, Nov 1978, pp. 90-91.

Kroll, Jack: Movies: Altman's wedding day (interview with Carol Burnett). In: Newsweek 92, Sep 25 (1978), pp. 109.

Kael, P.: The current cinema: forty-eight characters in search of a director. In: The New Yorker 54, Oct 2 (1978), pp. 113-120.

Hoberman, J.: Ethnographics and other strangers. In: The Village Voice 23, Dec 4 (1978), p. 58.

Henry M.: Les regles du jeu ("A Wedding"). In: Positif,212Nov 1978, pp. 58-61.

Hatch, R.: Films. In: The Nation 227, Jul 22/29, (1978), pp. 91-92.

Greenspun, R.: Films: sweet and sour. In: Penthouse 10, Nov 1978, pp. 64-66.

Quart, B. / Quart, L.: "A Wedding." In: Cineaste 9,2, (1978), pp. 45-47.

Milne, Tom: "A Wedding." In: Sight & Sound 48,1, 1978, p. 57.

Nave, B.: "Un mariage." Iu: Jeune Cinema, 115, Dec./Jan. 1978, pp. 44-46.

Goldstein, Stu: Altman takes Blue Ribbon to the altar; "A Wedding" is judged October's best. In: Boxoffice 114, 11.12.1978, p. 15.

Gans, Richard M.: Altman's "Wedding." In: Cinegram 3,1, 1978, pp. 23-24.

De bongnie, Jean: "Un marriage." In: Amis du Film et de la Television, 271, Dec. 1978, p. 21.

Corliss, Richard: Movies: this isn't a wedding, it's a circus. In: New Times 11, 16.10.1978, pp. 74-75.

Combs, Richard: "Wedding, A." In: Monthly Film Bulletin 45, Dec. 1978, pp. 249-250.

Clouzot, Claire. Avec Robert Altman: a propos de "A Wedding" et de quelques autres films. In: Ekran: Revija za Film in Televizijo,74, Nov 15, 1978, pp. 14-26.

Brookhouse, Christopher: Comment on media/arts: good director, bad film. In: Christian Century 95, Dec 20, (1978), pp. 1228-1229.

Blake, R.A.: Family affairs. In: America 139, 28.10.1978, p. 288.

Lillian Gish signed for "A Wedding" role. In: Boxoffice 111, 25.4.1977, p. 6.

Altman in Chi for "A Wedding"; blows an Ill. wind for location. In: Variety 286, 27.4.1977, p. 30.

Robert Altman picks near-Chi location. In: Variety 285, 12.1.1977, pp. 3-4.

Ciment, Michel / Henry, M.: Entretien avec Robert Altman. In: Positif, 197, Sept 1977, pp. 12-20.

   
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